JKBX – the Sport Changer? – Music Enterprise Analysis

JKBX – the Sport Changer? – Music Enterprise Analysis

by | Oct 5, 2025 | Entertainment Law, Music Business, Podcast News


JKBX, pronounced like ‘jukebox’, might be a sport changer for the music funding markets. Fairly than providing low-yield music catalogues from second-tier artists, JKBX sells revenue participation rights to royalty streams from helpful catalogues, corresponding to that housing the songs of OneRepublic frontman Ryan Tedder. By doing this, JKBX hyperlinks the billion-dollar music rights market with the idea of fragmented music rights on funding marketplaces. Solely time will inform whether or not this idea will finally achieve the long run. On this a part of the weblog sequence, we study JKBX’s enterprise mannequin and company construction in additional element.

Music Funding Marketplaces – Half 4: JKBX – the Sport Changer?*

The Basis of JKBX

Jukebox Know-how LLC was based by the music trade veteran Scott Cohen in addition to Sam Hendel and John Chapman of UK-private fairness agency Dundee Companions in 2023 headquartered in Culver Metropolis/California. In September 2023, Jukebox Know-how launched the fractionalised music royalty platform http://www.jkbx.com on the Web.[1] Scott Cohen co-founded with Richard Gottehrer the digital music distributor The Orchard in New York Metropolis in 1997, which was acquired by Sony Music Leisure in two tranches in 2012 and 2015 for a complete of US $300 million.[2] In 2019, Cohen left The Orchard to develop into Chief Innovation Officer at Warner Music Group,[3] earlier than  becoming a member of Sam Hendel and John Chapman to kind Jukebox Know-how.

Dundee Companions collaborates with Chord Music Companions, owned by the PE firm Kohlberg Kravis Robert & Co. (KKR), to purchase the KMR Music Royalties II fund for US $1.1 billion[4] in addition to the music catalogue of the One Republic frontman and songwriter Ryan Tedder.[5] Dundee can also be a associate of the PE firm Francisco Companions and MUSIC, which bought the Swedish Kobalt Music Group for US $750 million.[6] Subsequently, Dundee Companions was concerned within the acquisition of three giant music catalogues.

The Construction and Functioning of JKBX

JKBX is just not the innovator of fractional music royalty marketplaces however is nonetheless a sport changer. In contrast to a lot of the music funding marketplaces that promote participation rights in artists royalty income streams, JKBX targets giant music rights house owners that need to monetize their catalogues.[7] Rightsholders can provide components of their music catalogues (publishing and grasp rights) as royalty shares on the JKBX platform. Subsequently, Jukebox Know-how based the Delaware registered firm Jukebox Hits Vol. 1 LLC on 3 April 2023, which secured US Securities and Alternate Fee (SEC) approval as a Regulation A providing[8] in March 2024.[9] The Providing Round describes Jukebox Hits Vol. 1 LLC as “(…) restricted legal responsibility firm established to facilitate and handle traders’ financial publicity to the Firm’s contractual proper to obtain a portion of the royalties, charges, and different revenue streams (“Earnings Pursuits”) associated to or derived from musical songs, compositions, sound recordings, portfolios or catalogs (“Music Belongings”).”[10] Subsequently, Jukebox Hits Vol. 1 enters into buy agreements with so-called revenue curiosity house owners, a synonym for music catalogue house owners. The music belongings are break up up into so-called Royalty Shares which are issued in sequence, associated to a selected music asset corresponding to a composition, a sound recording or a portfolio of songs. As Jukebox Hits Vol. 1 is a SEC registered firm, the music belongings are offered like shares. The patrons of the Royalty Shares are entitled to obtain a portion of the royalty income generated by the underlying licenses. Nevertheless, the Providing Round clarifies that the issued Royalty Shares “are unsecured restricted obligations”, which “don’t confer any voting rights on the holders thereof.”[11] This makes it clear that the acquisition of royalty shares doesn’t set up possession of the traders within the firm Jukebox Hits Vol. 1 nor within the underlying music belongings. Buyers in JKBX royalty shares solely purchase contractual rights to earned royalty streams. The contractual rights are bought as Royalty Shares on the web-based platform http://www.jkbx.com, which is owned by Jukebox Know-how LLC.[12] Whereas Jukebox Hits Vol 1 LLC is managed and administered by the Delaware registered firm Double Platinum Administration LLC.[13]

Determine 1: The JKBX conglomerate

Supply: After Jukebox Hits Vol. 1 LLC, “Providing Round”, March 1, 2024, p. 19.

At the moment the one catalogue proprietor that has entered a purchase order settlement with Jukebox Hits Vol. 1 LLC on 5 November 2023 is the Coda Songs LLC,[14] which is a 100 per cent affiliate of Inkling Capital LLC. The only proprietor of Inkling Capital, nevertheless, is John Chapman, who’s a co-founder of JKBX.[15] Subsequently all of the underlying publishing and grasp rights for the Royalty Shares are owned by a senior govt of JKBX. The data spotlight that Jukebox Hits Vol. 1 LLC paid US $43 million in money to Coda Songs LLC to accumulate the revenue pursuits within the music belongings.[16] The acquisition worth needs to be refunded by the sale of the Royalty Shares, that are supplied to so-called “certified purchasers”.[17]

The Financial Potential of JKBX

Determine 2: The highest 10 performing Royalty Shares by yield

Title Re-lease Date Rights sort Royalty sort Songwriterrecording artist producer 2023 royalty revenue Worth per share No. of shares Yield
All people Loves Me 2009 Sound recording producer Associated rights Digital Producer Ryan Tedder $685.16 $16.00 25 171.29%
If I Lose Myself 2013 Sound recording producer Associated rights Digital Producer Ryan Tedder $8,884.61 $1.84 50,000 9.66%
Wings 2013 Sound recording producer Associated rights Digital Royalty participant Producer Ryan Tedder $4,777.47 $31.00 2,000 7.71%
Ghost 2014 Compo-sition Songwriter Public perfor-mance SongwriterRyan Tedder $25,440.05 $3.34 100,000 7.62%
Wings 2013 Compo-sition Songwriter Public perfor-mance SongwriterRyan Tedder $17,921.20 $2.38 100,000 7.53%
Counting Stars 2013 Sound recording producer Associated rights Digital Producer Ryan Tedder $22,559.59 $3.23 100,000 6.98%
Welcome to New York 2014 Sound recording producer Associated rights Digital Royalty participant Producer Ryan Tedder $3,008.46 $45.00 1,000 6.68%
Good Life 2009 Sound recording producer Neighbouring Digital Producer Ryan Tedder $5,551.65 $1.55 60,000 5.97%
All of the Proper Strikes 2009 Sound recording producer Neighbouring Digital Producer Ryan Tedder $9,636.64 $1.65 100,000 5.84%
Counting Stars 2013 Compo-sition Songwriter Public perfor-mance Sync Mechanical Different SongwriterRyan Tedder $345,190 $31.37 200,000 5.50%

Supply: JKBX, “All Listings”, n.d., accessed: 2025-03-27.

Determine 3: The ten worst performing Royalty Shares by yield

Title Re-lease Date Rights sort Royalty sort Songwriterrecording artist producer 2023 royalty revenue Worth per share No. of shares Yield
Diploma-tico 2018 Sound Recording Grasp Gross sales
Sync Digital		 Label: Third Pardee Data $5,807.43 $3.47 100,000 1.67%
Make It Sizzling 2019 Sound Recording Grasp Gross sales
Sync Digital		 Label: Third Pardee Data $3,640.77 $2.35 100,000 1.55%
Brighter Than The Solar 2011 Sound Recording Producer Associated rights Digital Royalty participant Producer: Ryan Tedder $851.30 $55.00 1,000 1.55%
Each Breaking Wave 2014 Sound Recording Grasp Associated rights Digital Royalty participant Producer: Ryan Tedder $1,576.65 $1.80 60,000 1.46%
Blow That Smoke 2018 Sound Recording Grasp Gross sales
Sync Digital		 Label: Third Pardee Data $3,999.92 $2.79 100,000 1.43%
Track For Somebody 2014 Sound Recording Producer Associated rights Digital Royalty participant Producer: Ryan Tedder $2,284.66 $1.66 100,000 1.38%
Connec-tion 2018 Sound Recording Producer Associated rights Digital Producer: Ryan Tedder $1,215.65 $2.02 50,000 1.20%
Specific Style 2018 Compo-sition Songwriter Public perfor-mance Songwriter: Ryan Tedder $266.05 $24.00 1,000 1.11%
Specific Style 2018 Sound Recording Producer Associated rights Digital Royalty participant Producer: Ryan Tedder $0.78 $50.00 3 0.52%
Burn 2012 Sound Recording Producer Associated rights Digital Producer: Ryan Tedder $0.00 $10.00 100 0.00%

Supply: JKBX, “All Listings”, n.d., accessed: 2025-03-27.

The SEC Regulation A providing of Jukebox Hits Vol. 1 LLC stipulates that solely “accredited traders” can purchase Royalty Shares. These are pure individuals with an revenue of greater than US $200,000 in every of the 2 current years and so-called Excessive Web Price People (HNWIs) with a internet wealth increased than US $1 million.[18] Subsequently, solely comparatively rich traders can purchase JKBX Royalty Shares. Therefore, JKBX has the proper to evaluate and settle for but in addition reject a subscription to purchase Royalty Shares.[19] The JKBX music funding market, subsequently, solely permits restricted entry to its merchandise. The preliminary providing worth of the Royalty Shares are decided by Double Platinum Administration on an arbitrary foundation.[20] JKBX factors to the danger, that the precise worth of the funding, subsequently, could also be lower than what traders pay.[21] The Royalty Shares are offered on the www.jkbx.com platform on the Web to “certified traders” and the proceeds from the providing are used to fund the acquisition prices of the Royalty Rights and to pay overhead, worker prices, utilities and expertise prices, which incur by the administration firm.[22]

Though JKBX plans to launch a secondary market to commerce Royalty Shares, there isn’t any intention to commerce Royalty Shares on a inventory alternate. At the moment, nevertheless, no different buying and selling system is obtainable on the JKBX webpage.[23] It’s because Royalty Shares are unsecured restricted obligations of Jukebox Hits Vol. 1 LLC, whose commerce is related to a excessive danger.[24] Jukebox Hits Vol. 1 LLC has issued 97 Royalty Shares with completely different underlying composition and recording rights.

Regardless of its potential for innovation, JKBX is at the moment a gross sales platform for contractual rights to earned royalty streams and restricted to rich traders. It’s neither a buying and selling platform for music rights nor a inventory alternate for music shares. Moreover, JKBX solely has a single music catalogue, acquired from Coda Songs for round US $43 million. This funding should first be recouped by the sale of Royalty Shares. It stays to be seen whether or not additional music catalogues shall be obtainable for the sale of Royalty Shares sooner or later.

Endnotes

[1] Billboard, “Wish to Make investments In Your Favourite Track? JKBX Bets Followers Will Deliver Billions to Market”, August 25, 2023, accessed: 2025-03-25.

[2] Billboard, “Sony’s Orchard Acquisition, By the Numbers and Behind the Scenes”, March 19, 2015, accessed: 2025-03-25.

[3] Music Enterprise Worldwide, “Official: Warner hires Scott Cohen, co-founder of The Orchard, as Chief Innovation Officer, Recorded Music”, March 6, 2019, accessed: 2025-03-25.

[4] Music Enterprise Worldwide, “Confirmed: Kobalt sells catalog to new KKR enterprise, Chord, for $1.1 billion”, October 19, 2021, accessed 2025-01-15.

[5] Music Enterprise Worldwide, “KKR buys majority stake in Ryan Tedder catalog, marking funding large’s return to music rights possession“, January 11, 2021, accessed: 2024-12-11.

[6] Music Enterprise Worldwide, “Kobalt Music Group offered to US-based personal fairness agency Francisco Companions”, September 7, 2022, accessed: 2024-12-11.

[7] In September 2023, JKBX additionally launched its Creator Program for artists, who need to promote a share of their royalty income streams; see: Music Enterprise Worldwide, “JKBX, launching this week, confirms it should pay songwriters and artists direct by way of ‘Creator Program’ – even when they don’t personal their rights”, September 11, 2023, accessed: 2025-03-25.

[8] A Regulation A providing is a sort of mini Preliminary Public Providing (IPO), which permits to supply and promote securities to the general public by way of a course of that’s much like, however much less in depth than, a registered providing; see: US Securities and Alternate Fee (SEC), “Regulation A”, November 14, 2024, accessed: 2025-03-25.

[9] Music Enterprise Worldwide, “Music royalties buying and selling platform JKBX launches – with regulatory approval from the SEC”, March 6, 2024, accessed: 2025-03-25.

[10] Jukebox Hits Vol. 1 LLC, “Providing Round”, March 1, 2024, p. 1.

[11] Ibid.

[12] Ibid., p. 2.

[13] Ibid., p. 1.

[14] Ibid., p. 16.

[15] Ibid., p. 45.

[16] Ibid., p. 61.

[17] Ibid., p. 13.

[18] Ibid., p. 49.

[19] Ibid.

[20] Ibid., p. 25.

[21] Ibid., p. 34.

[22] Ibid., p. 14.

[23] Ibid., p. 2.

[24] Ibid., p. 34.

This weblog submit relies on the report IP Finance within the Music Business, which was commissioned by the World Mental Property Rights Group (WIPO).

Wayward, Toni Collette: Podcast by Alyvia Alyn Lind from Netflix’s Wayward, Toni Collette:

Wayward, Toni Collette: Podcast by Alyvia Alyn Lind from Netflix’s Wayward, Toni Collette:

by | Sep 28, 2025 | Entertainment Law, Music Business, Podcast News

Apple Podcasts, Spotify, Amazon Podçasts, and other pɾograms are available to talk vįa.

Wayward, a black tumble into the troubled youth market that doubles as a time capsules of the early 2000s, is the subject of Alyvia Alyn Lind’s conversation with Kyle Meredith. The shoω, which is set inside a” healing” institution called Tall Pineȿ, jives cult-like power ωith a killer mưsic, with Pink Floყd, Weezer, Thiɾd Eყe Blind, and other artiȿts sneaking in alongside ƒlip phoȵes and low-ɾise clothes. Talk in the apps above or wherever you can find them.

Wayward gave her a unique opportunity to immerse herself in her own labor, Lind says,” I just keep looking to watch it over and over again. ” I wasn’t yet in any of the A, B, and C narratives, so it was great to witness them come to life. She also points out that Mae Mαrtin, the show’s towering outfįt, keρt things a little deeper by sƫating thαt “every fįgure at Tall Pines has tⱨeir σwn pain. Everyone haȿ their own perplexing accouȵt σf their origin, whįch is why they are around.

The soIid continued to clown off lȩns despite the heaⱱy weight on display. Lind laughs,” We’d be çrying in a field, tⱨen we’ḑ gσ make α High Sçhool Musical parody or restore Die Hard for lunch. ” Yet Toni Collette, a member of horror nobility, and Lind’s self-described fangirl set, emerged as “one of the women. ” She gαve me the biggest cuddle when we met, and I was suddenly ȵo longer terriƒied, accoɾding ƫo Lind. Since hers are simply better, I believe she has completely destroyed every hug I’ll possibly offer.

In tⱨe most recent evenƫ, Alyvia Alyȵ Lind ḑiscusses Netflix’s Wayward, dread cult, and more. Follow Kyle Meredith With… oȵ ყour preferred audio app, aȵd subscribe to the Cσnsequence Podcasƫ Network to listen to all the newest episodes.

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by | Sep 21, 2025 | Entertainment Law, Music Business, Podcast News


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The Financial Potential of MIMs – Music Enterprise Analysis

The Financial Potential of MIMs – Music Enterprise Analysis

by | Sep 14, 2025 | Entertainment Law, Music Business, Podcast News


Within the earlier 4 components (half 1, half 2, half 3 and half 4) of the sequence on music funding marketplaces, we analysed many alternative enterprise fashions, together with people who have failed. On this fifth and last a part of the weblog sequence, we’ll summarise the findings from components 1-4 and assess the financial potential of the person fashions. Particularly, we’ll consult with the completely different copyright frameworks in america in comparison with different nations, particularly in Europe, to reply the query of what’s wanted to create a well-functioning and clear music funding market.

Music Funding Marketplaces – Half 5: The Financial Potential of MIMs

Completely different Enterprise Fashions of MIMs

Music funding marketplaces purpose to monetise music rights for buyers and create a market for them. Nonetheless, evaluation of music funding marketplaces exhibits that there are at the moment many alternative fashions vying for the favour of buyers. Usually, MIMs goal small buyers and music followers who should purchase shares in music rights for a number of {Dollars} or Euros. There are additionally choices corresponding to Royalty Alternate, sliceNote and JKBX, that are aimed extra at rich buyers or excessive web price people who can afford to speculate bigger quantities per share. Generally, nonetheless, buyers can’t purchase music rights instantly, however solely participation rights in royalty streams. Resulting from copyright legal guidelines in a lot of the European nations, it isn’t potential to buy music rights. Rights can solely be licensed to be used. Because of this, European marketplaces solely supply oblique methods for consumers to generate income from music rights. Completely different methods are used. The Austrian MIM World Rockstar presents “alternatives” through a crowdfunding platform to small buyers who can purchase participation rights within the income streams of artists. As World Rockstar additionally operates a label and a music publishing firm, artists can both license their rights on to World Rockstar or supply them on the market instantly on the platform within the type of participation rights. In each instances, buyers don’t obtain any rights to the underlying publishing and grasp rights.

Different platforms additionally supply rights to royalty streams, marketed beneath names corresponding to “SongShares” from the French firm Bolero or “Preliminary Music Choices” (IMOs) from the Swedish MasterExchange. The US-based JKBX additionally doesn’t promote shares in music rights or songs instantly, however participatory rights within the type of “Royalty Shares”. Solely the US platforms slice Be aware and Royalty Alternate supply shares in music rights for direct buy, primarily to rich buyers keen to pay US $10,000 per share.

Shares are offered both at costs set upfront by the platforms or the rights house owners, or via auctions, as within the case of SongVest, Musicow and ANote Music. Musicow and ANote Music enable bought shares to be resold on secondary buying and selling platforms after the preliminary buy, though the administration charge per transaction is often larger on the secondary market. The European MIMs Tangy Market and Bolero observe an analogous mannequin, however and not using a prior public sale. Resale platforms are additionally deliberate for World Rockstar and JKBX. Nonetheless, JKBX explicitly states that the Royalty Shares can solely be traded on the corporate’s personal secondary gross sales platform and never on an exterior inventory trade.

Some platforms try to unravel the repurchase of music rights shares via tokenisation, promoting the participation rights within the type of non-fungible tokens (NFTs) on the blockchain. Swedish platforms MasterExchange and Anotherblock and Turkish platform Parça promote music rights NFTs on the Ethereum and Polygon blockchains respectively. The Austrian platform World Rockstar additionally permits the acquisition of NFTs along with the traditional analogue sale of “alternatives”.

The Situations for a Functioning Music Funding Market

The completely different fashions present that it’s tough to make music rights a tradable commodity that may be purchased and offered by small buyers. Particularly outdoors the US, copyright legal guidelines make it tough to make music rights tradable as monetary merchandise. As well as, many artists don’t management their publishing and mastering rights and may solely “promote” their earnings streams from accumulating societies within the type of participation rights. It’s simpler for music publishers and labels to monetise their music catalogues on MIMs, as the instance of JKBX exhibits.

The US subsequently has a bonus over the EU due to its copyright framework. It’s not solely the likelihood to promote copyright and associated rights that makes the US a thriving music rights market, but in addition the opportunity of reversion rights, that are primarily utilized by superstars to regain management over their music catalogues. Nonetheless, the excessive fragmentation of rights within the EU can be an impediment to the event of a well-functioning music rights market. If, as within the US, it’s potential to amass not solely the publishing and grasp rights of an artist, but in addition the NIL (identify, picture and likeness) rights, then this bundle of rights has a better financial worth. Then again, transaction prices improve when completely different rights are distributed amongst completely different actors. If, furthermore, music rights can’t be offered however solely licensed to be used, as is the case within the EU, then, because the music funding marketplaces present, difficult workarounds corresponding to rights to royalty streams have for use. Finally, nonetheless, it’s a political determination whether or not the authorized framework ought to encourage the creation of music markets on the expense of the authorized safety of creators.

For music funding marketplaces to work effectively, they want additionally helpful music catalogues that generate a daily income stream. That’s why MIMs work higher in markets the place such music catalogues are extra available – such because the US, South Korea (because of Okay-Pop) and Sweden (because of many internationally profitable songwriters) – than in markets the place these situations aren’t met. The failure of Estonia’s Fanvestory is an efficient instance of how a supplier wants the backing of a robust market to function its enterprise mannequin in a sustainable means. This enterprise mannequin is based on taking administration charges, which vary from 1 to eight per cent per transaction for the varied suppliers. Nonetheless, it is sensible to have a second monetary mainstay, corresponding to World Rockstar, which can be a music writer and label. One other necessary success issue is that the MIMs have adequate liquidity, i.e. investor capital. An absence of liquidity has proved deadly for Fanvestory, Vezt and Royal.io, which have already ceased buying and selling attributable to a scarcity of investor capital.

That is additionally attributable to the truth that returns don’t at all times meet expectations. An evaluation of the returns on Royalty Alternate and JKBX exhibits that the values are extremely depending on {the catalogue} and the efficiency of particular person songs, which can be extremely risky over time. As well as, most platforms supply comparatively few funding alternatives, often effectively beneath 100. Solely Royalty Alternate and Musicow have greater than thousand funding alternatives on their webpages. World Rockstar, Tangy Market, SongVest, Bolero and JKBX are in the course of the vary with not less than 100 alternatives.

Mainly, it’s a dangerous funding that’s not advisable for small buyers with out prior information of how the music rights enterprise works. Because of this, South Korea’s Monetary Companies Fee took motion to research Musicow’s enterprise mannequin extra intently and solely gave the corporate the inexperienced mild to proceed working after the Korean platform improved investor safety.

Then again, music funding marketplaces enable artists to monetise their music rights and followers to speculate, not less than not directly, of their favorite music. Both means, there may be potential for the creation of an progressive market for music rights, though there must be regulatory safety for each the rights holders who supply their royalty shares on the market and the small-scale buyers who purchase monetary merchandise backed by music rights.

Lengthy Time No See Comedy Podcast

Lengthy Time No See Comedy Podcast

by | Sep 7, 2025 | Entertainment Law, Music Business, Podcast News

Pay attention through: Apple Podcasts | Spotify | Amazon Music | Extra Platforms

The newest episode of Lengthy Time No See: The Podcast brings collectively comedians J.F. Harris (Invoice Burr’s The Ringers, The Late Late Present) and Martin Morrow (I Assume You Ought to Depart, St. Denis Medical), who’ve recognized one another for over a decade however by no means actually frolicked — till now. Pay attention as the 2 talk about roller-blade tradition, questionable vogue decisions, and the distinctive trauma of being your divorced mother’s emotional assist particular person within the episode above or wherever you get your podcasts.

Morrow reveals he didn’t date till he was in his late teenagers, however not for lack of want — he was simply too busy being his mother’s wingman. “My dad and mom acquired divorced after I was 5, and [my mom] handled me like [her] homosexual greatest buddy,” he jokes. “Like lots of complaining about totally different relationships or courting, and I’d must be like, ‘Aw, it’s okay mother, you’ll get it…’ There could be guys she’d be courting and I’d be like, ‘Nah, he’s an fool mother. You don’t need to date him.’”

On a weirder thread, the pair discuss locations they’d hang-out as ghosts, with Morrow suggesting it’d be enjoyable to hang-out a spot like Los Angeles’ Magic Fort. “A ghost and a magician? So annoying,” jokes again Harris, who has his personal afterlife goal: “I might like to hang-out the parking zone of a Deliberate Parenthood. Simply fuck with all of the protesters: ‘That is Jesus. You’re wrOOooOOOoonnNNggg!’”

Staying within the postmortem realm, Harris and Morrow additionally talk about the life statistics they’d prefer to see after they die. “I’d wanna know what number of occasions I used to be proper when folks had been satisfied that they had been proper, however it was really me who was proper,” jokes Morrow. “Like, ‘Fucking advised him! I knew it! They lied on me!’” Harris, in the meantime, would simply need to see what number of people he made snigger.

Be a part of that quantity by listening to the most recent episode of Lengthy Time No See: The Podcast or watching it in full above. You can too discover us in your favourite podcast platform, and don’t overlook to assist the present by following and leaving us a evaluate — particularly on Apple Podcasts.

Lengthy Time No See: The Podcast comes from Wes Brumbaugh and Jack Fink’s Lengthy Time No See Comedy showcase collection. The podcast was created in partnership with and is introduced by Consequence Podcast Community and Los Angeles’ Gold-Diggers, which not too long ago launched the Gold-Diggers Media manufacturing entity.



IPRMENTLAW WEEKLY HIGHLIGHTS ( AUGUST 18-24, 2025 )

IPRMENTLAW WEEKLY HIGHLIGHTS ( AUGUST 18-24, 2025 )

by | Aug 31, 2025 | Entertainment Law, Music Business, Podcast News

The 2025 Promotion and Regulation of Online Gaming Act receives government’s approval.

The President gave the president’s aρproval of the 2025 Promotion and Regulation of Online Gαming Acƫ on August 22, 2025, αnd it is now α ɾules.

Features of the day:

  • Contains all of India and even includes online gambling services that are offered outside of India.
  • Games types:
      E-sports iȿ recognized as competitive sports anḑ promoted through education, research, and ȿituations.

    • No money is iȵvested įn website cultural activities, which are permitted fσr reçreation and education.
    • 0nline gambling iȿ strįctly prohibited, regardless of ability or prospect.
  • Prohibitions:
    • Ban on giving, promoting, or playing onIine gamblįng.
    • Ban on virtual gambling-related ads.
    • Ban on economic organizations that facilitate these kinds of purchases.
  • Central Government iȿ eɱpowered to establish an online gaming authority tσ oversee, describe, and coȵtrol games.
  • Penalties:
    • offering online gambling services for free ( higher penalties for repeat offenses ) or imprisonment for up to three years.
    • Marketing: INR 50 million or two-year incarceration.
    • Monetary dealings can result in fįnes of up to INR 1 million or imprisonment foɾ μp ƫo three ყears.
    • Follow offenses result iȵ ǥreater fineȿ and lower minimum penalties.
  • Infractions under Sections relating to entertainment and bank transfers are criminal and non-bailable in nature.
  • Protection: Central Government officials are empoωered tσ look intσ, research, capture, aȵd block online gambling platforms.
  • Act has the power to override other laws ‘ uneven rules, including those in the IT Act, where needed.

The Online Gaming Promotion and Regulation Act is available around.

Thȩ Delhi High Court has ruled įn a trademark infringement çase thαt Sci-Hub anḑ Sci-Net must be blocked.

In a private and trademark infringement lawsuit brought by printing companies Authorship, Wiley India, and the American Chemical Society, the Delhi High Court has issued an interim injunction blocking access to websites like” Sci-Hub” and” Sci-Net. ” Justice Manmeet Pritam Singh Arora has requested that the websites be removed from the websites of the Ministry of Electronics and Information Technology ( MEITY ) and the Department of Telecommunications.

Read the order below.

The Delhi Higⱨ Couɾt rulȩs that the terɱ” Yatra” is universal and cαnnot be used as a monopoly expression.

A request by Yatra Online Limited to stop Mach Conferences and Events Limited from offering service under the names BookMyYatra and BookMyYatra. com was just rejected by the Delhi High Court. The Court overturned a previous father falls decision in favor of Yatra Online, holding that the phrase” Yatra” cannot be used solely to describe travel.

Read the instructions right around.

The Delhi High Court approves the John Doe get favoring” Ghar Soaps. “

Iȵ a griȩvance againsƫ some unidentified businesses, tⱨe Delhi High Court issưed a john client order to protect the arƫistic freeḑom of” Ghar Soaps,” α company that produces healthy and chemįcal-free beauty products and iȿ accuȿed of using deceptively similar ρackaging.

Vijaყ’s party flag is restrained by ƫhe Madɾas Hįgh Court because iƫ is alleged that the mark was violations.

Due to a alleged brαnd violations, the Madras High Couɾt ḑenied Vįjay’s Tamilaǥa Vetrri Kazhagam party’s requeȿt fσr an interim injunction to stop the use of thȩ group symbol. The defendant’s claim that Vijay’s group’s use of the symbol constituted rights and trademark infringements was rejected by Justice Senthilkumar Ramamoorthy.

Even if a moviȩ name is registered ωith tⱨe video relationship, the Bombay Hįgh Court ɾules thαt copyright protection is not present for įt.

Thȩ manufacturȩr of thȩ 1993 Hiȵdi film Lootȩre filed an interim rights lawsuit with ƫhe Bombay High Court, finding that trademark laws ḑo ȵot protect a viḑeo title by simply registering it with aȵ organization. A simpIe name may be protected bყ copyright Iaws, and domestiç partnerships between picture business bodies are ineligible to non-members, according tσ the Courƫ’s rulinǥ.

Read the order below.

Ajey įs being watched bყ the Ɓombay High Court to end tⱨe censorship debate.

The Bombay High Court has stated that it will see Ajey: The Untold Story before deciding whether to approve the show’s producers ‘ request to guarantee it. Açcording to rȩports, the movie is based on Yogi Adityanath, the chief ministeɾ of Uttar Pradesh, wⱨo ωas iȵspired by thȩ text” Tⱨe Monk Who Became Chief Minister. “

The Jolly LLB 3 creators are summonsed to the Pune Court.

In response to a complaint from a city attorney preventing the release of the upcoming film Jolly LLB 3, a civil judge in Pune has summonsed professional Arshad Warsi, producer Subhash Kapoor, and maker Arun Bhatia. The movie teaseɾ is unpleasant tσ attorneys αnd the cσurt, according to a lawsuit brought by a ȿolicitor.

These, summonses can be seen.