GS Music Bree6, desktop analog polyphonic Synthesizer from Argentina is on the market now

GS Music Bree6, desktop analog polyphonic Synthesizer from Argentina is on the market now


GS Music Bree6, a desktop 6-voice analog polyphonic Synthesizer from Argentina initially introduced at KnobCon (2024) is on the market now.

Simply over a month in the past, the completed Bree6 synthesizer from the Argentinian firm GS Music was noticed at Buchla and Pals 2025. It’s the sibling of the beautiful GS Music e7 polysynth from Argenina. 

It’s March 1st, and the Bree6 is formally out now and out there for order. Higher: the official function set can also be out. 

GS Music Bree6 Official Options 

Curiously, GS Music has determined to launch the desktop (18.11” x 7.87” x 5.51) as a substitute of the keyboard. The latter was showcased at Knobcon 2024 however no information about an official launch.

Bree6 is a 6-voice polyphonic analog Synthesizer with a completely analog sign path and an excellent hands-on one-knob per-function consumer interface with out menu diving. The interface homes 27 knobs, 13 buttons, and a show that guarantee a fluid workflow.

GS Music Bree6 encompasses a single VCO per voice with sawtooth and pulse waveforms and pulse width modulation. A sq. wave sub-oscillator per voice provides backside finish to the primary oscillator.

Then, it runs in a 4-pole ladder lowpass filter with cutoff, resonance, and keyboard monitoring controls—a really traditional filter construction. From right here, the sign flows straight into the multi-FX processor.

You possibly can work with an ensemble-type refrain that simulates a string or vocal ensemble utilizing a number of delay strains modulated by their devoted LFOs. Subsequent to this, you’ve a stereo delay with a most delay time of as much as 1 second. You possibly can set the delay time, suggestions, and delay combine.

The Bree6’s modulation can also be very traditional. Two ADSR envelopes can modulate the filter and amplifier (VCA) part. A multi-wave LFO with as much as 100Hz will be assigned to a number of locations: oscillator mod and OSC PWM, cutoff, and VCA. 

Different modulation sources embrace velocity, aftertouch, and full MPE (MIDI polyphonic expression). The Bree6 has 512 reminiscence areas to your personal sounds. That’s strong and needs to be sufficient.

Connectivity

On the bottom, you get an influence provide enter, a USB port for information, a full 5-pin MIDI interface (in/out/through), a stereo output (L/R) with mono possibility, and a headphone output. USB host to attach a MIDI keyboard extra conveniently is sadly lacking.

 

 

Second Impression

It’s nice to see that the Bree6 is now out there. I’m sticking to my first impression from 2024. I benefit from the sound high quality of the synth however it’s apparent that the Bree6 function set could be very minimal with a single oscillator, a lowpass filter, and traditional modulations.

It’s like GS Music reveals us the Argentinian reply to the Roland Juno synth however with two envelopes and a delay. For me, it’s a beautiful hands-on desktop analog polysynth. Nonetheless, the value of $999 is a bit tough although, particularly when you will get the Dreadbox Nymphes, from one other small firm, with comparable options for half the value and even much less.  

GS Music Bree6 is on the market now for $899 + $100 delivery on the official retailer. The Bree6 is manufactured in Argentina.

Replace From January 27, 2025

Knobcon 2024 is already a number of months away, and there, GS Music offered the Bree6, a brand new polyphonic analog Synthesizer with keys and a desktop model.

There’s at the moment no information concerning the Bree6, however the desktop model was noticed on the Buchla and Pals 2025 occasion, and it seems to be neat. Possibly there will probably be a video from the occasion the place we get extra information of it.

supply: Michael Hein

Article From September 11, 2024

At Knbobcon 2024, GS-Music has unveiled Bree6, a brand new keyboard and desktop analog polyphonic Synthesizer influenced by the e7.

Thrilling synthesizers come not solely from Europe or the USA but in addition from worldwide, together with Chile, Peru, and Argentina. The latter is the homeland of the younger firm GS Music, which launched the superbly stylish E7 desktop analog polysynth.

Final weekend was Knobcon 2024 (twelfth version), and GS Music unveiled the Bree6, a brand new polysynth on their sales space. 

GS Music Bree6

The official particulars aren’t but recognized. In response to YouTuber Jorb, who printed a Knobcon 2024 roundup video, it’s a brand new 6-voice analog polyphonic Synthesizer that will probably be out there in keyboard and desktop variations. 

Jorb says it makes use of lots of the identical concepts because the GS Music e7 desktop synth however streamlines them in a Juno-style idea. You possibly can see that the interface could be very compact however nonetheless has buttons or knobs for all features. So a really hands-on synth.

It provides a single oscillator with noticed and sq. waveforms plus a sub-oscillator. Then, it provides the identical ladder filter because the e7 says Jorb, with cutoff,  resonance, and varied modulation choices.

Speaking about modulation. There are two ADSR envelopes and a single multi-wave LFO. Bree6 additionally provides a built-in refrain and delay processors and a stereo voice panning possibility. Arpeggiator and sequencer are additionally onboard.

It’s also possible to see that GS Music Bree6 has a show for visible suggestions of the parameter values, a 3-octave keyboard, and pitch/mod wheels. Buttons permit you to change presets immediately on the fly.

First Impression

At first look, the Bree6 is an thrilling new analog poly synth. I like its compactness and hands-on design. This might be an thrilling synth in case you are searching for bread-and-butter analog poly sounds. From the primary demo, it sounds pretty. The e7 already does that and continues to be an insider tip.

In response to Jorb, the GS Music Bree6 will probably be out there in November. Value is TBA.

Extra data will comply with right here: GS Music

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Full Bucket Music Ragnarök 2.0, free synthesizer plugin ( mac/win ) gets new features

Full Bucket Music Ragnarök 2.0, free synthesizer plugin ( mac/win ) gets new features

SYNTH ANATOMY uses affiliation & partner programs ( big red buttons ) to finance a part of the activity. If you use these, you support the web. Cheers!

The updated Saw oscillator banks for the Free Synthesizer plugin for MacOS and Windows, along with Full Bucket Music Ragnarök 2.0, is available for download for both Mac and Windows.

Björn from Full Bucket Music is one of the most well-known Synthesizer addon designers. Because he has made a lot of Synthesizer plugins available to the community for completely over the past few years, he is doing this. And he updates them frequently. Bless you!

Ragnarök is one of his oldest synthesis addons. He collaborated with TechnoGremlin, CrimsonWarlock, and Hans Peter for the synth idea, Graphic design, and other things. 10 years after the official release, up then only for Panels, there is now Ragnarök 2.0 with new features. And of course for completely.

Full Bucket Music Ragnarök 2.0

Ragnarök 2.0 is a new edition of its electronic digital Synthesizer plugin for mac and Panels. I’ll show a number of new features in this article as a result of version 2.0.

After setup, you will soon see the new user interface, which is now resizable. These modifications update the widget to reflect its updated appearance after a while.

Like the previous variation, it uses a special band-limited oscillation bank with several waveform banks, including rectangular, pulse, period, and multi-voice. Full Bucket Music added in Ragnarök 2.0, a fresh linear oscillation banks with four customizable runs: 16, 8, 4, and 2.

A whitened noise generator may be combined with the oscillation supply power to create a core. Ragnarök 2.0 functions oscillator difficult update, allowing you to create strong sounds.

The message next flows into a multi-pole zero-delay comments screen with 6, 12, 18, and 18dB choices and lowpass and highpass adjustments.

Two envelopes ( ADSR or AD ) with exponential slopes and a low-frequency oscillator ( LFO ) are part of the modulation. Making it more flexible, the LFO then boats with other LFO frequencies, which were previously unavailable in type 1.

To enhance your noises, it ships once with a built-in turbo, chorus, and a 7-band creative equalizer. Even onboard is once the repeater/pseudo-arpeggiator.

Additionally, it has MTS-ESP by ODDSound active micro-tuning and full Audio support, including MIDI CC learn. Ragnarök 2.0 even nowadays has speed sensitivity. According to Full Bucket Music, the widget even ships with more changes and developments.

I linked a prior version of the new type to a sound demo that is currently unavailable on YouTube.

Second Idea

A good release for the Ragnarök Synthesizer. Björn’s job deserves two stars for it. Free addons plus free upgrades that’s pretty amazing.

Full Bucket Music Ragnarök i is available now as a free download and runs as a VST, VST3, AU, AAX, and CLAP plugin for macOS ( native Apple Silicon + Intel ) and Windows. If you want to help the programmer, you can give.

More details here: Full Bucket Song

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Randomwaves Drumboy and Synthgirl, fresh open-source feel drum machine & wavetable synthesis

Randomwaves Drumboy and Synthgirl, fresh open-source feel drum machine & wavetable synthesis

Randomwaves Drumboy and Synthgirl are fresh artistic open-source touch-based drum machine and synth equipment, then on Kickstarter.

Synthesizers and electronic instruments, in general, are particularly popular in hardware because you can tweak them with tactile control ( knobs, faders… ).

A new Turkish development staff demonstrates how hardware can be designed different. With the new Drumboy and Synthgirl, they left out knobs/faders and made all touch-sensitive.

Randomwaves Drumboy Synthgirl

Both Drumboy and Synthgirl are brand-new, compact equipment with a lot in common. It starts with the technology strategy. They are powered by a recently developed stereo structures using the 550 MHz Cortex M7 computer, delivering picturesque 24-bit voice.

A 5-inch color LCD is also housed in each unit, which are interconnected by reactive feel controllers scattered throughout the interface. It also has an SD card input for managing data ( samples, wavetables, etc. ). Additionally, it offers a Bluetooth port and hardware tune in and out to ensure smooth inclusion with other devices.

More significantly, Drumboy and Synthgirl will work on an open-source script developed on the commonly used STM32 system. This is a remarkable action, and I welcome it very much. Now, this dive deeper into the differences between these new groovebox-oriented equipment.

Randomwaves Drumboy

A.wav test lasting up to eight seconds is each stored in a convenient drum machine called Drumboy. You can modify your audio with several parameters, including playback speed, change, and normalize.

The traditional method of producing complex rhythms using 1/64 encoding across eight bars and eight measures or with contemporary helpers like difficult fill generators is no longer possible.

Finally, Randomwaves Drumboy features a descriptive EQ with one lower shelf, one higher shelf, and four maximum filters. You can change the Q element, obtain, and frequency for accurate good shapers. Besides this, it comes with a fully adjustable dual filter with four modes ( lowpass, highpass, bandpass, and band stop ) and two effect channels.

The first offers eight algorithms with several controls: pause, song, flanger, blunderbuss, blower, expansion, drive, distortion, and bit crusher. Behind, you can find an independent echo with power over the space size, decay, pre-delay, occupy, dry/wet, and more.

Of program, you can also keep your looks and styles. It has a lender and file system for this, which makes it possible to keep track of and understand your design at any time.

 

Randomwaves Synthgirl

The Randomwaves Drumboy’s spouse is the Synthgirl. Although it is a solo compact Synthesizer, it has many of the same functions.

A wavetable website with two resonators that can buy custom storm files (up to 256 steps ) from Serum and various soft synths serves as the foundation of Synthgirl. You can change the amount, rhythm, period, start, and end points of wavetables, as well as the ability to turn in both X and Y axes.

Like the Randomwaves Drumboy, Synthgirl also comes with the same multimode dual filter ( lowpass, highpass, bandpass, and band stop ) that is fully adjustable with various parameters.

The built-in statistical Iq and the 2-channel multi-FX computer are the same and had eight techniques. The separate echo engine also has this effect. Further, you can find four shaping multi-wave LFOs with 25 prebuilt types and adjustable parameters ( target, rate, and depth ).

Randomwaves does not specify what kind of packets it uses. I hope there are some built-in. Further, it hosts a fully tweakable advanced key /arpeggiator ( rate, pattern, chord, order, octave… ) and a customizable metronome.

If that’s not enough, it also has a sequencer with adjustable parameters such as bar, measure, (up to 8 ), and quantization (up to 1/64 ), providing fine-tuned control over your composition. It shares the same file structure as the Drumboy to manage and keep your looks.

Second Idea

At first glance, it is an interesting venture. I give a great hands up to the open-source plan. However, I would find the touch-only interface and the little font on the interface to be far too small. On the ipads, I prefer to reach. However, I’m really interested to see how the neighborhood feels about the project and how it develops.

We can anticipate more developments with regard to the Synthgirl and Randomwaves Drumboy capabilities because it will be open source.

You can support the development of the Randomwaves Drumboy and Synthgirl then on Kickstarter, starting at$ 149 for the Drumboy or Synthgirl. In February 2025, shipment will begin.

More details these: Randomwaves / Kickstarter

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