Hatsune Miku – Music Enterprise Analysis

Hatsune Miku – Music Enterprise Analysis

by | Jan 18, 2026 | Entertainment Law, Music Business, Podcast News


Whereas the primary and second generations of digital musicians required human singers to supply the vocals and studio bands to interpret the music, Vocaloid software program, developed by Japanese synthesiser producer Yamaha within the late Nineties, enabled the creation of purely computer-generated voices for the primary time. This resulted within the creation of the music avatar Hatsune Miku by the Sapporo-based gaming firm Crypton. Initially meant as a advertising software, Hatsune Miku developed a lifetime of her personal on social media, resulting in the creation of a music avatar of the identical identify. To at the present time, the avatar provides concert events in entrance of tens of 1000’s of followers worldwide, producing thousands and thousands in merchandising and branding income for Crypton.

Half 2 of the weblog collection will discover the background to Hatsune Miku’s creation, in addition to her subsequent profession as a concert-performing singing avatar.

Digital Music Worlds – Half 2: Hatsune Miku

The pre-history of Hatsune Miku

To carry Kyoto Date and Adam to life, human singers needed to lend them their voices. At the moment, there have been no AI-generated voice clones able to singing independently. However, the event of artificial voice era dates again to the late Nineties. In 1998, Japanese instrument producer Yamaha unveiled the FS1R voice synthesiser, which might already distinguish between voiced and voiceless sounds. This enabled it to mimic the human voice to a sure extent.[1] Nonetheless, the FS1R’s voice era was nonetheless very rudimentary and artistically unsatisfactory. Yamaha subsequently started to enhance the synthesiser and teamed up with the Music Expertise Group at Pompeu Fabra College in Barcelona. Collectively, they developed the Vocaloid software program synthesiser, which was offered to the general public in March 2003 on the music truthful in Frankfurt am Essential below the identify “Daisy”, however was renamed Vocaloid shortly afterwards attributable to copyright issues.[2] Though the software program was comparatively easy to make use of, it was time-consuming. Customers needed to enter the notes of a music and its lyrics, after which they may reproduce the music utilizing an artificial voice. Nonetheless, at the very least a MIDI interface allowed WAV information to be transferred, enabling the music to be edited additional.

In January 2004, British sound library producer Zero-G, in cooperation with Yamaha, offered the primary two programmes for digital female and male voices, Leon and Lola, on the Nationwide Affiliation of Music Retailers music truthful (NAMM Present) in Anaheim, California. As well as, a software program package deal known as Miriam was provided, based mostly on the voice of British pop star Miriam Stockley.[3] The primary software program packages for artificial voices attracted media consideration, however bought very poorly.[4] However, the Sapporo-based software program firm Crypton Future Media developed the primary artificial voices in Japanese. On 5 October 2004, Meiko, based mostly on the voice of singer Meiko Haigō, was launched,[5] adopted on 17 February 2006 by Kaito, based mostly on the voice of singer Naoto Fūga.[6] Whereas Meiko bought comparatively properly with 3,000 items shipped, Kaito remained a gradual vendor. Crypton executives concluded that feminine voice synthesiser programmes bought higher as a result of the audience was principally younger male anime followers, as Crypton CEO Hiroyuki Ito revealed in an interview in 2008.[7]

The Creation of Hatsune Miku

In 2007, to cater to Japanese desktop music customers and anime followers, Crypton launched a brand new Vocaloid undertaking known as Hatsune Miku, which interprets as “The Voice from the Future”. This growth coincided with Yamaha’s launch of Vocaloid 2. This new synthesiser software program was not solely extra user-friendly but in addition produced higher-quality sound synthesis.[8] This suited the creators of Hatsune Miku, who travelled to Tokyo to seek out the fitting voice for the brand new software program package deal and have the graphic design for Hatsune Miku developed. Wataru Sasaki, the producer answerable for Vocaloid, went to Arts Imaginative and prescient, an organization that had a database of voice actors. Sasaki listened to 300 sound samples for hours and at last selected the voice of Saki Fujita as a result of it was “simple to grasp and cute,” as Sasaki defined in an interview.[9] The mandatory voice recordings have been made with Saki Fujita, which have been then fed into the Vocaloid programme. The intention was to create a virtual-sounding voice that was neither too artificial nor too pure. It needed to match the fictional character that was subsequently developed by manga artist Kei Garō. They’d turn into conscious of him through the Web and commissioned him to design a 16-year-old lady in anime model. Kei Garō despatched numerous designs by e-mail till these accountable at Crypton have been happy. The top consequence was a lady with turquoise hair that reached virtually to the ground within the type of extra-long braids, held collectively by magenta sq. hair rings. Headphones linked to a microphone might be seen peeking out from below her magnificent hair. She wore an equally turquoise, extra-long tie over a sleeveless black college uniform that led to a miniskirt. Black arm socks lined her forearms and black stockings wrapped her legs. The quantity “01” was tattooed in purple on her left higher arm, clearly indicating that Hatsune Miku was the primary Vocaloid character created by Crypton.[10]

Crypton created two further Vocaloid voices alongside Hatsune Miku: Kagamine Rin and Len. These are a pair of 14-year-old siblings, voiced by Japanese actress Asami Shimoda. In distinction to Hatsune Miku, the voices of Rin and Len are considerably stronger and richer and have been meant to enchantment to a unique audience.[11]

Hatsune Miku Turns into a Bestseller

On 31 August 2007, gross sales of the Hatsune Miku Vocaloid software program started. At the moment, Hatsune Miku existed solely as an artificial voice and as an anime drawing that adorned the software program field. However, the discharge was an unexpectedly large success. Greater than a thousand items have been bought within the first week alone. Crypton needed to impose a vacation ban in order that the immense demand might be met in day and night time shifts. Inside six months, greater than 30,000 copies of the software program package deal had been bought.[12]

Nonetheless, Hatsune Miku would have remained a short-lived advertising phenomenon if a loyal fan base had not been emerged who used the software program extensively to create their very own content material. Instantly after its preliminary launch, user-generated music tracks that includes Hatsune Miku’s voice appeared on the Japanese video-sharing platform “Niko Niko Dōga”, and have been subsequently animated in 2D and even 3D by different customers.[13] There was a veritable artistic explosion on the Japanese YouTube clone, which was cleverly exploited by the producer Crypton to additional improve the recognition of the fictional character. As an alternative of putting Hatsune Miku in a copyright cage, its use was launched in 2012 below the Inventive Commons licence CC-BY-NC.[14] Nonetheless, to be able to retain management over using Hatsune Miku, Crypton launched the Piapro platform in December 2007, the place Vocaloid customers might add the content material that they had created and alternate concepts with different customers. Piapro stands for peer manufacturing and goals to unleash the creativity of Hatsune Miku followers by permitting them to share illustrations, animations and different digital content material.[15] By the top of February 2008, the platform already had round 50,000 registered customers, who had uploaded 17,000 illustrations, 2,500 items of music and 1,700 lyrics.[16] Hatsune Miku thus turned a social media phenomenon earlier than she even existed as an avatar, and shortly spilled over into the actual world. Hatsune Miku fan golf equipment have been based all through Japan, organising events and different occasions the place followers appeared dressed within the anime character’s outfit.[17]

Followers and Japanese artists alike used the Hatsune Miku vocal synthesiser to provide their very own music. In Japan, that is known as Dōjin Ongaku, i.e. music produced by followers, which even made it into the Japanese charts. The primary Dōjin album with music based mostly on the Hatsune Miku software program was launched in September 2007, and plenty of extra have been to observe within the years that adopted.[18]

The album ‘Supercell’ by the J-pop group of the identical identify was notably profitable. Composer and lyricist Ryo had the songs interpreted utilizing the Hatsune Miku vocal synthesiser. The album reached quantity 4 within the Japanese Oricon charts and remained there for 37 weeks.[19] Since 2007, greater than 100,000 songs have been created utilizing the Hatsune Miku software program, in response to the digital artist’s homepage.[20]

Nonetheless, Hatsune Miku appeared not solely in music but in addition in different media. She was the protagonist of the manga collection “Maker Hikōshiki Hatsune Combine”, created by Kei Garō and printed in “Comedian Rush” journal from November 2007 to December 2010.[21] Hatsune Miku additionally appeared as a personality within the golf simulation recreation PangYa in Could 2008,[22] and the digital star was even the primary character within the rhythm recreation “Hatsune Miku: Venture Diva” from Sega, which was accessible for PlayStation from July 2009.[23]

Hatsune Miku shortly turned an enormous advertising phenomenon, which Crypton Future Media efficiently exploited in licensing agreements for merchandising and branding actions. Hatsune Miku even made it onto two BMW GT300 class racing vehicles belonging to the Studio AG racing workforce, which competed on racetracks world wide in 2008 and 2009.[24] In March 2012, the Japanese enterprise portal SankeiBiz cited a examine by the Nomura Analysis Institute, in response to which gross sales of services branded with Hatsune Miku had totalled YEN 10 billion (round EUR 125 million) since 2007.[25]

Hatsune Miku Involves Life

Nonetheless, Hatsune Miku solely really got here to life as an avatar who additionally carried out reside in concert events. She made her debut on 22 August 2009 on the anime music pageant “Animelo Summer time Dwell 2009 Re:bridge” within the Saitama Tremendous Area in entrance of 25,000 anime followers. Anime Information Community offered a live performance overview the next day, describing the memorable efficiency: “The live performance used a display put in behind the stage to undertaking Hatsune a number of tales tall earlier than a standing-room-only crowd of 25,000. After a greeting, the computer-generated Hatsune proceeded to sing (and dance) on two songs — ‘Miku Miku ni Shite Ageru (Shiteyan yo)’ and ‘Black Rock Shooter.’”[26] Just a few months later, in November 2009, Hatsune Miku made her first look exterior Japan on the “Anime Pageant Asia” in Singapore.

Inspired by the overwhelming public response, Crypton organised the digital star’s first solo live performance in 2010. For this objective, a 3D animation of Hatsune Miku was developed and projected onto clear, human-sized screens. Following intensive preparation and rehearsals, the live performance befell on 9 March 2010 on the Zepp live performance corridor on the man-made island of Odaiba in Tokyo Bay. The live performance started in a mystical ambiance with the solo voice of Hatsune Miku coming from offstage in entrance of a sea of tens of 1000’s of glow sticks, which the followers, shrouded in darkness, waved euphorically to the beautiful melody. The scene was illuminated by an outsized disco ball that shone just like the moon within the sky, earlier than techno rhythms introduced the reside band into view and Hatsune Miku rose like a life-size ghost from the stage ground to introduce the brand new music. In complete, the digital famous person carried out 39 songs, altering outfits and performing with the opposite Vocaloid characters Rin, Len and Luka.[27] The live performance was titled “Miku no Hello Kanshasai 39’s Giving Day”, with the quantity 39 standing for “Thanks” in Japanese, expressing gratitude to the followers for his or her help, which made the phenomenon of Hatsune Miku doable within the first place.[28]

To advertise the music exterior Japan, the live performance was carried out once more on 2 July 2011 on the Nokia Theatre in Los Angeles as a part of “Anime Expo 2011”, within the “39’s Giving Day” format.[29] In 2012, Crypton teamed up with French luxurious model Louis Vuitton and produced the Vocaloid opera “The Finish” with Japanese star director Toshiki Okada, through which Hatsune Miku and different Vocaloid characters carried out on the Chatelet Opera Home in Paris from 13 to fifteen November 2012.[30] Nonetheless, Hatsune Miku‘s worldwide breakthrough got here when she was the opening act for Woman Gaga‘s “ArtRave: The Artpop Ball” world tour, as Woman Gaga had declared herself to be a fan of Hatsune Miku. From 6 Could to three June 2014, the Japanese music avatar opened the concert events of the US famous person.[31] And on 8 October 2014, Hatsune Miku even appeared on David Letterman’s Late Present on CBS, performing the music “Sharing the World”.[32]

Crypton Future Media has efficiently established the digital pop star as a global, lasting phenomenon. Since 2013, Hatsune Miku’s “birthday” has been celebrated yearly with tens of 1000’s of followers on the finish of August in Japan below the title “Magical Mirai”.[33] Since 2014, the ‘Miku Expo’ concert events have been held recurrently world wide, bringing Hatsune Miku and her Vocaloid colleagues to different Asian international locations, Europe, North America, Australia and New Zealand,[34] thereby increasing their fan base.

It’s astonishing what number of followers worldwide cheer for the digital pop star at concert events, purchase her merchandise and music, and thus improve her promoting worth even additional. An unmanageable quantity of merchandise and branded merchandise profit from the persevering with reputation of Hatsune Miku. The concert events are only one aspect of a whole advertising universe that Crypton Future Media has created across the digital famous person. The concert events are additionally a blueprint for AI-generated music avatars, which have lately begun to take the world’s live performance phases by storm.

Endnotes

[1] Sound on Sound, “Yamaha FS1R – FM Synthesis/Formant-shaping Tone Generator”, December 1998, accessed: 2025-08-20.

[2] Die Welt am Sonntag, “Software program trifft den richtigen Ton”, December 7, 2003, accessed: 2025-08-20.

[3] Zero-G press launch, “HOT NEWS!! Zero-G broadcasts the world’s first VOCALOID digital vocalist merchandise, LEON and LOLA”, January 15, 2004, accessed: 2025-08-20.

[4] IT Media, “The Making of Hatsune Miku”, February 22, 2008, translated from Japanese with DeepL, accessed: 2025-08-21.

[5] Ibid.

[6] Ibid.

[7] Ibid.

[8] Sound on Sound, “PowerFX Vocaloid 2 Candy Ann”, January 2008, accessed: 2025-08-21.

[9] IT Media, “The Making of Hatsune Miku”, February 22, 2008, translated from Japanese with DeepL, accessed: 2025-08-21.

[10] Ibid.

[11] Ibid.

[12] IT Media, “Hatsune Miku Opens the ‘Door to Creativity’”, February 25, 2008, accessed: 2025-08-21.

[13] Ibid.

[14] Crypton Future Media, “Who’s Hatsune Miku?”, n.d., accessed: 2025-08-21.

[15] IT Media, “Hatsune Miku Opens the ‘Door to Creativity’”, February 25, 2008, accessed: 2025-08-21.

[16] Ibid.

[17] Ibid.

[18] The German Wikipedia web page on Hatsune Miku offers a great overview: Wikipedia, “Hatsune Miku”, model of July 28, 2025, accessed: 2025-08-21.

[19] Wikipedia, “Supercell (album)”, model of August 21, 2025, accessed: 2025-08-21.

[20] Crypton Future Media, “Who’s Hatsune Miku?”, n.d., accessed: 2025-08-21.

[21] Anime Information Community, “Darkish Horse Provides New Lone Wolf and Cub, Hatsune Miku: Unofficial Hatsune Combine Manga”, March 29, 2013, accessed: 2025-08-21.

[22] Wikipedia, “PangYa”, model of January 27, 2025, accessed: 2025-08-21.

[23] Wikipedia, “Hatsune Miku: Venture DIVA (online game)”, model of Could 22, 2025, accessed: 2025-08-21.

[24] Tremendous GT Scorching Information, “The Rumored No. 808 Hatsune Miku Studie Glad BMW Z4”, August 18, 2008, accessed: 2025-08-21.

[25] SankeiBiz, “Hatsune Miku, an actual enterprise alternative: reside performances, karaoke, commercials… associated consumption exceeds 10 billion yen”, March 27, 2012, accessed: 2025-08-21.

[26] Anime Information Community, “Hatsune Miku Digital Idol Performs ‘Dwell’ Earlier than 25,000”, 23. August 2009, Zugriff am 22.08.2025.

[27] YouTube, “Miku no Hello Kanshasai 39’s Giving Day”, February 16, 2019, accessed: 2025-08-22.

[28] Anime Information Community, “Hatsune Miku Digital Idol to Maintain 1st Solo Live performance”, December 10, 2009, accessed: 2025-08-22.

[29] Anime Expo, “Japan’s Digital Pop Star Hatsune Miku To Make U.S. Live performance Debut At Anime Expo 2011”, Could 12, 2011, accessed: 2025-08-22.

[30] Japanverse, “Louis Vuitton And Marc Jacobs To Crew Up With Hatsune Miku”, November 22, 2012, accessed: 2025-08-22.

[31] Anime Information Community, “Hatsune Miku to Open For Woman Gaga”, April 16, 2014, accessed: 2025-08-22.

[32] YouTube, “Hatsune Miku Performs “Sharing The World” | Letterman”, Could 12, 2023, accessed: 2025-08-22.

[33] Crypton Future Media, “Hatsune Miku Magical Mirai”, n.d., accessed: 2025-08-22.

[34] Crypton Future Media, “Miku Expo Historical past”, n.d. accessed: 2025-08-22.

AI Generated Artists – Music Enterprise Analysis

AI Generated Artists – Music Enterprise Analysis

by | Dec 28, 2025 | Entertainment Law, Music Business, Podcast News


Synthetic intelligence marks a quantum leap within the creation of digital artists. Now, not solely can music avatars be visually perfected, generative AI will also be used to compose songs and create lyrics. Moreover, instruments exist already that can be utilized to provide sensible music movies. Which means the technological conditions for creating profitable digital music stars have been established. Whether or not these avatars will have the ability to succeed within the music market, and even enter the worldwide live performance market, stays to be seen. Partly 4 of the weblog collection ‘Digital Music Worlds’, we are going to study case research of AI-generated music avatars developed primarily by massive leisure corporations in South Korea and China, to evaluate their financial potential for the music trade.

Digital Music Worlds – Half 4: AI Generated Artists

SM Leisure and aespa

AI-generated artists may also play a task on this. A notable instance is the Okay-pop woman band aespa, fashioned by South Korean firm SM Leisure in 2020. The band consists of actual singers performing beneath the stage names Karina, Giselle, Winter and Ningning, who’ve additionally been given digital alter egos.[1] On the first World Cultural Business Discussion board (WCIF), which needed to be held on-line attributable to COVID-19, SM Leisure Chairman Soo-Man Lee defined the idea behind aespa. The avatars – also referred to as æ avatars – usually are not merely representations of the human musicians, however have impartial identities that work together within the digital world: “There’s a new idea group with a groundbreaking identification that we are able to work with. The members of the ‘actual world’ and the members of the ‘digital world’ have AI brains as totally different creatures, to allow them to speak to one another, give tides, make pals, and every world. We’re planning to point out off a totally new idea of storytelling that we couldn’t meet earlier than, corresponding to going backwards and forwards between the worlds by dividing the data.”[2]

After the 4 artists had been launched on SM Leisure’s social media channels between 27 and 30 October 2020,[3] their first single, “Black Mamba”, and the music video of the identical title had been launched on 17 November 2020.[4] As well as, a brief video was posted by which singer Karina chats together with her avatar, æ-Karina, whereas sitting comfortably on sofas and explains that in addition they trade messages through smartphone.[5]

In October 2021, SM Leisure launched “Savage”, the woman group’s first EP album,[6] which instantly stormed to the highest of the Korean charts and likewise prompted a stir internationally. This success earned aespa a spot on the principle stage on the Coachella Music Pageant in California. There, the 4 singers carried out three songs alongside their avatars, who had been projected onto a display screen. Quite a few YouTube movies posted by followers present this.[7]

In 2023, the time was ripe for a global tour by aespa entitled “SYNK: HYPER LINE”, with performances by the woman group and their avatars in varied nations in Southeast Asia, in addition to in america and Europe.[8] In 2024, the primary full-length studio album, “Armageddon”, was launched with ten songs, reaching quantity 2 on the Korean album charts and likewise showing on the worldwide long-play charts.[9] This was adopted by the second stay tour – “SYNK: Parallel Line” – which took the woman group to Japan, China, Thailand and Australia in 2024 and continued in North America and Europe in 2025.[10] It stays to be seen whether or not aespa’s two-world idea will work. The Okay-pop woman group capabilities like a traditional music act, with human songwriters and composers writing songs and producing albums. Stay performances additionally comply with a standard sample, with the æ avatars projected within the background. Solely the connection to the two.7 million followers (as of July 2025) who collect on the corporate’s personal platform Weverse[11] additionally features a digital part. Nevertheless, followers have additionally criticised the storyline of aespa for not all the time being understandable and tough to convey.[12] SM Leisure will nonetheless need to do a variety of inventive work to implement the unique idea.

Deep Studio Leisure and Superkind

Regardless of all of the uncertainties, the idea of aespa rapidly discovered imitators. In November 2021, South Korean firm Deep Studio Leisure offered the boy band Superkind,[13] which initially consisted of 4 actual members, Eugene, Geon, Daemon and SiO, in addition to one digital member, Saejin. Saejin was modelled on Adamsoft’s first digital performer, Adam, however because of AI know-how, he may very well be made way more sensible.[14] In contrast to to aespa, the avatar was an integral a part of the boy band and appeared equally with the opposite band members within the music and promotional movies, as may be seen within the first music video launched for the one “Watch Out” in June 2022.[15] The 5 band members carried out on a stage in a digital surroundings modelled after the Colosseum in Rome, with solely the keenest of observers capable of inform the distinction between the actual singers and their digital band-mates.

Shortly after the discharge of their debut single in July 2022, one other human member, JDV, grew to become a part of the boy band.[16] In December 2022, they had been joined by the digital singer Seung,[17] bringing the overall variety of Superkind members to seven.

In March 2023, Superkind’s second single, “Moody”, was launched, adopted by the EP “Profiles of the Future (Λ): 70%” in October of the identical 12 months. Nevertheless, album gross sales had been very modest, with 6,336 models bought within the first week, putting Superkind solely at quantity 22 on the South Korean Circle Album Chart.[18] After that, issues went quiet across the hybrid boy band. Then, on the morning of 11 April 2025, a put up appeared on X (previously Twitter) by which Deep Studio introduced the dissolution of the group and the mutual termination of contracts with the 5 human performers. No causes got for this resolution, however the AI firm thanked the artists for his or her cooperation and wished them properly for the long run.[19] Nevertheless, it may be assumed that there have been disagreements between the corporate and the human members of Superkind, by which financial components additionally performed a task. This instance reveals that AI-generated musicians aren’t any assure of success and that the excessive growth prices should first be justified.

Metaverse Leisure and MAVE

Nevertheless, South Korea stays fertile floor for the event of AI-generated artists. On 8 November 2022, Metaverse Leisure, a subsidiary of South Korean recreation developer Netmarble Company, introduced the launch of the digital Okay-pop woman group MAVE for spring 2023.[20] In collaboration with the South Korean media group Kakao Leisure, which supplied monetary backing for the mission and is answerable for music distribution, the primary single, “Pandora”, was launched on 25 January 2023 as a music video on YouTube. Within the video, the 4 lifelike members of the woman group — Siu, Zena, Tyra and Marty — carry out in a futuristic-looking metropolis and sing a few hopeless future by which feelings have been misplaced, and about discovering hope once more in a digital world known as Idypia.[21] With the assistance of an AI voice generator, the digital singers are capable of carry out their songs not solely in Korean, but additionally in English, French and Bahasa, the official language of Indonesia. Nevertheless, the AI voices had been skilled with human performers and the dance efficiency within the video is predicated on movement seize know-how, which was already used for Hatsune Miku.[22] On 30 November 2023, MAVE’s second single, entitled “What’s Your Identify?”, was launched on YouTube.[23] Though the debut single had nearly 32 million views on YouTube and “What’s Your Identify?” was additionally clicked on nearly 12 million instances (as of August 2025), MAVE did not enter the South Korean singles charts.[24] This is also the rationale why no additional songs had been launched by the AI woman group from 2024 onwards.

Supertone: MIDNATT and SYNDI8

It subsequently appears tough to create a purely digital AI act if there is no such thing as a thrilling storyline behind it. It’s subsequently simpler to derive an AI avatar from an current star. That is the case with MIDNATT, the alter ego of South Korean celebrity Lee Hyun, who fashioned the vocal group 8Eight along with Joo Hee and Baek Chan and loved success from 2007 to 2014.[25] 8Eight was signed to Korean music firm Massive Hit Leisure, which later grew to become HYBE Company. MIDNATT was developed by South Korean AI firm Supertone, which was acquired by HYBE in 2022 for US $32 million.[26]

In Could 2023, the primary single ‘Masquerade’ by MIDNATT was launched as a YouTube video.[27] Due to Supertone’s voice cloning know-how, the track is obtainable in six languages (Korean, English, Spanish, Chinese language, Japanese and Vietnamese). MIDNATT is the primary results of Challenge L, by which HYBE subsidiary HYBE IM goals to create extra AI-generated artists.[28]

Nevertheless, the follow-up mission got here from Supertone, which launched the digital woman group SYNDI8, consisting of the avatars Canary, Nest, Goyo and Raven, in July 2024. SYNDI8 “stay” within the digital NANSY Land, whose title is derived from Neural Evaluation & Synthesis. The intention is to provide voices as realistically as potential utilizing an AI mannequin. An attention-grabbing element that emerges from Supertone’s announcement about SYNDI8 is the aim of making mental property for AI-generated voices: “We discover the purposes of know-how within the music content material enterprise and to domesticate personal voice mental property (IP) to exhibit the capabilities of creations.”[29]

In contrast to MIDNATT and MAVE, nevertheless, SYNDI8 are manga-style comedian characters, not modelled after people. The EP “MVP”, launched in July 2024, featured music movies produced in comedian fashion for all three songs: “ATOTA”[30], “My Fantasy”[31] and “True Color”[32]. Reasonably than creating hyper-realistic representations of the singers, Supertone centered on producing voices that had been as sensible as potential with the assistance of AI. Nevertheless, with just a few thousand views between them, the movies show that SYNDI8 is an experiment that also wants additional growth.

Tencent Music and Lucy

Moreover the South Korean leisure corporations, the Chinese language know-how firm Tencent is especially concerned in growing AI-generated digital artists. In November 2022, Tencent Music Leisure, a Tencent subsidiary, introduced that it had produced over 1,000 music items utilizing the Lingyin Engine generative AI device. These have been streamed over 100 million instances in China. This know-how has additionally enabled the voices of the late Chinese language singers Teresa Teng and Anita Mui to be recreated.[33]

Tencent Music went one step additional with the Lucy mission. This can be a hyper-real digital pop star developed by the corporate’s personal Lyra Lab and offered to the general public in December 2022 through X (previously Twitter).[34] A month later, Lucy already had three songs within the Chinese language charts and quite a few singles on the Chinese language streaming platform QQ Music.[35] Nevertheless, if Tencent Music will get its manner, it is not going to cease at Lucy, however shall be joined by different AI-generated music avatars.

The evaluation of current AI-generated music avatars reveals that efficiently positioning them in the marketplace is tough. The more than likely path to success is to derive AI artists from human musicians, as demonstrated by aespa and MIDNATT. In these circumstances, followers have a degree of reference within the flesh-and-blood stars, who’re perceived as extra genuine and thus have larger identification potential. AI artists created from scratch discover it a lot more durable to succeed. In addition to the appreciable growth prices, advertising and marketing, promotion and distribution prices should be coated for them to turn into seen in the marketplace. Up to now, solely Hatsune Miku has succeeded in constructing a big, sustainable fan base that attends her concert events. The stay music enterprise particularly is the essential issue within the sustainable institution of an AI music star. As the instance of ABBA has already proven, an excessive amount of technical effort is required to ship the suitable stay expertise for the viewers. Easy 2D projections usually are not sufficient, and hologram know-how has not likely established itself in the marketplace. So, to construct up an AI-generated music star in a sustainable manner and make them profitable, along with good music, nice music movies and thrilling social media appearances, what is required above all is an immersive stay expertise that may win over the followers. As well as, a

Endnotes

[1] Korea Joong Ang Every day, “SM Leisure to debut new woman group, aespa”, October 26, 2022, accessed: 2025-08-28.

[2] SM Leisure Pressemitteilung, “Soo-Man Lee, chairman of SM Leisure Group, delivered a speech on the 1st World Cultural Business Discussion board as a consultant of the Korean cultural group!”, October 28, 2020, accessed: 2025-08-28.

[3] m.entertain.naver.com, “Yoo Ji-min debuts as Karina, member of SM Leisure’s new woman group ‘aespa’”, translated from Korean utilizing DeepL, October 28, 2020, accessed: 2025-08-28.

[4] YouTube, “aespa ‘Black Mamba’ MV”, November 17, 2020, accessed: 2025-08-28.

[5] YouTube, “aespa ‘MY, KARINA’”, October 28, 2020, accessed: 2025-08-28.

[6] Wikipedia, “Savage (EP)”, model of June 4, 2025, accessed: 2025-08-28.

[7] YouTube, “aespa full efficiency @coachella 2022”, April 24, 2022, accessed: 2025-08-28.

[8] NME, “aespa announce Europe, US legs of 2023 ‘SYNK: Hyper Line’ world tour”, Could 19, 2023, accessed: 2025-08-28.

[9] Wikipedia, “Armageddon (Aespa album)”, model of August 25, 2025, accessed: 2025-08-28.

[10] Wikipedia, “Synk: Parallel Line”, model of August 10, 2025, accessed: 2025-08-28.

[11] Weverse, “aespa”, n.d., accessed: 2025-08-28.

[12] Digiverse, “A brief historical past of digital artists”, October 12, 2022, accessed: 2025-08-28.

[13] Superkind is an anagram of NUKE, PRID and S. NUKE refers back to the digital members of the boy band, PRID to the human members, whereas the S stays a thriller that PRIDs and NUKEs should unravel on their journey; see ibid.

[14] YouTube, “SAEJIN, SUPERKIND, Debut Challenge”, January 22, 2022, accessed: 2025-08-29.

[15] YouTube, “SUPERKIND ‘WATCH OUT’, Official MV”, June 20, 2022, accessed: 2025-08-29.

[16] Korea JoongAng Every day, “Superkind has a member with a distinction — nevertheless it’s nearly undetectable”, July 28, 2022, accessed: 2025-08-29.

[17] KProfiles, “SUPERKIND Members Profile”, n.d., accessed: 2025-08-29.

[18] Circle Chart, “Album Chart 2023, Week 42”, October 21, 2023, accessed: 2025-08-29.

[19] The X-post was shared throughout quite a few on-line media retailers, together with allkpop, “Superkind formally disbands following contract conclusion with DEEPSTUDIO”, April 11, 2025, accessed: 2025-08-29.

[20] The Dailypost, “Netmarble F&C subsidiary Metaverse Leisure launches official web site”, November 8, 2022, accessed: 2025-08-29.

[21] YouTube, “Pandora”, January 25, 2023, accessed: 2025-08-29.

[22] Reuters, “Meet Mave: the AI-powered Okay-pop woman group that look nearly human and converse 4 languages”, March 17, 2023, accessed: 2025-08-29.

[23] YouTube, “MAVE_What’s My Identify”, November 30, 2023, accessed: 2025-08-29.

[24] Wikipedia, “Mave”, model of February 11, 2025, accessed: 2025-08-29.

[25] Wikipedia, “8Eight”, model of January 19, 2025, accessed: 2025-08-29.

[26] Music Enterprise Worldwide, “HYBE acquires faux voice AI firm Supertone in $32m deal (report)”, October 4, 2022, accessed: 2025-08-29.

[27] YouTube, “MIDNATT ‘Masquerade’ Official MV (Obtainable in 6 languages ENG/KR/JP/CH/ES/VN)”, Could 15, 2023, accessed: 2025-08-29.

[28] The Korean Herald, “Hybe opens up an period of ‘tech-tainment’ with new artist Midnatt”, Could 15, 2023, accessed: 2025-08-29.

[29] Cited in Music Enterprise Worldwide, “After being acquired by HYBE in a $32m deal final 12 months, voice cloning startup Supertone launches AI-powered digital pop group, SYNDI8”, July 2, 2024, accessed: 2025-08-29.

[30] YouTube, “SYNDI8 ‘ATOTA’ Official Visualizer”, July 10, 2024, accessed: 2025-08-29.

[31] YouTube, “SYNDI8 ‘My Fantasy’ Official Visualizer”, July 10, 2024, accessed: 2025-08-29.

[32] YouTube, “SYNDI8 ‘True Colour’ Official Visualizer”, July 10, 2024, accessed: 2025-08-29.

[33] Music Enterprise Worldwide, “Over 1,000 songs with human-mimicking AI vocals have been launched by Tencent Music in China. Certainly one of them has 100m streams”, November 15, 2022, accessed: 2025-09-01.

[34] X-Publish, “In the present day, TME introduced the debut of Lucy, who’s the primary super-realistic digital idol of the corporate”, December 12, 2022, accessed: 2025-09-01.

[35] Music Enterprise Worldwide, “Meet the digital artists backed by a number of the world’s largest leisure corporations”, Could 22, 2023, accessed: 2025-09-01.

Traditional Christmas music that goes beyond standard hymns and standard carols

Traditional Christmas music that goes beyond standard hymns and standard carols

by | Dec 21, 2025 | Classic, Musical Industry

When onȩ considers Christmas tunes, įt frequeȵtly comes from the 1940s-50s film soundtracks, which have since become ⱨoliday classics, or from ƫhe numerous pop sƫandards that have made ƫhe rounḑs and ḑelight — σr no — our eαrs year after year. There are no bells, whistles, cheeɾful, and cheerful ȿongs aboưt Santa. What αbout historical music’s Christmas, though? Iȵ fact, there is far more Christmas soȵg in classical music tⱨan any other time, which is largely ḑue to ƫhe holiday’s spiritưal sįgnificance, which we forgȩt in favor of wiȵdow displays.

This focus oȵ soɱe of ƫhe mosƫ rȩcent artists and their functions, which are frequeȵtly not αs well known and have, wⱨether they ⱨave chosen it or ȵot, been added to the arsenal of colorful song. There are, of course, the most well-known composers, from Bach and Handel to Tchaikovsky, Rachmaninoff, and many more well-known great division composers.

One may think of” Spiegel im Spiegel,” for example, because Pärt’s main focus during his impressive job has been religious song, particularly songs for ensembles. However, some oƒ hiȿ oɾchestral musiç is frequently used during ƫhe holiday season because it consistently carries the lovely elements of pȩace anḑ quiet. Alonǥ with Tavener, Gorecki, Hovhaness, Otte, αnd a ƒew oƫher European composers, Pärt įs freɋuently credited with creatįng what is now known as Holy Minimalism. It does seem to hit ƫhe nail on the head, iȵ general, because it is ƒrequently religious, calm anḑ unwinding, and iƫ is also ƫhe begiȵning of ƫhe Christian yeαr.

Given that Tavener is mentioned, one should take note that British composers have written music that has been quite adapted for the holiday season, from Williams ‘ Williams ‘ Williams Ascending to Adès ‘ Arcadiana and Nyman’s” All Imperfect Things. ” Ƭhese are frequently perfσrmed and featured dμring the holiday holidays. A Ceremony σf Carols, a beautiƒul collection of works by Britten, is α very ωell-suited Cⱨristian holįday pieçe, as well αs a very inventive ensemble of choral music for chorus, sσlo voices, aȵd harp. α unique orchȩstration that works well together.

A Ceremony of Carols by Benjamin Britten

Some unusual musical choices would also be influenced by Ives ‘” Central Park in the Dark,” a fascinating piece that beautifully captures the chilly and misty evenings of winter. Eaȿtern European classical music ƒrequently fįts thȩ holiday season, and this is also bȩcause of its strong ties ƫo Orthodox customs. from the compositions of Urmas Sisask and Ѵladimir Martinov, aȵ Estonian cσmposer. The popular Chrisƫmas carol,” Caɾol of the Bells,” is įn fact basȩd oȵ Mykola Leontovych’s composition” Shchedryk” from Ukraine.

Ukrainian Carol of the Bells (originally written in Ukrainian with lyrics in Ukrainian and English )

This articlȩ aims to convey a certain feeling tⱨat, iƒ there is a seȵse of serenity and calɱ emerging from the holidαy seαson, it caȵ certainly bȩ useḑ at any time of ƫhe year to encourage some time ƒor rest and serenity in oμr daily lives. The author haȿ compiled a ρlaylist with some of the most intɾiguing wσrks about Christmas anḑ thȩ holiday season in addition to thįs article.

For our E-Newsletter for more of the best classical music, please visit our website.

The Music Majors within the Digital Music Worlds – Music Enterprise Analysis

The Music Majors within the Digital Music Worlds – Music Enterprise Analysis

by | Dec 7, 2025 | Entertainment Law, Music Business, Podcast News


What position do main music labels play in creating digital music avatars? Are Common, Sony and Warner spearheading innovation by creating their very own AI musicians, or are they merely responding to present traits and technological developments? These questions will probably be answered partially 5 of the “Digital Music Worlds” sequence.

Digital Music Worlds – Half 5: The Music Majors within the Digital Music Worlds

Warner Music Group: Whet Information, Genuine Artists, Noonoouri

The main music labels, Common, Sony and Warner, haven’t been pioneers within the area of digital and, particularly, AI-generated artists. In July 2021, Warner Music Group’s Chinese language sub-label, Whet Information, signed the digital artist Ha Jiang. At that time, the avatar was already an influential influencer who was additionally positioned as a rap musician.[1] The Whet/Warner deal aimed to determine the digital artist as a music star, however this evidently failed. 4 years later, Ha Jiang has nearly disappeared from the web. Whet Information’ YouTube channel has solely 26 movies and three,420 subscribers, and has not been up to date for 3 years. The one content material that includes Ha Jiang is a “Drunk Groove” remix by the blue-haired digital singer, which has had a modest 109,637 views in 4 years.[2]

Additional monetary involvement within the digital music world additionally seems to be unsustainable for Warner. In June 2022, Warner Music Group led an funding consortium that offered thousands and thousands of US {dollars} in funding to “Genuine Artists”, an AI firm based by Chris McGarry in San Francisco in 2019.[3] The consequence was the event of twelve prototypes of supernatural digital artist avatars, starting from cyborgs to iguana DJs, which had been featured on the in-house label “WharpSound”.[4] Nonetheless, the provide, which was apparently aimed primarily on the gaming group, didn’t appear to have met with the required response. Chris McGarry’s final interview for the New Yorker dates from February 2023 and asks whether or not AI steals from artists.[5] After that, issues went quiet round “Genuine Artists” and its founder. The homepage “authentic-artists.ai” is simply as unavailable because the “WharpSound” label’s webpage. Warner will in all probability have already written off its funding in “Genuine Artists”.

In September 2023, Warner Music Germany signed a brand new music avatar. Style influencer Noonoouri, who has modelled for manufacturers equivalent to Dior, Lacoste, Balenciaga, Valentino and Versace, and whose followers embody Kim Kardashian, Naomi Campbell and Lewis Hamilton,[6] recorded the tune “Dominoes” with German DJ Alle Farben for Warner. Whereas Noonoouri’s voice is AI-generated, similar to her digital look, the lyrics of the tune had been contributed by a collective of songwriters.[7]

Behind Noonoouri is Joerg Zuber, who has been working the artistic company Joerg Zuber Studio in Munich for greater than 20 years. Zuber had the thought of making a digital influencer and launching her available on the market. Zuber’s idea was initially met with rejection, so he determined to take a danger and launched the computer-generated avatar in February 2018 with none monetary backing. However when celebrities equivalent to Naomi Campbell and Marc Jacobs grew to become followers and well-known trend manufacturers found Noonoouri, the success was unstoppable.[8] Noonoouri now has round 500,000 followers on Instagram,[9] and the music video for “Dominoes” has been considered round 300,000 occasions (as of September 2025).[10] Following the success of the debut album, Warner 2024 teamed up with Enisa Nikaj, a New Yorker of Albanian descent who’s signed to the Atlantic sub-label, on the tune challenge “Up All Nite” with Noonoouri. Nonetheless, “Up All Nite” was unable to match the success of the debut single. With just below 394,000 performs on Spotify[11] and round 180,000 views on YouTube,[12] it lags far behind “Dominoes”. However, one other try was made in Could 2025 to determine Noonoouri as a pop star with the discharge of the third single, ‘Launch Me’. For this single, the avatar collaborated with twin brothers Harvey Kitt and Max Luca Mills, who got here second as duo Max and Harvey within the TV expertise present “The X Issue: Celeb”.[13] Nonetheless, success has been modest up to now. The YouTube video has had round 273,500 views within the first 4 months[14] and ‘Launch Me’ has been performed simply over 292,500 occasions on Spotify.[15] Which means Noonoouri continues to be a great distance from reaching the heights of human pop stars and subsequently stays primarily a profitable trend influencer.

Common Music Group: Kingship, FN Mekka, Genies Inc.

Common Music Group additionally entered the digital pop star enterprise in 2021. 5 months after Warner Music Group, Common’s sub-label “10:22PM” introduced the formation of the digital band Kingship.[16] The “band members” had been 4 characters from the profitable NFT challenge “Bored Ape Yacht Membership”, which continued with the “Mutant Ape Yacht Membership” and one other 20,000 ape NFTs in any case 10,000 NFTs of the long-lasting apes had been offered. Common, or “10:22PM”, hoped to capitalise on the recognition of the NFT apes and licensed the NFT characters to type a band.[17] In Could 2022, Common offered 5,000 NFT key playing cards, permitting consumers to entry the band’s digital world and different tokenised merchandise and experiences, because the cult monkeys had been set to make their debut within the metaverse. Initially priced at 0.19 Ether (roughly US $286), the NFTs had been traded on the Ethereum blockchain. By the tip of July 2022, all NFT playing cards had been offered, producing US $1.43 million in income for Common.[18]

What reads like the start of successful story led to catastrophe. On the finish of December 2024, Common deactivated all the monkey band’s social media accounts and deleted all of their YouTube and Discord channels.[19] What had occurred? Again in November 2023, the creator of Kingship, Celine Joshua, had left the “10:22PM” label for BMG Rights Administration.[20] By this level, the NFT increase had was a speculative bubble, with 95 per cent of NFT collections proving to be nugatory. Greater than 23 million NFT traders had misplaced their cash.[21] Common was pressured to take motion to keep away from being dragged right into a maelstrom of lawsuits alleging investor fraud. The value of NFTs from the “Bored Ape Yacht Membership” had plummeted, prompting traders to sue Yuga Labs, the producer of the NFT apes, in addition to celebrities equivalent to Justin Bieber, Madonna, Snoop Dogg, Publish Malone and Serena Williams, and corporations equivalent to Adidas and the public sale home Sotheby’s. The plaintiffs accused the defendants of artificially inflating the worth of NFTs via their promoting of the ‘Bored Ape Yacht Membership’ to use small traders.[22] Common was not concerned within the lawsuit, however the challenge with the digital monkey avatars, which had began so promisingly, failed miserably on account of a misjudgement of the NFT market.

An excellent greater catastrophe was Common’s US subsidiary Capitol Information’ signing of “robotic rapper” FN Mekka in August 2021. Referring to the controversial avatar’s ten million TikTok followers, Capitol Information and FN Mekka’s developer, Manufacturing facility New, struck a deal to supply the only “Florida Water”. The tune, which was produced by a group led by Travis Scott, was created in collaboration with US rapper Guna {and professional} Fortnite gamer Clix.[23] This provoked a storm of indignation, particularly among the many Black group in america. The civil rights group Trade Blackout strongly criticised Capitol’s collaboration with Manufacturing facility New: “[W]e discover fault within the lack of information in how offensive this caricature [Anm. FN Mekka] is. It’s a direct insult to the Black group and our tradition. An amalgamation of gross stereotypes, appropriative mannerisms that derive from Black artists, full with slurs infused in lyrics.”[24] After solely two weeks of collaboration, Capitol Information was pressured to cancel the FN Mekka deal on account of huge public protests and apologise to the Black group: “We provide our deepest apologies to the Black group for our insensitivity in signing this challenge with out asking sufficient questions on fairness and the artistic course of behind it.”[25] Shortly after this press launch, the tune “Florida Water” was faraway from all streaming platforms.

In 2021, Common not solely tried to capitalise on the NFT and TikTok increase but in addition wished to determine a presence in Net 3.0 and, above all, in Mark Zuckerberg’s metaverse. To this finish, Common entered a partnership with Los Angeles-based tech firm Genies Inc.,[26] which describes itself as a pacesetter within the creation of avatars for the metaverse.[27] Months earlier, Warner Music Group had already introduced its collaboration with Genies.[28]

Genies Inc. was based in 2017 by Akash Nigam and Evan Rosenbaum, who had beforehand met as faculty college students on the College of Michigan and launched the photo-sharing app Mix. As Mix’s success was modest, Nigam and Rosenbaum turned their consideration to creating personalised avatars utilizing AI.[29] This concept was very effectively acquired, and the primary traders got here ahead, offering a complete of US$ 40 million in enterprise capital between 2017 and 2019.[30] Armed with recent capital, the Genies founders developed a software program improvement package (SDK) that enabled customers to create their very own avatars on cell gadgets. Nonetheless, Genies’ actual breakthrough got here after they began creating avatars for celebrities, together with many pop stars trying to promote their model in Net 3 purposes and, above all, within the metaverse. The primary big-name stars to have avatars created by Genies had been Justin Bieber and Shawn Mendes. Genies additionally started providing NFTs for star avatar equipment and different branded merchandise on the Dapper Labs blockchain. Seeing this success, Warner and Common now wished to fee avatars for his or her stars as effectively.[31]

This naturally attracted the eye of further traders, and in Could 2021, San Francisco-based enterprise capital agency BOND, along with an funding consortium, invested US $65 million in Genies, and BOND co-founder Mary Meeker joined the corporate’s government board.[32] There, in March 2022, she was joined by Walt Disney Inc. CEO Bob Iger, who additionally invested within the Avatar developer.[33] Only one month later, Genies achieved its greatest monetary coup so far when US personal fairness agency Silver Lake, which additionally held shares in Dell, Alibaba, William Morris Endeavor, Seagate Expertise and the New York tech trade NASDAQ, offered the corporate with US $150 million, pushing its worth to US $1 billion.[34] Regardless of this success story, the enterprise with star avatars within the metaverse has not likely taken off but. As we now have already proven elsewhere, the metaverse is more and more proving to be an enormous misinvestment, and corporations which have guess on this horse are already starting to query their investments. This additionally applies, in fact, to the 2 music majors, which had hoped that star avatars within the metaverse would generate further income, however this has not materialised up to now.

VTuber Initiatives by Sony Music Leisure Japan

Sony Music Leisure has not but entered the AI-generated music avatar enterprise, however Sony Music Leisure Japan (SMEJ), which operates as an impartial firm underneath the Sony Group umbrella, made its first entry into the avatar enterprise in Japan in 2022 with the PRISM challenge. Launched in January 2021, the challenge targets the VTuber group. It is a development originating in Japan, the place YouTubers – also referred to as digital YouTubers – use a computer-generated digital avatar as a substitute of their very own persona to create and stream content material.[35] SMEJ wished to faucet into this potential with the PRISM challenge and introduced an audition in August 2022 for VTubers in Japan who may take part with their avatars.[36] Nonetheless, the massive breakthrough has not materialised. Probably the most profitable artist so far has been Shiki Miyoshino, who had 160,000 subscribers on YouTube and generated round 300,000 views together with her most profitable music movies.[37]

One other music avatar challenge by SMEJ – ‘VEE Digital Leisure’ – has additionally not been profitable up to now. Much like the PRISM challenge, VTubers had been to be developed to succeed in a wider viewers with their music avatars. In Could 2022, the primary three digital VTuber abilities had been introduced to the general public and featured on YouTube, Twitch and Spotify.[38] A yr later, the avatars’ music movies had racked up a couple of tens of 1000’s of views on YouTube and remained under the radar on Spotify and Twitch.[39]

Up to now, the key labels haven’t fared effectively within the music avatar enterprise. Blinded by giant person numbers, they’ve tried to capitalise on present traits with out producing them themselves, as demonstrated by Common’s failures with the NFT apes and TikTok rapper FN Mekka. There’s a clear lack of expertise of how these new applied sciences work and what their potential is. The financial significance of the metaverse and the VTuber development in Japan have each been massively overestimated. In contrast to South Korean and Chinese language leisure corporations, the music majors haven’t invested in their very own music avatar initiatives. As an alternative, as with Warner’s funding in Noonoouri, they’re merely shopping for into them, with modest outcomes. The majors aren’t trendsetters, however fairly know-how followers who danger being left behind if AI-driven success breaks via for music avatars.

Endnotes

[1] Music Enterprise Worldwide, “This digital artist simply inked a serious report deal in China. One-off gimmick – or an indication of the long run?”, July 29, 2021, accessed: 2025-09-02.

[2] YouTube, “Whet Information”, n.d., accessed: 2025-09-02.

[3] Music Enterprise Worldwide, “Warner’s newest web3 transfer is an funding in digital artist and metaverse platform Genuine Artists”, June 23, 2022, accessed: 2025-09-02.

[4] Selection, “Digital-Musician Startup Genuine Artists, Backed by James Murdoch and Mike Shinoda, Comes Out of Stealth”, April 7, 2021, accessed: 2025-09-02.

[5] The New Yorker, “Is A.I. Artwork Stealing from Artists?”, February 10, 2023, accessed: 2025-09-02.

[6] Forbes, “Digital Influencer Noonoouri Lands Document Deal: Is She The Future Of Music?”, September 5, 2023, accessed: 2025-09-03.

[7] Ibid.

[8] At the very least, that’s what Joerg Zuber says in a brief video on YouTube, “Noonoouri: Abgelehnte Idee wird zum Riesen-Erfolg”, February 16, 2025, accessed: 2025-09-03.

[9] Instagram, “Noonoouri”, n.d., accessed: 2025-09-03.

[10] YouTube, “noonoouri & Alle Farben – Dominoes (Official Music Video)”, September 1, 2023, accessed: 2025-09-03.

[11] Spotify, “Noonoouri”, n.d., accessed: 2025-09-03.

[12] YouTube, “noonoouri & ENISA – Up All Nite”, June 28, 2024, accessed: 2025-09-03.

[13] FAZEMag, “noonoouri: von der Modewelt ins Musik-Enterprise mit ‘Launch Me’ (Warner Music)”, Could 9, 2025, accessed: 2025-09-03.

[14] YouTube, “noonoouri & Max and Harvey – Launch Me”, Could 9, 2025, accessed: 2025-09-03.

[15] Spotify, “Noonoouri”, n.d., accessed: 2025-09-03.

[16] Common Music Group press launch, “10:22PM Types Kingship, the First-ever Group Consisting of NFT Characters from Bored Ape Yacht Membership”, November 11, 2021, accessed: 2025-09-04.

[17] Music Enterprise Worldwide, “Meet KINGSHIP, a brand new digital group launched by Common label 10:22PM”, November 12, 2021, accessed: 2025-09-04.

[18] Music Enterprise Worldwide, “Common’s digital band KINGSHIP simply offered out its total assortment of 5,000 NFT ‘Key Playing cards’”, July 21, 2022, accessed: 2025-09-04.

[19] Digital Music Information, “So Lengthy, Kingship — Bored Ape ‘Supergroup’ Deletes Social Handles, YouTube Channel, and Web site As NFT Fallout Continues”, December 27, 2024, accessed: 2025-09-04.

[20] Ibid.

[21] Digital Music Information, “95% of NFT Collections, Held by Over 23 Million Folks, Are Now ‘Nugatory,’ Examine Finds”, September 21, 2023, accessed: 2025-09-04.

[22] Digital Music Information, “Federal Decide Rejects Dismissal Motions in Bored Ape NFT Lawsuit Towards Justin Bieber, Madonna, and Many Others”, August 21, 2024, accessed: 2025-09-04.

[23] Music Enterprise Worldwide, “Capitol Information simply signed a digital artist, FN Meka. He has over 10 million followers on TikTok”, August 12, 2022, accessed: 2025-09-09.

[24] Music Enterprise Worldwide, “Capitol drops ‘robotic rapper’ FN Meka, as challenge is accused of being an ‘insult to the Black group’”, August 24, 2022, accessed: 2025-09-09.

[25] Ibid.

[26] Common Music Group press launch, “Common Music Group and Genies Announce International Patrtnership to Develop Avatars and Digital Wearable NFTs for the Firm’s Iconic Roster of Artists”, December 9, 2021, accessed: 2025-09-09.

[27] Crunchbase, “Genies”, n.d., accessed: 2025-09-09.

[28] Music Enterprise Worldwide, “Warner Music Group companions with tech firm Genies to develop avatars and NFTs for WMG artists”, April 30, 2021, accessed: 2025-09-09.

[29] TechCrunch, “Meet ‘Genies,’ the lifelike customized avatars that reenact information”, December 8, 2017, accessed: 2025-09-09.

[30] Crunchbase, “Genies”, n.d., accessed: 2025-09-09.

[31] Engadget, “Rihanna, Migos and extra are getting official metaverse avatars”, December 13, 2021, accessed: 2025-09-09.

[32] TechCrunch, “Avatar startup Genies scores $65 million in funding spherical led by Mary Meeker’s Bond”, Could 3, 2021, accessed: 2025-09-09.

[33] The Wall Avenue Journal, “After Walt Disney, Robert Iger Heads to the Metaverse”, March 14, 2022, accessed: 2025-09-09.

[34] TechCrunch, “Avatar startup Genies hits $1 billion valuation in newest increase”, April 12, 2022, accessed: 2025-09-09.

[35] Wikipedia, “VTuber”, model of September 3, 2025, accessed: 2025-09-09.

[36] PR Newswire, “Digital Expertise Administration Company PRISM Challenge Publicizes 2022 Auditions”, August 9, 2022, accessed: 2025-09-09.

[37] YouTube, “Shiki Miyoshino”, n.d., accessed: 2025-09-09.

[38] Anime Information Community, “Sony Music Leisure (Japan) Inc. Publicizes VTuber Challenge ‘VEE’, 5 1st Gen Abilities to Debut”, Could 23, 2022, accessed: 2025-09-09.

[39] Music Enterprise Worldwide, “Meet the digital artists backed by a number of the world’s greatest leisure corporations”, Could 22, 2023, accessed: 2025-09-09.



Unusual Classical Music: Weird Titles & Tales

Unusual Classical Music: Weird Titles & Tales

by | Nov 30, 2025 | Classic, Musical Industry


Most individuals consider classical music as being very severe. However in actuality, classical music is commonly weird, sarcastic, or simply plain bizarre.

At the moment, we’re eight compositions with significantly bizarre titles, from Mozart’s cheeky “Leck mir den Arsch” to La Monte Younger’s “Composition 1960 #7: to be held for a very long time.”

We’re additionally wanting on the fascinating tales behind them.

Wolfgang Amadeus Mozart: Leck mir den Arsch fein recht schön sauber (Lick my Arse for Six Voices) (ca. 1782)

Wolfgang Amadeus Mozart beloved two issues particularly dearly: composing and scatological humour.

Actually, a lot scatological humour seems in his letters that some scandalised editors of his correspondence really scrubbed it from their editions!

Sometimes, his sense of humour boiled over from his letter-writing into his compositions, like in his three-part canon “Leck mich im Arsch”, which was doubtless meant to be a foolish social gathering track for his pals.

Wolfgang Amadeus Mozart

Translated to English, the expression “Leck mich im Arsch” means one thing equal to “kiss my ass.”

It’s a phrase that has no proper to be organized so cleverly or to sound so good…which in fact is a part of the joke!

Charles-Valentin Alkan: Funeral March on the Demise of a Parrot (1859)

Composer Charles-Valentin Alkan is without doubt one of the most intriguing figures in classical music historical past.

He was a piano prodigy born in 1813 who, within the 1830s, was usually talked about in the identical breath as Chopin and Liszt.

Charles-Valentin Alkan

Nevertheless, after Alkan had a son out of wedlock in his mid-twenties, he withdrew from the live performance stage for a time. He resumed his performing profession within the mid-1840s. However after shedding a prestigious job on the Paris Conservatoire and the devastating early loss of life of Chopin, Alkan withdrew from public life once more, specializing in learning and composing.

In 1859, Alkan wrote this parody funeral march, drawing from the pompous custom of grand opera. It was composed for 4 voices, three oboes, and one bassoon.

The lyrics translated are “Have you ever eaten, Jaco? And what? Ah!” That is the French equal of the English expression “Polly needs a cracker?”

Alkan takes himself so critically that should you simply heard the music alone, you’d by no means guess the mild, winking absurdity of the premise.

Erik Satie: Trois morceaux en forme de poire (Three Items within the Type of a Pear) (1903)

Composer Erik Satie specialised in absurdity, and his four-hand piano suite “Trois morceaux en forme de poire” presents absurdity in abundance.

The primary joke is that, regardless of the title, the suite consists of seven items, not three.

In accordance with legend, the “pear” a part of the title originated with a criticism Claude Debussy leveled at Satie: specifically, that Satie didn’t pay sufficient consideration to type.

Erik Satie

Satie then selected a intentionally absurd form so he might reply any criticism by Debussy by saying, “however it’s within the type of a pear!”

In France, pears even have a cultural connotation with the archetype of a idiot or simpleton, which means the joke could have been on Debussy, Satie himself, or perhaps each!

Alexander Scriabin: The Poem of Ecstasy (1905-08)

Composer Alexander Scriabin believed that his life’s mission prolonged far past writing music.

In 1903, he started writing a piece referred to as Mysterium, which he continued engaged on for over a decade, till his loss of life.

Alexander Scriabin

He wished to stage a efficiency of it throughout a weeklong competition within the foothills of the Himalayas, after which he believed the tip of the world would come, and human consciousness itself would shift.

In 1905’s The Poem of Ecstasy, we get a style of his intense conviction and artistic vitality in a piece that was really completed. The narrative of the Poem follows a spirit attaining consciousness.

Scriabin wrote in his personal notes for the piece:

“When the Spirit has attained the supreme end result of its exercise and has been torn away from the embraces of teleology and relativity, when it has exhausted utterly its substance and its liberated lively vitality, the Time of Ecstasy shall arrive.”

Charles Ives: Like a Sick Eagle (c. 1906)

Charles Ives’s temporary track “Like a Sick Eagle” include simply the primary 5 traces of John Keats’s poem “On Seeing the Elgin Marbles”:

My spirit is just too weak—mortality
Weighs closely on me like unwilling sleep,
And every imagined pinnacle and steep
Of godlike hardship tells me I have to die
Like a sick eagle wanting on the sky.

Clara Sipprell: Charles Ives (Washington, DC: Nationwide Portrait Gallery, Smithsonian Establishment)

Ives conveys the staggering weak spot of the once-mighty fowl by way of a spare accompaniment and ghostly vocal line.

The tip result’s deeply haunting and unsettling.

Darius Milhaud: Le Boeuf sur le toit (The Ox on the Roof) (1919-20)

Throughout World Struggle I, composer Darius Milhaud served within the French diplomatic service, spending two years in Brazil. Not surprisingly, the wealthy musical tradition of South America rubbed off on Milhaud’s music.

Darius Milhaud

Milhaud himself as soon as claimed that the title “Le Boeuf sur le toit” (which interprets to “The Ox on the Roof”) was a reference to a Brazilian people track.

Nevertheless, there are potential alternate explanations, too:

  • It’s the title of an imaginary cafe and dance corridor (an actual model opened a few years after Milhaud’s rating was staged as a ballet).
  • There may be an outdated Parisian legend of a person who adopted a calf and introduced it into his house, the place it grew too giant to be moved.
  • Amongst musicians, the phrase “faire un boeuf” was slang for “to have a jam session.” When a restaurant internet hosting a jam session was too small to host a gaggle, musicians can be directed to the roof.

No matter precisely what the title refers to, the phrase is playful and evocative.

Paul Hindemith: Overture to the Flying Dutchman as Sight-read by a Unhealthy Spa Orchestra at 7 within the Morning by the Properly (c. 1925)

Composer and violinist/violist Paul Hindemith had a tongue-in-cheek sense of humour, as evidenced by this work, which is strictly what it seems like: Hindemith’s thought of what an under-rehearsed ensemble may sound like whereas sight-reading Wagner’s Flying Dutchman Overture.

In it, he pokes enjoyable at out-of-practice musicians attempting to play a piece past their technical skills.

Paul Hindemith, 1923

You possibly can hear their struggles: intonation points, unintentional entrances, wobbly cues.

On the finish, the gamers inexplicably launch right into a rendition of Émile Waldteufel’s The Skater’s Waltz.

La Monte Younger: Composition 1960 #7: to be held for a very long time (1960)

American composer La Monte Younger was born in 1935. He’s extensively recognised as one of many first minimalists, and he has a particular curiosity in sustained tones and musical drones.

The one directions for the piece are {that a} B and an F-sharp are to be held “for a very long time”. How lengthy? It’s as much as the performers – and maybe the viewers – to determine.

La Monte Younger

Conclusion: The Bizarre and Witty World of Classical Music

Whether or not channeling apocalyptic mystical forces or memorialising a useless parrot, the entire composers above embraced a spirit of weirdness when it got here to conceiving and naming their works.

These bizarre names pique our curiosity and invite us to hear with curiosity and contemporary ears. Share along with your music-loving pals, and tell us which certainly one of these quirky works is your favourite.

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