Randomwaves Drumboy and Synthgirl, fresh open-source feel drum machine & wavetable synthesis

Randomwaves Drumboy and Synthgirl, fresh open-source feel drum machine & wavetable synthesis

by | Sep 21, 2024 | Film Music, Music Technology

Randomwaves Drumboy and Synthgirl are fresh artistic open-source touch-based drum machine and synth equipment, then on Kickstarter.

Synthesizers and electronic instruments, in general, are particularly popular in hardware because you can tweak them with tactile control ( knobs, faders… ).

A new Turkish development staff demonstrates how hardware can be designed different. With the new Drumboy and Synthgirl, they left out knobs/faders and made all touch-sensitive.

Randomwaves Drumboy Synthgirl

Both Drumboy and Synthgirl are brand-new, compact equipment with a lot in common. It starts with the technology strategy. They are powered by a recently developed stereo structures using the 550 MHz Cortex M7 computer, delivering picturesque 24-bit voice.

A 5-inch color LCD is also housed in each unit, which are interconnected by reactive feel controllers scattered throughout the interface. It also has an SD card input for managing data ( samples, wavetables, etc. ). Additionally, it offers a Bluetooth port and hardware tune in and out to ensure smooth inclusion with other devices.

More significantly, Drumboy and Synthgirl will work on an open-source script developed on the commonly used STM32 system. This is a remarkable action, and I welcome it very much. Now, this dive deeper into the differences between these new groovebox-oriented equipment.

Randomwaves Drumboy

A.wav test lasting up to eight seconds is each stored in a convenient drum machine called Drumboy. You can modify your audio with several parameters, including playback speed, change, and normalize.

The traditional method of producing complex rhythms using 1/64 encoding across eight bars and eight measures or with contemporary helpers like difficult fill generators is no longer possible.

Finally, Randomwaves Drumboy features a descriptive EQ with one lower shelf, one higher shelf, and four maximum filters. You can change the Q element, obtain, and frequency for accurate good shapers. Besides this, it comes with a fully adjustable dual filter with four modes ( lowpass, highpass, bandpass, and band stop ) and two effect channels.

The first offers eight algorithms with several controls: pause, song, flanger, blunderbuss, blower, expansion, drive, distortion, and bit crusher. Behind, you can find an independent echo with power over the space size, decay, pre-delay, occupy, dry/wet, and more.

Of program, you can also keep your looks and styles. It has a lender and file system for this, which makes it possible to keep track of and understand your design at any time.

 

Randomwaves Synthgirl

The Randomwaves Drumboy’s spouse is the Synthgirl. Although it is a solo compact Synthesizer, it has many of the same functions.

A wavetable website with two resonators that can buy custom storm files (up to 256 steps ) from Serum and various soft synths serves as the foundation of Synthgirl. You can change the amount, rhythm, period, start, and end points of wavetables, as well as the ability to turn in both X and Y axes.

Like the Randomwaves Drumboy, Synthgirl also comes with the same multimode dual filter ( lowpass, highpass, bandpass, and band stop ) that is fully adjustable with various parameters.

The built-in statistical Iq and the 2-channel multi-FX computer are the same and had eight techniques. The separate echo engine also has this effect. Further, you can find four shaping multi-wave LFOs with 25 prebuilt types and adjustable parameters ( target, rate, and depth ).

Randomwaves does not specify what kind of packets it uses. I hope there are some built-in. Further, it hosts a fully tweakable advanced key /arpeggiator ( rate, pattern, chord, order, octave… ) and a customizable metronome.

If that’s not enough, it also has a sequencer with adjustable parameters such as bar, measure, (up to 8 ), and quantization (up to 1/64 ), providing fine-tuned control over your composition. It shares the same file structure as the Drumboy to manage and keep your looks.

Second Idea

At first glance, it is an interesting venture. I give a great hands up to the open-source plan. However, I would find the touch-only interface and the little font on the interface to be far too small. On the ipads, I prefer to reach. However, I’m really interested to see how the neighborhood feels about the project and how it develops.

We can anticipate more developments with regard to the Synthgirl and Randomwaves Drumboy capabilities because it will be open source.

You can support the development of the Randomwaves Drumboy and Synthgirl then on Kickstarter, starting at$ 149 for the Drumboy or Synthgirl. In February 2025, shipment will begin.

More details these: Randomwaves / Kickstarter

Hardware Synthesizer News

Hardware Groovebox News


Thin Lizzy’s Classic Third LP

Thin Lizzy’s Classic Third LP

by | Sep 21, 2024 | Classic, Musical Industry

The song established Phil Lynott’s growth as a singer and frontman and the singer’s future success.

Published on

Support: Courtesy of Decca Records

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Phil Lynott, a vocalist for Thin Lizzy, entered Decca Studio 4 in London in July 1973 as a man who had a point to verify. He was there to report Lizzy’s third studio album, Vagabonds Of The Western World, which was their first full-length release since their adaptation of the Irish classic” Whiskey In The Jar” had received a surprise reception earlier that month.

That discovery individual, which the band had initially been reluctant to release, helped the group a lot more confident and was supported by a fantastic Irish homecoming tour in spring 1973. A UK visit supporting Slade in late 1972 – and a wake-up contact from the headline act’s manager Chas Chandler, who’d also represented Lynott’s hero, Jimi Hendrix – had inspired the earlier introverted frontman to operate at his stagecraft, adding filthy fresh moves to his onstage repertoire and brilliant audiences. It appeared that issues were improving.

See the standard film for Thin Lizzy’s” Whiskey in the Jar”.

But when happened but often with Thin Lizzy, with victory came losses. The success of” Whiskey In The Jar” led to record label pressure to follow it up with another rocked-up take on an Irish traditional –” Danny Boy” and” It’s A Long Way To Tipperary” were apparently mooted. Lynott was eager to showcase his personal songwriting and fought to have an original feature on the next one, not only because he was keenly aware of the potential adverse reaction of some elements of the British rock community to quite a move. He got his way, but the loving bossa-nova of” Randolph’s Tango” was a dud. Lynott was devastated, as guitar Eric Bell told Classic Rock in 2024,” He gradually realised that we’d blown it, and that affected him very seriously”.

After licking his wounds, Lynott retreated and wrote his most compelling work for Vagrants to time. The movie’s first one,” The Rocker”, was a strutting declaration of intent that denoted a fresh sense of purpose and intensity. It’s the noise of a posturing and prancing, leather-clad moth emerging from its studded chrysalis. Lynott boasts of his road smarts and gender appeal with growling and credible insouciance, but his melodies are too abrasive and his drums are careening. His lyrics were always full of noble criminals, so here he was casting himself in the position. With a childless, traveling childhood and a curiosity for European mythology, westerns, and Marvel cartoons, it’s not hard to see where this concern came from. One of the few things Lynott was aware of about his father as a child was that his given name was” The Duke.” It’s a little hop to” The Rocker”. This was writing as a form of self-actualisation, a means of creating a demeanor that Lynott, by all accounts a delicate heart, would follow absolutely in his public career. And Bell’s fireworks display adds to the overall impression that whatever scrape this rocker gets into, his band has got his back.

Elsewhere, the heads-down boogie of eco-conscious opener” Mama Nature Said” and the hard funk of” Gonna Creep Up On You” are further pointers towards heavier things to come for Lizzy. The same goes for the near-title track,” Vagabond Of The Western World”, a blistering psych-rock workout which tells the story of a rootless philanderer, another thinly-veiled example of Lynott taking inspiration from his absent father. ” Slow Blues”, meanwhile, lives up to its name, a wronged and woeful Lynott pouring his heart out over a smouldering, late-night blues.

Not everything on Vagabonds spoke of Lynott’s transformation into a swashbuckling, streetfighting rock god. The slow-burning” Little Girl In Bloom” sounds like nothing else here, or indeed elsewhere in rock music. While never quite blending with Brian Downey’s swinging drums and the off-kilter melody, Lynott’s austere bass improbably foreshadows Joy Division, giving off a melancholy tug intensified by a tender vocal. Meanwhile, Eric Bell’s guitar is an exercise in cool restraint, all spare, heavily treated single notes, till the midpoint of the song where, as if echoing a sense of liberation, he embarks upon a joyfully untethered solo.

Once again, Lynott’s lyrics draw upon his past, this time alluding to his former girlfriend, Carole Stephens, and his estranged child. In December 1967, Stephens became pregnant, and Lynott suggested the pair leave England and go with his mother. Instead, Stephens told her family and she was whisked away to a convent 60 miles from Dublin, unbeknown to Lynott. Stephen was forced to hand her son to the Catholic Protection and Rescue Society of Ireland five days after giving birth, and he was not seen until 2000. Only months later, when Lynott bumped into Stephens in Dublin, was she able to tell him. ” The two of us went to the cartoon cinema, and I told him everything”, Stephens told Graeme Thomson in his definitive 2016 Lynott biography Cowboy Song. We sat at the back and sobbed,” We had to wait until it was dark before we left.” There was no turning back in terms of our relationship. Lynott did n’t tell a soul about his child until the mid-70s, when he explained the lyric to artist Jim Fitzpatrick, who was illustrating a book of his poetry.

Lynott’s poetic side also surfaced on the tender” A Song While I’m Away”, on the surface the kind of burnt-out, on-the-road dispatch that rock stars tend to write around their third album. In Lynott’s hands though, it became something genuinely moving, as convincing a love letter to his cherished Ireland (” And far away hills look greener still, but soon they’ll all slip away” ) as to anything else.

Vagabonds did n’t make Thin Lizzy stars, but it laid the foundations for the band’s future success and Lynott’s development as a songwriter and frontman. Additionally, it led to the band’s first era to come to an end. While Life on the road and its accompanying decadence suited Lynott’s cast iron constitution, Lizzy relentlessly traveled to support the album. The guitarist’s hardships came to an end at a Belfast gig when he had an onstage breakdown, leaving Lynott and Downey to play the majority of the show as a two-piece. Bell would n’t play with Lizzy again, he’d be replaced by the twin guitar attack of Scott Gorham and Brian Robertson. With the rock ‘n’roll glory that Lynott had envisioned drawing ever closer to the horizon, a new era for the band was about to start.

Listen to Vagabonds of the Western World by Thin Lizzy right away.

John Early on Now More Than Ever, Taylor Swift: Radio

John Early on Now More Than Ever, Taylor Swift: Radio

by | Sep 14, 2024 | Entertainment Law, Music Business, Podcast News

Hear via: Apple Podcasts | Spotify | Amazon Podcasts | More Programs

Comedian John Early joins Kyle Meredith to discuss the new album edition of his reach HBO stand-up unique Now More Than Ever. Talk to the meeting above or wherever you can find apps.

Early talks about directing the special that follows The Last Waltz, an classic musical film starring The Band. He reveals the stories behind the songs that he and his band cover in the special, including Britney Spears ‘” Overprotected” and Neil Young’s” After the Goldrush”, and teases the new covers and materials he’s taking on the road for his upcoming tour ( get tickets here ). The actor also discusses Coming Up with the Persona He Teachs in Now More Than Ever and how growing up with secretary parents in Nashville produced a humorous design that examines liberal posturing and expressive actions.

Somewhere, First dishes on the interest he’s been getting since being featured in Taylor Swift’s” Anti-Hero” film, where he portrays the pop superstar’s son.”” I do n’t think it’s added anything to my crowds, her sales are through the roof, obviously now that I did the video, “he jokes”. People are so enthusiastic about that, sort of more than anything I’ve actually done — in a way that sometime’s crushing! The teens, the teenyboppers, they really think it’s so cool that I did that, and I do n’t think they care about anything else I’ve done, so that’s been really sweet.”

Talk to John Early’s above-mentioned Now More Than Ever. Follow Kyle Meredith With… on your preferred audio system, and subscribe to the Consequence Podcast Network to listen to all the newest episodes. You can also watch Now More Than Ever on Max, or sign up for the Hulu/Max/Disney + bundle and save 38 % on the price of all three services separately.


Radial Nuance Select — A Mix Real-World Review

Radial Nuance Select — A Mix Real-World Review

by | Sep 14, 2024 | Film Music, Music Technology

Rob Tavaglione, the workshop owner, tests the new Radial Nuance Select and discovers that it has excellent sound quality.

MIX VERDICT: RADIAL NUANCE SELECT

THE TAKEAWAY:” I can guarantee you’ll appreciate the good quality at whatever level you dial-up on that great and beautifully tactile stepped attenuator”.COMPANY: Radial Engineering • www. radialeng.com
PRICE: $840 MSRP; $699 retail
PROS:
• Strongly built
• Flawless activity
• Immaculate audio quality
CONS:
• Simply two input,
• No talkback actually

The new Nuance Select monitor controller is a tank, and good old Radial ( and veteran designer Hutch Hutchinson ) can help streamline workflow ( both as “per the usual” for Radial ). Nevertheless, with this system, the company incorporates a new idea, the Clarity Circuit, to accomplish amazing sonics.

Nuance Select is a desktop screen controller providing clear type switching, screen selection, volume control and headphone facilities. On a 14-inch TRS, two pairs of balanced monitor outputs ( and a single bass out ) are provided, while two sets of balanced sets of observe outputs are also provided.

Two discrete headphone amps are provided ( on front-panel ¼-inch jacks ) with muting, independent input sourcing and level. On an unbalanced stereo TRS, an Auxiliary output that allows either input to conveniently feed an external device ( likely a headphone amp or foldback monitors ), as well as a quick workflow, such as a mono, mute, and dim switch.

Radial Nuance Select

This is all controlled with a proper 21-position stepped attenuator (volume control ) that provides accurate left-to-right balance within 0.1 dB at any volume, via resistors and DC servos, not capacitors ( caps do n’t always age well, drift in value over time and can introduce noise ).

The Clarity Circuit is Class-A and exceptionally clean, with little tangible THD of -0.00001 %, interference of -125 database, A-weighted signal-to-noise of 127 database, and speed response from 7 Decibels to 20 hertz.

This is all contained in a steel enclosure, with a polished aluminum 10 x 5-inch faceplate, backlit silent switches, and chrome control knobs (especially attractive is the huge, 2-inch attenuator ), powered by an external supply connected with a locking 4-pin XLR at the end of a sturdy 12-foot cable. Owing for getting the facts straight, Radial!

After weeks of daily work, my assistant and I were able to quickly come to terms with the Nuance Select’s exceptional cleanliness and absence of distortion, something we’ve probably never heard of before. The change is more confirming than stunning, more transparent than special, more revealing than introductory. There is no warmth generated by the unit, there is no added cohesion or gelling, dynamics are untouched, there is no emphasis of frequency, there is no ( de ) emphasis of placement, panning or soundstage. There is just stark reality, linearity and assurance.

Hungarian Audio MiCreator Studio – A Mix Real-World Review

Only a few of my clients noticed the NS change, but only my assistant noticed it because the differences are significant to my ears but appear to be refined to laypeople. However, I quickly developed a reliance on such top-notch audio value, and I was disappointed that I was unable to use Nuance Select in my studio!

I track bands and use analog summing ( no console ). My installation requires a feature-rich joystick with several sources, multiple-input-blending for my headphone/cue mixes, and a talkback device, also. For what it’s worth, I would prefer XLR connections and multi-color (ed ) switches for even more ease of use.

However, for those of you with great, standard, present, all-digital procedures, the Nuance Select comes highly recommended. A three-year insurance backs up common Radial stability, a retail value of$ 699 makes for just a moderate expenditure, and I can promise you’ll love the sound quality at whatever stage you dial-up on that big and beautifully clicky stepped attenuator.

The Story of Debussy’s Doomed Daughter

The Story of Debussy’s Doomed Daughter

by | Sep 14, 2024 | Classic, Musical Industry

Undoubtedly, the person who artist Claude Debussy loved most in the earth was his daughter, Claude-Emma.

Both father and daughter had great chemistry. Claude-Emma became a very accomplished musician as a result of her father’s influence on the writing of several of his most well-known functions.

But, during the disaster of World War I, their linked stories turned profoundly horrible. By 1919, both were useless.

Now, we’re looking at the history of this touching father-daughter marriage.

The Collapse of Debussy’s First Marriage

Debussy and Lilly

The newly wed Claude Debussy visited the music salon of Emma Bardac, the wife of vocalist and banker, in October 1903.

At second, Claude brought his wife Lilly with him. But, the shy Lilly disliked being around the extroverted, comfortable Emma, but Claude started going to the Bardacs’ on his own.

He physically shifted away from Lilly the following summers and took a trip to Jersey with Emma. He left the union and wrote Lilly a email informing her that the union was around.

Claude Debussy with Emma Bardac

A depressed Lilly shot herself in vain, but she lived. Claude spoke with her specialists, but he went back to Emma when he learned that Lilly would be ill. Additionally, he refused to cover her health expenses. Yet for fin de siècle France, this insensitivity caused a controversy.

Emma became pregnant with Debussy’s baby in very beginning 1905. Claude and Sigismond divorced Lilly in August, and she divorced Sigismond in May.

The Birth of Chouchou

In the early stages of Emma’s pregnancy, Claude was working on his orchestral piece La Mer (” The Sea” ).

Debussy: La Mer

Although it would ultimately become one of his most renowned functions, upon its launch, La Mer was not specifically well-received. ” I do not speak, I do not see, I do not taste the sea”, writer Pierre Lalo complained.

La Mer was premiered on 15 October 1905. Two weeks later, on 30 October 1905, Claude-Emma was born.

She was named after both of her parents, but her nickname soon became” Chouchou” ( “little cabbage” ).

The title was created as a result of Claude and Emma’s names for one another. Claude called Emma “mon chat” ( “my cat” ), while Emma called him the similar-sounding “mon chou” ( “my cabbage” ). It made feeling for their child, who shared both of their titles, to gain a form of one of their names, too.

He wrote to musician Louis Laloy,” I have been, for a few days, the parents of a little girl whose happiness has fairly knocked me over and made me a little fearful.”

How Did Chouchou Debussy Live?

Debussy and his princess Chouchou at the beach.

From the beginning, Claude and Chouchou had a special relationship.

Violinist Arthur Hartmann when wrote of Chouchou,” Chouchou was a great small copy of her father, with his peculiarities of appearance, the strange forehead, the dark hair, hot eyes and mouth, the strong little body, and also the wonderful independence of spirit”.

Igor Stravinsky once wrote that “her gums were exactly like her husband’s – document. e., like claws”.

And yet she was quite separate and had different choices, especially when it came to music…even her husband’s. In May 1909, Claude brought the five-year-old Chouchou to London to see the practices of Pelléas et Mélisande. At” La Scéne de la Grotte”, Claude felt his daughter’s hand search out his, and she said to him angrily,” You know, Papa, I do n’t like that”!

Debussy: Pelleas et Melisande

Starting when she was youthful, Chouchou sang, played piano, and played instrument. When she was seven, she also began composing her own music.

Violinist Arthur Hartmann previously described how, when she was a young woman, she and her relatives came to visit. She was asked to sing, but she responded that she did n’t feel like doing so. Eventually, she informed the meeting she had changed her mind. Chouchou sang in a very natural, really done approach as Claude sat down at the piano with her.

The Song That Chouchou Inspired

In 1908, Debussy dedicated his music job The Children’s Corner to Chouchou. Its commitment reads,” To my darling little Chouchou, with her husband’s tender sympathies for what follows”.

Impressionist: Children’s Part

The comedy on Johann Joseph Fux’s 1725 opposition treatise,” Doctor Gradus ad Parnassum,” is one of the movements. The addition of this activity seems to imply that he was quietly hoping Chouchou would follow in her mother’s feet and research music…which, to Claude’s great delight, she did.

Claude-Emma with Debussy

The Children’s Corner consists of six activities. Each one has some connection to Chouchou or infancy:

1. A comedy of the Fux idea treatise, Doctor Gradus ad Parnassum.
2. Jimbo’s Lullaby – A song for a prominent circus elephant, who would later encourage the Disney movie Dumbo.
3. Pentatonic scales, which are common in Chinese songs, are portrayed in the music portrait of a porcelain doll.
4. A motion about rain called The Snow Is Dancing features a youngster’s wonder at the wonder of winter weather.
5. The Little Shepherd – A shepherd is depicted musically as a sheep playing his flute.
6. Golliwogg’s Cake – A golliwog was a figurine whose design was rooted in the prejudiced caricatures of black music. Today, the term is a cultural insult, but these puppets were very famous around the turn of the century.

The Death of Claude

Jacques-Émile Blanche ( 1861-1942 ), Claude Debussy, 1902, oil on canvas, 95 x 74 cm/37.4 x 29.1 in.

In 1915, after years of health problems, Claude was actually diagnosed with genital cancer. Claude was fifty-three centuries old, and Chouchou was ten.

His deaths and the idea of leaving his wife and child on were both very important to him. Before his first operation, he wrote,” And you, my darling little one who will remain, like me in our little Chouchou… You are the only two beings who keep me from wishing to disappear without delay”.

He became obsessed with the idea of composing as much as possible before he died, writing,” I cannot say I feel any better, but I have made up my mind to dismiss my health, to get back to work, and to be no longer the slave of this over-tyrannical condition. We shall shortly discover. I wish I had at least tried to carry out my duty if I am immediately to go out.

Debussy died on 25 March 1918.

The Death of Chouchou

In July 1919, when she was thirteen, Chouchou got bored. Her condition lasted for four days, with her doctors assuming she had either hepatitis or sepsis. She did not survive. Together with her parents, she was buried in Passy Cemetery in Paris.

Emma, her family, was beyond devastated by her pain. Decades later, in January 1920, she wrote to a companion,” This little one was my only reason for living – with the beloved King gone. Then death is the only thing that I want … My dear little Chouchou, but pure, so good, so clever, so gentle, and who contained so many beautiful thoughts, so much shared like, I will never see her again”!

Up until 1934, Emma Bardac lived.

What kind of musician, if Chouchou Debussy had lived to be an adult, would one still be a part of music history’s tantalizing mystery? We’ll never know.

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IPRMENTLAW WEEKLY HIGHLIGHTS (AUG 26- SEP 1, 2024)

IPRMENTLAW WEEKLY HIGHLIGHTS (AUG 26- SEP 1, 2024)

by | Sep 7, 2024 | Entertainment Law, Music Business, Podcast News


Bombay Excessive Courtroom Grants Interim Aid to Burger King in Trademark Infringement Case

The Burger King Company had sought a everlasting injunction from the Bombay Excessive Courtroom with the intention to restrain Pune’s Burger King restaurant from exploiting its trademark ‘Burger King’.

The Bombay Excessive Courtroom has granted interim reduction to Burger King Company on this trademark infringement case towards the Pune-based burger additionally utilizing the identify, ‘Burger King.’ The choice follows an attraction by Burger King difficult a July 16, 2014, order by Pune district choose Sunil Gangadharrao Vedpathak, which had been in favor of the Pune restaurant. The Excessive Courtroom has now issued an ad-interim keep on that order.

The Division Bench of Justices A.S. Chandurkar and Rajesh Patil dominated that the ad-interim keep would stay in impact till the following listening to, scheduled for September 6.

Case: Burger King Company v. Anahita Irani and One other

You’ll be able to learn extra about it right here.

Airtel to Shut Down Wynk Music, Companions with Apple for Content material Presents

Airtel is about to discontinue its Wynk Music app, because the telecommunications large enters a strategic partnership with Apple to offer prospects with unique music and video content material. Later this yr, Airtel prospects in India will obtain particular provides for Apple TV+ and Apple Music, marking a big shift in Airtel’s content material supply technique. The corporate has confirmed that each one workers of Wynk Music shall be absorbed inside the broader Airtel ecosystem.

As a part of the brand new deal, Apple TV+ shall be built-in into Airtel’s Xstream platform, which shall be out there via premium subscription plans. The monetary phrases and pricing particulars of this partnership stay undisclosed.

You’ll be able to learn extra about it right here.

PIL Filed in Punjab and Haryana Excessive Courtroom In opposition to Kangana Ranaut’s Movie ‘Emergency’

A Public Curiosity Litigation (PIL) has been filed within the Punjab and Haryana Excessive Courtroom looking for the cancellation or revocation of the certification granted to the movie ‘Emergency,’ starring Kangana Ranaut. The petitioners, Gurinder Singh and one other particular person, allege that the film targets the Sikh neighborhood by projecting false and misguided info, thereby making an attempt to “destroy the social material of Punjab” and selling hatred between spiritual teams.

The PIL requests that the Union of India and the Central Board of Movie Certification (CBFC) be directed to delete the objectionable scenes from the movie, which is scheduled for launch on September 6.

You’ll be able to learn extra about it right here.

Former Indian Ocean Band Members File Criticism Alleging Non-Fee of Royalty

Susmit Sen, a former member of the Indian Ocean band, and Sunita Chakravarty, the widow of co-founder of the band Ashim Chakravarty, lodged a police criticism towards present band members Rahul Ram and Amit Kilam. The criticism, filed in New Delhi, additionally named Kandisa Music Productions Pvt Ltd, the corporate managing the band.

Based on reviews, Sen and Chakravarty accused Ram and Kilam of failing to pay royalties since 2020-21. The allegations embrace costs of felony conspiracy, felony breach of belief, dishonest, misappropriation, falsification of accounts, cash laundering, and embezzlement. The complainants declare they’ve been disadvantaged of royalties amounting to over half a crore rupees per particular person, with Chakravarty not receiving any funds since 2021.

You’ll be able to learn extra about it right here.

OpenAI Asserts Truthful Use Protection in Response to Copyright Allegations

OpenAI responded in California federal courtroom to allegations that it misused the works of authors, together with Michael Chabon, Ta-Nehisi Coates, and comic Sarah Silverman, to coach its synthetic intelligence language mannequin. The corporate defended its practices, arguing that its use of copyrighted content material constitutes honest use, important for educating fashions just like the one behind ChatGPT to generate authentic materials.

In its courtroom submitting, OpenAI said, “The fashions study, as all of us do, from what has come earlier than,” emphasizing that the honest use doctrine exists to foster the event of latest concepts that construct on earlier works. Whereas each OpenAI and Meta beforehand persuaded the judges to dismiss some claims, the courts have but to deal with the basic challenge of whether or not coaching AI fashions utilizing internet-scraped materials constitutes widespread copyright infringement.

You’ll be able to learn extra about it right here.

Vee Information Copyright Infringement Lawsuit In opposition to Guru Randhawa and T-Sequence

Vikram Shapribhan Singh, professionally often called Vee, has filed a lawsuit towards singer Guru Randhawa, T-Sequence, and Hungama Digital Media Leisure Pvt. Ltd., within the Bombay Excessive Courtroom, alleging copyright infringement. The case facilities on claims that T-Sequence unlawfully used Vee’s sound recordings, works, and performances with out correct authorization, leading to important monetary and reputational injury.

The dispute dates again to Vee’s collaboration with Guru Randhawa, starting in December 2016. Vee contends that Randhawa had promised monetary compensation, applicable credit, and a 50 p.c share of publishing royalties for his contributions. Nonetheless, these guarantees had been by no means formalized, and Vee claims he was not credited for a number of tracks, together with the hit track “Excessive Rated Gabru.”

You’ll be able to learn extra about it right here.

Delhi Excessive Courtroom Declares ‘Boroline’ a Properly-Recognized Trademark

The Delhi Excessive Courtroom has formally acknowledged ‘Boroline’ as a “well-known trademark” underneath the Commerce Marks Act and has ordered an organization to vary its product’s commerce gown to keep away from resemblance to the widely known antiseptic cream. The courtroom emphasised the numerous goodwill and market recognition of the ‘Boroline’ trademark, noting its recognition not solely in India but in addition in international locations like Oman and Turkey.

The ruling got here in response to a lawsuit filed by G D Prescription drugs, the proprietor of the Boroline model, towards Cento Merchandise (India) for manufacturing and promoting a “deceptively comparable” product named ‘Borobeauty.’ It was argued that Cento Merchandise adopted Boroline’s distinct “commerce gown,” particularly the darkish inexperienced tube with an octagonal black cap, for its soothing cream, which constituted a violation of mental property legislation.

The courtroom restrained Cento Merchandise from persevering with to fabricate and promote ‘Borobeauty’ in its present type and directed the corporate to switch its commerce gown and trademark to make sure they’re utterly distinct from Boroline’s well-known model id.

You’ll be able to learn extra about it right here.

Delhi Excessive Courtroom Orders Removing of Fraudulent Web sites Misusing the ‘Mudrex’ Trademark

The Delhi Excessive Courtroom issued a directive to take down a number of web sites which are allegedly misusing the emblems related to the crypto-investment platform “Mudrex” to deceive prospects.

The plaintiff accused numerous entities of unauthorized use of the “Mudrex” trademark, claiming that the web sites had been operated in a dishonest method to mislead the general public into making investments. The courtroom, recognizing the potential for irreparable hurt to the plaintiff, granted an ex-parte ad-interim injunction, restraining the defendants from utilizing the “Mudrex” emblems or any deceptively comparable marks.

Justice Mini Pushkarna, within the interim order, directed the offending events, recognized as John Doe or unknown entities, to take down the infringing web sites inside 48 hours. The courtroom additional clarified that if the defendants fail to conform, the competent authorities would take instant motion to dam entry to the fraudulent web sites.

You’ll be able to learn extra about it right here.

Supreme Courtroom Stays Notification issued by Ministry of Ayush

The Supreme Courtroom stayed a notification issued by the Ministry of Ayush that had omitted Rule 170 of the Medication and Cosmetics Guidelines, 1945 that prohibits deceptive commercials of Ayurvedic, Siddha, and Unani medication. A bench comprising Justices Hima Kohli and Sandeep Mehta said that the ministry’s notification was in direct violation of the Courtroom’s earlier order.

On Might 7, 2024, the Supreme Courtroom had mandated that earlier than any commercial is issued, a self-declaration have to be obtained from the advertisers, following the rules laid down by the Ministry. Regardless of this directive, the Ministry of Ayush issued a notification on July 1, 2024, omitting Rule 170, opposite to the Courtroom’s order. Due to this fact the Courtroom stayed the impact of this notification till additional orders.

You’ll be able to learn extra about it right here.

MIB Eases Self-Declaration Certificates Necessities for Meals and Well being Sector Adverts

The Ministry of Info and Broadcasting (MIB) has proposed that solely commercials within the meals and well being sectors be required to submit a Self-Declaration Certificates (SDC), in keeping with an affidavit filed within the Supreme Courtroom, as reported by Hindustan Instances. The Ministry clarified that the duty for submitting these SDCs rests solely with personal corporations and advertisers, not promoting businesses. Moreover, the MIB beneficial that start-ups and micro and small enterprises (MSMEs) be exempt from submitting SDCs.

This follows the MIB’s July advisory, which directed advertisers and promoting businesses within the meals and well being sectors to add annual SDCs on the Broadcast Seva Portal (for TV/Radio) or the Press Council of India’s portal (for print media/web). The advisory, issued in compliance with a courtroom order, required advertisers to make sure declarations concerning deceptive commercials.

You’ll be able to learn extra about it right here.

NCLT Approves Merger of Viacom 18 Media with Star India

On Friday, the Nationwide Firm Regulation Tribunal (NCLT) authorised the merger of Reliance Industries-owned Viacom 18 Media with Star India. This determination, made by a two-member NCLT bench, additionally features a composite Scheme of Association involving Viacom 18, Digital 18, and Star India.

The NCLT, noticed that the scheme seems honest and affordable, complies with authorized provisions, and doesn’t contravene public coverage. The NCLT famous within the order that the scheme will solely grow to be efficient after receiving approval from the Competitors Fee of India. The proposed scheme includes transferring Media Operations Enterprise from Viacom 18 and Jio Cinema to Digital18, a Viacom 18 subsidiary, adopted by the demerger and switch of the V18 Enterprise from Digital18 to Star India.

You’ll be able to learn extra about it right here.

Zee and Sony enter right into a Settlement Settlement, following the failed Sony-Zee Merger

The $10 billion merger between Zee Leisure and Sony India (Culver Max Leisure) has a brand new growth the place each events have entered right into a settlement settlement. Zee Leisure introduced on August 27 that it had reached a settlement with Culver Max Leisure Personal Restricted (previously Sony India) and Bangla Leisure Personal Restricted. This follows after the merger between Zee and Sony didn’t happen and was referred to as off by Sony, resulting in sure claims being made by Zee to recuperate its prices and damages.

You’ll be able to learn extra about it right here.

Bombay Excessive Courtroom Imposes Rs 50 Lakh Price on Premier Stationery for Trademark Violation

The Bombay Excessive Courtroom has imposed a penalty of Rs 50 lakh on Premier Stationery Industries Pvt. Ltd. for “wilful and deliberate disregard” of its August 2017 order, which had restrained the corporate from utilizing a deceptively comparable trademark to Pidilite Industries Ltd.’s ‘Fevicol’.

Pidilite had initially filed a swimsuit towards Premier Stationery Industries for infringing on their FEVICOL MR Inventive Work and FEVICOL MR Bottle emblems. The courtroom’s 2017 order barred Premier from violating Pidilite’s trademark rights. In 2021, Pidilite approached the courtroom once more, claiming Premier resumed reproducing the important options of its merchandise.

Premier Stationery Industries argued that the present house owners, who acquired the corporate after 2017, had been unaware of the courtroom’s order and prior undertakings. The unique house owners contended they shouldn’t be held liable for violations occurring after the sale of the corporate. Justice Riyaz Chagla, nonetheless, rejected these arguments, noting that each previous and current house owners had been associated and had offered false statements. The choose decided that the violations constituted willful and deliberate contempt of courtroom, resulting in the imposition of a Rs 50 lakh price as a penalty.

You’ll be able to learn extra about it right here.

Calcutta Excessive Courtroom permits Launch of “The Diary of West Bengal”

The Calcutta Excessive Courtroom declined to challenge an interim order restraining the discharge of the Hindi movie The Diary of West Bengal, observing that in a democratic setup, wholesome criticism shouldn’t be stopped .

A public curiosity litigation (PIL) had been filed looking for to halt the movie’s launch, alleging that it portrays the Chief Minister of West Bengal in a unfavorable mild. Though the courtroom was not inclined to grant instant reduction, it agreed to record the matter for a listening to in three weeks, permitting the senior advocate representing the petitioner to make detailed submissions in help of the petition.

You’ll be able to learn extra about it right here.

Delhi Excessive Courtroom Points Injunction and Damages in Louis Vuitton Copyright Infringement Case

In a current swimsuit filed by Louis Vuitton Malletier, the Delhi Excessive Courtroom granted a everlasting injunction towards the defendants concerning using pictures and pictures owned by the plaintiff. Justice Mini Pushkarna emphasised that the core challenge was the unauthorized use of those copyrighted supplies by the defendants.

The Courtroom restrained the defendants from utilizing the images, photos, and promotional materials in query. Moreover, it ordered the defendants to pay Rs. 5,00,000 on to Louis Vuitton Malletier in France, as prices had been requested by the plaintiff to be paid on to France.

You’ll be able to learn extra about it right here.

Telugu Movie Trade Girls Push for Launch of Sexual Harassment Report from Telangana authorities

Main ladies actors, producers, and administrators within the Telugu movie business are urging the Telangana authorities to launch a two-year-old report on sexual harassment as a vital step in direction of making certain a safer working atmosphere. There are ongoing discussions by the Film Artistes Affiliation and the Telugu Movie Chamber of Commerce on addressing these points.

On August 30, the Voice of Girls (VoW), a help group for ladies within the business, issued a press release highlighting the necessity for transparency and motion, drawing comparisons to the Hema Committee’s findings on sexual exploitation in Malayalam cinema. The assertion has gained important traction, thereby amplifying requires the report’s launch and efficient measures to fight harassment.

You’ll be able to learn extra about it right here.

With the release of the 4-channel circular mixer euphonia, AlphaTheta ventures into the circular world.

With the release of the 4-channel circular mixer euphonia, AlphaTheta ventures into the circular world.

by | Sep 7, 2024 | Film Music, Music Technology

AlphaTheta Corporation announced the launch of the bank’s first-ever circular blender: the euphonia. The 4-channel blender is also the first piece of hardware from the business to bear the AlphaTheta company logo, which takes the place of the Pioneer DJ branding. euphonia is a blend digital/analog mixing with circular faders that features a custom-designed 3Band Master Isolator, built-in Send FX, and more.

Let’s take a look.

Major features

The euphonia weighs in at just under 21 lbs – notably lighter compared to Pioneer’s other mixers like the A9 ( almost 29 lbs ) and V10 ( 37 lbs ). A wide range of circular features and effects are available in the new mixing, including:

    Four circular faders have a new appearance and feel thanks to the addition of maximum weighting and elastomer to the outside of each knob, which DJs will notice when they turn the knobs at various speeds.

  • The digital signal processor ( DSP) employs HQ 32-bit A/D and D/A converters in addition to 96 kHz/64-bit floating point mixing operations. The sound finally travels through a converter circuit created in collaboration with Rupert Neve Designs, a business renowned for its digital audio circuitry.
  • The three handles on the top remaining of the blender are located on the 3Band Master Isolator. The handles are set to be located in the center, and they can become turned left or right until they reach a minimum or maximum. This is somewhat an interesting selection on AlphaTheta’s element because the knobs are set at 12: 00, which is standard with their other mixers. It seems odd that they would stick to that style of construction, especially since so many rotaries have a full-range Extraversion that start all the way to the left ( a theme that also emerged with the V10’s filter knob ). I would’ve expected the company’s primary circular blender to get built more in-line with rotaries on the market now. You can also utilize three boost levels: + 12dB for dynamic performances, + 6dB for sound quality adjustments, and 0dB for reverb effects that wo n’t affect the volume at all.
The 3B Master Isolator
    The Energy Visualizer and a fresh Mix Level Meter, which were created especially for euphonia, are directly to the right of the isolators, giving you a needle for each channel to make it easier to track your stirring and size ranges.

  • 5 built-in Send FX and a High-Pass Filter– including Delay, Tape Echo, Echo Verb, Reverb, and Shimmer. Additionally, DJs can connect additional effect units and change each route to their liking, using the Send/Return knobs. Additionally, any Send FX may be pushed into the Master Isolator speed songs.
  • Inputs – 4x digital ins ( coaxial ), 4x line ins (RCA ), 4x phono ins (RCA ), and a Mic in (XLR & 1/4 ″ TRS jack )
  • Outputs – 1 each of the Master, Booth, and Recording outputs, as well as two headphone jacks ( a 1/4 ″ and a 3.5mm )
  • Built-in USB Type-C voice program for PC/Mac
  • 2-Band Booth EQ
  • Lock energy cord
  • Rekordbox and Serato DJ Pro agreeable with both

A$ 3, 799 Pricetag

Although the$ 3, 799 price tag for the euphonia comes with a sticker surprise, especially given the state of the economy, the ongoing discussion about how the music industry is struggling in a number of sites, and the truth that this is the first full rotary mixing produced by the once-lovely-known as Pirates DJ, AlphaTheta product. When compared to other well-known rotary mixer manufacturers like Star, who unveiled their$ 599.99 R4 mixing at NAMM earlier this year, which plainly was priced with a more affordable perspective in mind, the price trend is interesting.

When you’re considering dropping$ 3.8k on a blender from the company – one more costly than Pioneer DJ’s DJM-V10, which costs$ 3, 499 – we’re curious to see how much of an allure this will have to rotary-loving Dj and equipment fans. It’s a prime mixing at a price that is unquestionably high.

AlphaTheta’s euphonia is expected to be accessible in-store later this month for$ 3, 799. What do you think of the mixing? Do you get it? What do you like best about it, and what could be improved or changed? In the feedback section below, let us know.

&quot, You Find It Or You Don&#039, t: &quot, Exploring the Badass Femininity of Ninajirachi&#039, s New Album, &quot, child EDM&quot,

&quot, You Find It Or You Don&#039, t: &quot, Exploring the Badass Femininity of Ninajirachi&#039, s New Album, &quot, child EDM&quot,

by | Sep 7, 2024 | Classic, Musical Industry

Immersing us in her distinct universe of glitched-out, glitter-showered music, Ninajirachi has released a brand-new song, child EDM.

The virtuosic manufacturer, one EDM.com‘s best painters of 2022, has been on a angry rise through digital song’s ranks. Last week’s scintillating 4×4 EP fanned the flames of her rise, but woman EDM pours oil.

” There are women and EDM and there is child EDM… Cat ears, fur paws, Angel Music, headphones on earth off, sci-fi story ren-fair dress windows down hands in the air Nintendo 3DS at the beach until the moon sets”, Ninajirachi tells EDM.com. ” Late nights all up in the car seats, blue energy drink, kandi ring, manufacturer women, system women, bionic girls, all roads lead back to plur… The next step in development and a glass to the soul”.

Ninajirachi.

Aria Zarzycki

She kicks off child EDM with” Angel Music”, in which we’re soon engulfed by the movie’s neon-drenched production. The song immediately reminds us that “girls like this come directly from heaven” and that the sound is as beautiful as Ninajirachi’s color animation.

Supersonic beats that deplete the album in the distinctive playfulness of Ninajirachi only serve to make this magical hyperpop journey even more terrifying. ” Palm on my spirit” and” Wayside” are prime example, pulsating with the buggy sounds of chiptune. Meanwhile, tracks like” 1×1″ and” Ninacamina” carry a darker, denser ambience and exploring more brooding sounds.

In a tactical and clever walk,” Undo U” appears twice on female EDM: once in its funny, resounding original variant and again in four-on-the-floor type. The remixed” 4×4″ type carries the same winter information,” I know something that could remove you”, but the terms burrow themselves into a hectic, hyper hit.

To close out the album, its titular track begins with a heart-racing cadence, its kickdrums slicing through effervescent, digitized harmonies. However, a powerful message of strength and resilience is hidden behind its stirring production through feathery vocals. The album beautifully echoes the album’s predominate ethos of self-discovery with distorted synths and a bassline that wo n’t relent.

girl EDM is out now via Nina Las Vegas ‘ NLV Records. Listen in the comments below to the new album, which can be found on streaming services here.

Follow Ninajirachi:

X: x.com/ninajirachi
TikTok: tiktok.com/@ninajirachi
Instagram: instagram.com/ninajirachi
Facebook: facebook.com/ninajirachi
Spotify: spoti.fi/3hVlbBm


Spotify vs. Taylor Swift and Taylor Yorke – Music Business Research

Spotify vs. Taylor Swift and Taylor Yorke – Music Business Research

by | Aug 31, 2024 | Entertainment Law, Music Business, Podcast News

Spotify has been constantly criticized for underpaying designers while still collecting about 30 % of its profits from music streaming. The two Radiohead vocalist Thom Yorke and Taylor Swift’s unsuccessful efforts against Spotify, which led to decades of their superstars boycotting the site, attracted significant media attention. This site article attempts to answer the question of what the boycott eventually ended up accomplishing by bringing attention to the causes of this conflict.

Part 11 of The Music Streaming Economy: Taylor Swift and Thom Yorke vs. Spotify

Thom Yorke, singer of the American rock group Radiohead, summed up the issue of Spotify’s rewards to audio creators as follows:” Make no mistake, fresh artists you discover on Spotify will not get paid. In the meantime, owners will soon be rolling in it. Simples”. [1 ] Yorke was ultimately proven correct even though Spotify only became widely known five years later. The song degrees who had secured shares in the company were not the painters who benefited from the Investor. Thom York removed all the stuff from his single job and the group job” Atoms for Peace” from Spotify as a show of opposition. And in a series of posts on Twitter in mid-July 2013, he and his manufacturer, Nigel Godrich, followed fit:” ]N] gross artists get paid ass all with this model”. ]2 ] By” this model”, Godrich was referring to the business model of music streaming, which he believes generates less revenue than radio airplay royalties. To the issue in a post that” Pink Floyd” and” The Eagles” had also made their songs available on Spotify, Godrich responded:” It’s funds for old wire… But making fresh recorded songs needs funding. Some records may be made in a computer, but some have musician and experienced technicians. These items cost money. It makes sense to put Pink Floyd’s library on a streaming site since it has already made billions of dollars for the artist ( not necessarily the group ). However, I doubt that the film “dark area” would have been produced if people had been listening to Music rather than purchasing data in 1973. It would just be very expensive”. ]3 ]

Thom Yorke followed this up with an appointment for the Mexican site Sopitas, in which he described Netflix as” the final desperate laugh of a dying dead.” ]4 ] The critic was directed less at the Swedish music streaming service, which Yorke saw as a symptom of an undesirable development, than at the “old” music industry:” I feel like as musicians we need to fight the Spotify thing. What is happening in the mainstream, in my opinion, is the last of the ancient market in some ways. And it is dominated by the music disciplines, whose business model Yorke immediately attacks:” But because they’re using old song, because they’re using the majors … the majors are all over it because they see a way of re-selling all their old products for free, make a fortune, and hardly die”. Yorke, who describes Spotify as the “handmaiden of the music majors,” says that the way that new music and young musicians are marketed in the streaming era is all about how people change their ways of listening to music, how technology develops, and how conversational it is with one another regarding music, and a lot of it could be incredibly fucking bad. ]5 ]

Additionally, other music industry stars expressed disapproval or even hostility toward Spotify and music streaming. The Beatles ended their streaming boycott on Christmas Day 2015 by announcing on Twitter that their entire music catalog would be accessible to stream on Spotify, Apple Music, Amazon Prime Music, Tidal, Deezer, and four other providers starting at 0 am on December 24th, 2015. [6 ] The Australian heavy metal cult band’s recordings were not made available on music streaming platforms until the end of June 2015. ]7 ]

The biggest stir, however, came from US superstar Taylor Swift, who announced on November 3 that she would no longer be releasing her recently released album” 1989″ on Spotify, removing her entire back catalogue from the service. She stated in an interview with Time magazine that the Swedish streaming service’s ad-supported free model was devaluing her music and that it was “increasingly important” that art belonged in the world of music. I did n’t see that happening, perception-wise, when I put my music on Spotify. Everybody’s complaining about how music sales are shrinking, but nobody’s changing the way they’re doing things. They keep running towards streaming, which is, for the most part, what has been shrinking the numbers of paid album sales”. She stated in the interview that because of its premium tier, her music would still be accessible on Apple and iTunes. ]8 ]

Scott Borchetta, whose Big Machine label released Swift’s albums, made a similar point. In a radio interview on” Sixx Sense With Nikki Sixx”, he criticised the free availability of Taylor Swift’s music on Spotify as disrespectful, pointing out that her songs could still be streamed on paid platforms:” We determined that her fan base is so in on her, let’s pull everything off of Spotify, and any other service that does n’t offer a premium service. You will find her catalogue if you are a premium subscriber to Beats, Rdio, or any of the other services that do n’t just offer a free-only. ]9 ] In an interview with Time Magazine, he calculated that his label, Big Machine, had received just US$ 496, 044 for Taylor Swift’s recordings in the US home market over the past twelve months. That would not equal the revenue generated by the music video streams on YouTube’s hosted ad-funded platform Vevo. ]10] The contradiction is striking. Taylor Swift’s music was removed from both Spotify’s free and paid services, but remained available for free on YouTube via Vevo. Even its founder and CEO, Daniel Ek, who was quoted on the Spotify blog as pointing out that a Taylor Swift superstar could earn US$ 6 million annually worldwide on Spotify, had to react. ]11] The Swedish company also commented on Scott Borchetta’s statements to Time Magazine, calculating that in the twelve months prior to the boycott, US$ 2 million had been paid to Taylor Swift’s label for all streams worldwide, including US$ 500, 000 in label and publishing royalties in October 2014 alone. ]12]

Even if US versus international figures can account for the differences between Borchetta’s and Spotify’s figures, it is still believed that Swift and her label’s major PR campaign was the source of the Spotify boycott. It served as a way to promote the 1989 CD release, which sold 1.7 million copies in just its first two weeks in the US. [13] At the beginning of November 2014, there were also rumors that Scott Borchetta intended to buy his label company for$ 200 million. [14] He may also have stoked the Spotify controversy, which would have troubled his top-stakes collaborator Taylor Swift, who had been hired to make a sixth album for” Big Machine.” Five years later, when Borchetta did indeed sell, the same dispute broke out over the master rights to Swift’s recordings.

Anyway, Taylor Swift and Thom Yorke have both agreed to work with Spotify, and they can now stream their music there. When her five studio albums could be streamed on the platform once more, four of which immediately entered the Billboard 200 albums chart and generated US$ 500, 000 in streaming revenue, Taylor Swift gave up her resistance to Spotify two and a half years after the boycott was declared in June 2017. The singer and her management team were aware that the streaming service is a key component of a star’s commercial success and that the promotional power of Spotify cannot be underestimated. In December 2017, Thom Yorke had his two singles as a solo artist,’ The Eraser ‘ ( 2006 ) and ‘ Tomorrow’s Modern Boxes’, as well as the album ‘ AMOK’ by his band project ‘ Atoms for Peace’, placed on Spotify, but without commenting on Twitter, he referred to critical Twitter posts by Geoff Barrow of the band Portishead, in which he complained about the low payouts from music streaming. ]16] But even Thom Yorke had to accept Spotify’s market power.

Endnotes

]1 ] The Twitter posts have since disappeared from Thom York’s account and can only be reconstructed indirectly through quotes cited in the media., e. g. in The Guardian,” Thom Yorke blasts Spotify on Twitter as he pulls his music”, July 15, 2013, accessed: 2024-08-27.

]2 ] Nigel Godrich’s Twitter post can be read on Business Insider,” Radiohead Singer Thom Yorke Pulls His Music From Spotify, And Blasts It On Twitter”, July 15, 2013, accessed: 2024-08-27 and on his Twitter/X account ( @nigelgod ).

]3 ] Ibid.

]4 ] Cited in The Guardian,” Thom Yorke calls Spotify ‘ the last desperate fart of a dying corpse ‘”, October 7, 2013, accessed: 2024-08-27.

]5 ] Ibid.

]6 ] The Guardian, “AC/DC becomes latest act to get on the streaming bandwagon”, June 30, 2015, accessed: 2024-08-27.

]7 ] Twitter,” The Beatles Now Streaming”, December 23, 2015, accessed: 2024-08-27.

]8 ] Time Magazine,” Taylor Swift on 1989, Spotify, Her Next Tour and Female Role Models”, November 13, 2014, accessed: 2024-08-27.

]9 ] Cited in Billboard,” Big Machine’s Scott Borchetta Explains Why Taylor Swift Was Removed From Spotify”, November 8, 2014, accessed: 2024-08-27.

]10] Time Magazine,” Taylor Swift’s Spotify Paycheck Mystery”, November 12, 2014, accessed: 2024-08-27.

]11] Ibid.

]12] Ibid.

]13] Billboard,” Taylor Swift’s ‘ 1989’ Spends Second Week at No. 1 on Billboard 200 Chart”, November 12, 2014, accessed: 2024-08-27.

]14] New York Post,” Taylor Swift’s label on the block for over$ 200M”, November 1, 2014, accessed: 2024-08-27.

]15 ] Forbes,” Why Did Taylor Swift Really Rejoin Spotify”?, June 27, 2017, accessed: 2024-08-27.

]16] MNE,” Radiohead’s Thom Yorke still is n’t a fan of Spotify”, December 29, 2017, accessed: 2024-08-27.


Behringer UB-Xa 2.0, fresh device adds innovative features and enhancements

Behringer UB-Xa 2.0, fresh device adds innovative features and enhancements

by | Aug 31, 2024 | Film Music, Music Technology

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Behringer has released the UB-Xa 2.0 firmware update for its analog polysynth ( OB-Xa clone/replica ) with new features and improvements.

The UB-Xa is Behringer’s primary vintage polysynth duplicate release in a long list of but to appear instruments. It is more accurately a clone/replica of the Oberheim OB-Xa from 1980.

Nevertheless, it is more than just a 1-to-1 clone/replica. It keeps the design going, for instance, with a harmonic aftertouch keybed and double voices. Since the summer, the version is also available in the space-saving UB-Xa D pc type. Customers of the UB-Xa may rejoice, there is a huge 2.0 firmware update.

Behringer UB-Xa 2.0

The fresh UB-Xa 2.0 firmware upgrade introduces several new features, and changes. Patch spending is a new feature of the device version 2.0.

You can now keep and remember areas with more efficiency by including the atrophy information, screen, VCO, VCF, and LFO settings. The ability to protect the astrophy information was a significant have demand from the synth community.

According to Behringer, they likewise processing of the screen frequency, giving you more accuracy in enhancing. Therefore, you can explore new packet modification modes, including knock, retrigger, repeat, loop, and legato.

An expanded modification structure joins these new box options. It now includes new places and resources, giving you more methods to modify your parameters.

Behringer also enhanced the UB-Xa Synthesizer’s multi function and aftertouch to produce a richer, more emotive playing experience. Same for the SysEX and oscillator options. They are now more smoother, says the designers.

Additionally, there are performance enhancements, including improved international transpose and improved life performance options that make it simpler to bring your audio to the stage.

Additionally, it also comes with glitch changes:

First Idea

A good release for the UB-Xa instruments. I’m pleased to see that Behringer frequently updates its synths ‘ features and performance.

The fresh UB-Xa 2.0 device will be available after today. UB-Xa is over then for 1098€ and the UB-Xa D pc for 849€.

More data here: Behringer

Accessible at my companions

Thomann

 

Sweetwater

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