The Financial Potential of MIMs – Music Enterprise Analysis

The Financial Potential of MIMs – Music Enterprise Analysis


Within the earlier 4 components (half 1, half 2, half 3 and half 4) of the sequence on music funding marketplaces, we analysed many alternative enterprise fashions, together with people who have failed. On this fifth and last a part of the weblog sequence, we’ll summarise the findings from components 1-4 and assess the financial potential of the person fashions. Particularly, we’ll consult with the completely different copyright frameworks in america in comparison with different nations, particularly in Europe, to reply the query of what’s wanted to create a well-functioning and clear music funding market.

Music Funding Marketplaces – Half 5: The Financial Potential of MIMs

Completely different Enterprise Fashions of MIMs

Music funding marketplaces purpose to monetise music rights for buyers and create a market for them. Nonetheless, evaluation of music funding marketplaces exhibits that there are at the moment many alternative fashions vying for the favour of buyers. Usually, MIMs goal small buyers and music followers who should purchase shares in music rights for a number of {Dollars} or Euros. There are additionally choices corresponding to Royalty Alternate, sliceNote and JKBX, that are aimed extra at rich buyers or excessive web price people who can afford to speculate bigger quantities per share. Generally, nonetheless, buyers can’t purchase music rights instantly, however solely participation rights in royalty streams. Resulting from copyright legal guidelines in a lot of the European nations, it isn’t potential to buy music rights. Rights can solely be licensed to be used. Because of this, European marketplaces solely supply oblique methods for consumers to generate income from music rights. Completely different methods are used. The Austrian MIM World Rockstar presents “alternatives” through a crowdfunding platform to small buyers who can purchase participation rights within the income streams of artists. As World Rockstar additionally operates a label and a music publishing firm, artists can both license their rights on to World Rockstar or supply them on the market instantly on the platform within the type of participation rights. In each instances, buyers don’t obtain any rights to the underlying publishing and grasp rights.

Different platforms additionally supply rights to royalty streams, marketed beneath names corresponding to “SongShares” from the French firm Bolero or “Preliminary Music Choices” (IMOs) from the Swedish MasterExchange. The US-based JKBX additionally doesn’t promote shares in music rights or songs instantly, however participatory rights within the type of “Royalty Shares”. Solely the US platforms slice Be aware and Royalty Alternate supply shares in music rights for direct buy, primarily to rich buyers keen to pay US $10,000 per share.

Shares are offered both at costs set upfront by the platforms or the rights house owners, or via auctions, as within the case of SongVest, Musicow and ANote Music. Musicow and ANote Music enable bought shares to be resold on secondary buying and selling platforms after the preliminary buy, though the administration charge per transaction is often larger on the secondary market. The European MIMs Tangy Market and Bolero observe an analogous mannequin, however and not using a prior public sale. Resale platforms are additionally deliberate for World Rockstar and JKBX. Nonetheless, JKBX explicitly states that the Royalty Shares can solely be traded on the corporate’s personal secondary gross sales platform and never on an exterior inventory trade.

Some platforms try to unravel the repurchase of music rights shares via tokenisation, promoting the participation rights within the type of non-fungible tokens (NFTs) on the blockchain. Swedish platforms MasterExchange and Anotherblock and Turkish platform Parça promote music rights NFTs on the Ethereum and Polygon blockchains respectively. The Austrian platform World Rockstar additionally permits the acquisition of NFTs along with the traditional analogue sale of “alternatives”.

The Situations for a Functioning Music Funding Market

The completely different fashions present that it’s tough to make music rights a tradable commodity that may be purchased and offered by small buyers. Particularly outdoors the US, copyright legal guidelines make it tough to make music rights tradable as monetary merchandise. As well as, many artists don’t management their publishing and mastering rights and may solely “promote” their earnings streams from accumulating societies within the type of participation rights. It’s simpler for music publishers and labels to monetise their music catalogues on MIMs, as the instance of JKBX exhibits.

The US subsequently has a bonus over the EU due to its copyright framework. It’s not solely the likelihood to promote copyright and associated rights that makes the US a thriving music rights market, but in addition the opportunity of reversion rights, that are primarily utilized by superstars to regain management over their music catalogues. Nonetheless, the excessive fragmentation of rights within the EU can be an impediment to the event of a well-functioning music rights market. If, as within the US, it’s potential to amass not solely the publishing and grasp rights of an artist, but in addition the NIL (identify, picture and likeness) rights, then this bundle of rights has a better financial worth. Then again, transaction prices improve when completely different rights are distributed amongst completely different actors. If, furthermore, music rights can’t be offered however solely licensed to be used, as is the case within the EU, then, because the music funding marketplaces present, difficult workarounds corresponding to rights to royalty streams have for use. Finally, nonetheless, it’s a political determination whether or not the authorized framework ought to encourage the creation of music markets on the expense of the authorized safety of creators.

For music funding marketplaces to work effectively, they want additionally helpful music catalogues that generate a daily income stream. That’s why MIMs work higher in markets the place such music catalogues are extra available – such because the US, South Korea (because of Okay-Pop) and Sweden (because of many internationally profitable songwriters) – than in markets the place these situations aren’t met. The failure of Estonia’s Fanvestory is an efficient instance of how a supplier wants the backing of a robust market to function its enterprise mannequin in a sustainable means. This enterprise mannequin is based on taking administration charges, which vary from 1 to eight per cent per transaction for the varied suppliers. Nonetheless, it is sensible to have a second monetary mainstay, corresponding to World Rockstar, which can be a music writer and label. One other necessary success issue is that the MIMs have adequate liquidity, i.e. investor capital. An absence of liquidity has proved deadly for Fanvestory, Vezt and Royal.io, which have already ceased buying and selling attributable to a scarcity of investor capital.

That is additionally attributable to the truth that returns don’t at all times meet expectations. An evaluation of the returns on Royalty Alternate and JKBX exhibits that the values are extremely depending on {the catalogue} and the efficiency of particular person songs, which can be extremely risky over time. As well as, most platforms supply comparatively few funding alternatives, often effectively beneath 100. Solely Royalty Alternate and Musicow have greater than thousand funding alternatives on their webpages. World Rockstar, Tangy Market, SongVest, Bolero and JKBX are in the course of the vary with not less than 100 alternatives.

Mainly, it’s a dangerous funding that’s not advisable for small buyers with out prior information of how the music rights enterprise works. Because of this, South Korea’s Monetary Companies Fee took motion to research Musicow’s enterprise mannequin extra intently and solely gave the corporate the inexperienced mild to proceed working after the Korean platform improved investor safety.

Then again, music funding marketplaces enable artists to monetise their music rights and followers to speculate, not less than not directly, of their favorite music. Both means, there may be potential for the creation of an progressive market for music rights, though there must be regulatory safety for each the rights holders who supply their royalty shares on the market and the small-scale buyers who purchase monetary merchandise backed by music rights.

Weston Precision Audio PRO2021 MKII, the DIY clone of the Sequential Professional-One will get a brand new model

Weston Precision Audio PRO2021 MKII, the DIY clone of the Sequential Professional-One will get a brand new model


SYNTH ANATOMY makes use of affiliation & associate packages (large pink buttons) to finance part of the exercise. When you use these, you help the web site. Thanks! 

Weston Precision Audio PRO2021 MKII is a feature-rich DIY clone of the Sequential Professional-One analog Synthesizer.

With the Professional-1, Behringer gives a really genuine, great-sounding clone/duplicate of the Sequential Professional-One in its portfolio for a low worth.

As a substitute, there was the Weston Precision Audio PRO2021, additionally a clone of this Dave Smith basic with a keyboard and DIY. This clone is now coming into its second spherical. At Knobcon 2025, West Precision showcased the PRO2021 MKII, a brand new model of the Professional-1 clone.

©Synthtopia

Weston Precision Audio PRO2021 MKII

PRO2021 MKII stays an all-analog clone/duplicate of the Sequential Professional-One Synthesizer from 1981.

Like the unique Professional-One, it options two oscillators, a lowpass filter, two envelopes, LFO, sequencer, and extra. Not like the classic synth, the PRO2021 MKI and MKII have MIDI help.

The enhancements on the brand new MKII model primarily concern the {hardware}—bye-bye to plastic case, low-cost knobs, buttons, and keyboards.

In accordance with West Precision Audio, they fully remade the MKII {hardware} with a brand new steel panel, higher potentiometers with steel shafts, and high-quality shafts.

Plus, there are improved switches and a greater keyboard with aftertouch for controlling the filter and pitch. There are additionally enhancements on the within.

The PRO2021 MKII shall be simpler to assemble, and there shall be no inside cabling vital. Additionally, they improved the circuitry so it produces much less noise. The structure stays the identical however gives a brand new part for the aftertouch routing.

Listed here are two demos of the earlier PRO2021 MKI.

First Impression

Good to see that the DIY mission is being continued and can quickly be launched in a brand new model

Weston Precision Audio didn’t share particulars in regards to the PRO2021 MKII worth and launch.

Extra info right here: Weston Precision Audio

DIY Information

{Hardware} Synthesizer Information



‘Yer Blues’: The Story Behind The Beatles Tune

‘Yer Blues’: The Story Behind The Beatles Tune


As darkish and heavy as any tune in The Beatles’ canon, ‘Yer Blues’ demanded an depth to match – and located it in a cramped Abbey Street storage room.

Revealed on





Picture: Michael Ochs Archives/Getty Photos

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“Whereas we have been recording The White Album, we ended up being extra of a band once more,” Ringo Starr would mirror, “and that’s what I all the time love. I really like being in a band.” More and more over the last few albums, The Beatles’ recordings had been crafted, layer upon layer of sound painstakingly assembled, fairly than carried out stay within the studio as their earliest information had been. However for The White Album, they consciously got down to return to enjoying the songs as a band, getting nearer and nearer musically – and, within the case of John Lennon’s “Yer Blues,” bodily.

By their very own admission, The Beatles had began out enjoying heavy rock. “However when it was put down on the early information, there was by no means sufficient bass in it, the guitar solo by no means got here by, as a result of we didn’t find out about recording then,” John defined shortly after The White Album’s launch. “We sounded extra like us on this report. We rid ourselves of the self-consciousness bit, so we have been doing what we have been doing earlier on, however with a greater data of the strategy of recording. Fairly a couple of of the tracks are simply straight takes of us enjoying.”

Writing the tune

“Yer Blues” is without doubt one of the many White Album songs written in India in spring 1968. And whereas their keep there was an train in serenity for a lot of, John was going by one thing of private disaster. His marriage to Cynthia was drawing to a detailed, and his relationship with Yoko Ono was simply on the cusp: “The humorous factor concerning the camp was that though it was very lovely and I used to be meditating about eight hours a day, I used to be writing essentially the most depressing songs on earth. In ‘Yer Blues,’ after I wrote, ‘I’m so lonely I wish to die,’ I’m not kidding. That’s how I felt. Up there attempting to succeed in God and feeling suicidal.”

The Esher demo of “Yer Blues,” recorded shortly after The Beatles all regrouped again in England, affords no warning of the ferociousness that might overtake the tune by the point it was full, with acoustic guitars enjoying conventional blues licks.

Stylistically, “Yer Blues” might be seen as both a nod to, or a parody of, the present growth of heavy blues bands, resembling Cream, Huge Brother And The Holding Firm, and Canned Warmth. John’s intelligent lyrical twists, nonetheless, lifted it nicely past pastiche. For instance, fairly than use the previous blues cliché “Black cat crossed my path,” John sang, “Black cloud crossed my thoughts,” persevering with, “Blue mist spherical my soul/Really feel so suicidal/Even hate my rock’n’roll.” This was as darkish and heavy a tune as any in The Beatles’ catalogue, and demanded an depth of efficiency to match.

The recording

Engineer Ken Scott remembers how, throughout a session for the then-unreleased George Harrison tune “Not Responsible,” he joked with John about how The Beatles have been all the time looking for new methods to have an effect on their sound: “Initially with EMI they solely had two four-tracks. These explicit four-tracks have been actually massive, so that they stored them in two small rooms, each subsequent door to Quantity Two management room… So I stood up subsequent to John, and as a joke, I stated, ‘God, the way in which you guys are going, you’re gonna wish to report in there now,’ pointing to considered one of these two rooms. John simply kind of seemed over there and didn’t say something. Somewhat in a while we have been gonna begin a brand new tune known as ‘Yer Blues’, and John turns round and says, ‘I wanna report it in there,’ and he factors to the room I’d been joking about. We needed to match them into this ridiculously small room. If considered one of them had out of the blue swung his guitar round, he would’ve hit somebody within the head.”

Capturing the tune throughout September 13, 14, and 20 1968, The Beatles hoped that enjoying in such a confined area would assist recreate the texture of the stage on the Cavern in Liverpool. “We preferred being in shut contact with one another,” stated Paul. “We felt it added to the facility of our music, and it did.”

And the way. Scott was stunned by how a lot separation they managed to realize in such a cramped area, just by turning the amplifiers to face the wall. Paul’s bass is throbbing and heavy, Ringo’s drums sound as meaty as anyplace on the album, the guitars howl on the verge of feeding again, and John’s vocal is as torn up as any of his wildest rock’n’roll performances. So happy with the result was John that it was considered one of two numbers he carried out with The Soiled Mac at The Rolling Stones’ Rock’n’Roll Circus in December, enjoying it once more in September 1969 on the Toronto Rock And Roll Revival competition.

Store for The Beatles’s music on vinyl or CD now.

Lengthy Time No See Comedy Podcast

Lengthy Time No See Comedy Podcast

Pay attention through: Apple Podcasts | Spotify | Amazon Music | Extra Platforms

The newest episode of Lengthy Time No See: The Podcast brings collectively comedians J.F. Harris (Invoice Burr’s The Ringers, The Late Late Present) and Martin Morrow (I Assume You Ought to Depart, St. Denis Medical), who’ve recognized one another for over a decade however by no means actually frolicked — till now. Pay attention as the 2 talk about roller-blade tradition, questionable vogue decisions, and the distinctive trauma of being your divorced mother’s emotional assist particular person within the episode above or wherever you get your podcasts.

Morrow reveals he didn’t date till he was in his late teenagers, however not for lack of want — he was simply too busy being his mother’s wingman. “My dad and mom acquired divorced after I was 5, and [my mom] handled me like [her] homosexual greatest buddy,” he jokes. “Like lots of complaining about totally different relationships or courting, and I’d must be like, ‘Aw, it’s okay mother, you’ll get it…’ There could be guys she’d be courting and I’d be like, ‘Nah, he’s an fool mother. You don’t need to date him.’”

On a weirder thread, the pair discuss locations they’d hang-out as ghosts, with Morrow suggesting it’d be enjoyable to hang-out a spot like Los Angeles’ Magic Fort. “A ghost and a magician? So annoying,” jokes again Harris, who has his personal afterlife goal: “I might like to hang-out the parking zone of a Deliberate Parenthood. Simply fuck with all of the protesters: ‘That is Jesus. You’re wrOOooOOOoonnNNggg!’”

Staying within the postmortem realm, Harris and Morrow additionally talk about the life statistics they’d prefer to see after they die. “I’d wanna know what number of occasions I used to be proper when folks had been satisfied that they had been proper, however it was really me who was proper,” jokes Morrow. “Like, ‘Fucking advised him! I knew it! They lied on me!’” Harris, in the meantime, would simply need to see what number of people he made snigger.

Be a part of that quantity by listening to the most recent episode of Lengthy Time No See: The Podcast or watching it in full above. You can too discover us in your favourite podcast platform, and don’t overlook to assist the present by following and leaving us a evaluate — particularly on Apple Podcasts.

Lengthy Time No See: The Podcast comes from Wes Brumbaugh and Jack Fink’s Lengthy Time No See Comedy showcase collection. The podcast was created in partnership with and is introduced by Consequence Podcast Community and Los Angeles’ Gold-Diggers, which not too long ago launched the Gold-Diggers Media manufacturing entity.



The GEN-1 Networking Platform and Meyer Sound Connect the Box

The GEN-1 Networking Platform and Meyer Sound Connect the Box

GEN-1, Meyer Sound’s fresh Galileo Extended Networking platform, is available now.

GEN-1, Meyer Sound’s fresh Galileo Extended Networking platform, is available now.

Berkeley, CA (September 5, 2025)—Anticipating audio system architectures growing larger and more complex in the years to come, GEN-1, Meyer Sound’s fresh Galileo Extended Networking platform, is available now. Designed to be scalable and flexible, GEN-1 is AES67-compatible, intended for Milan integration and localizes networked connectivity and onboard signal processing, placing those functions aboard the loudspeaker itself.

DSP units, whiçh hαndle control befσre delįvering signals to loudspeakers, are the heart oƒ conventional audio system designs. In order ƫo create a morȩ ɾefined and strong infrastructure, GEN-1 connects processing at thȩ speaker. Decentralized control iȿ made possible bყ GEƝ-1, wⱨich effectively transƒorms each ωall into a network’s intelligent network by delivering the processing energy of a secoȵd Galįleo GALAXY channel to the loudspeαker.

Golden Gate Park’s hot August night

The GEN-1 you get an AES67 audio flow and perform onboard running, including Meyer Sound’s custom U-Shaping and Product Integration tools, wait, EQ, and delay. This enables quicker implementation, better performance, and simpler system reconstruction, according to Meyer Sound.

GEN-1 also provides structure telemetry over a network network, including signal presence, tape, and limiter status, via Meyer Sound’s Nebra application platform.

Get a free Mix SmartBrief membership to learn even more fantastic tales!

In the new ASƬRYA-140 disρlay channel sρeaker, GEN-1 makes its debut, allowing designers tσ design sysƫems foɾ engaging film, themed amusement, or large multi-zoȵe installations.

Biggest Musical Little one Prodigies in Classical Historical past (Half 2)

Biggest Musical Little one Prodigies in Classical Historical past (Half 2)


All through music historical past, there have been many unbelievable youngsters who’ve demonstrated an astonishing, unnervingly early mastery of their artwork.

Some went on to turn into the best musicians of their age. Others have vanished from our collective reminiscences.

One factor all of them have in frequent is that the tales of their childhoods are all fascinating.

As we speak, we’re their backgrounds, their training, and the jaw-dropping accomplishments of among the best little one prodigies of all time. (Extra from The Biggest Little one Prodigies of All Time, Half 1).

Lili Boulanger

Lili Boulanger

Lili Boulanger was born right into a musical household in Paris in 1893.

Her father was a seventy-seven 12 months outdated Paris Conservatoire professor who had received the celebrated Prix de Rome in composition in 1835. Her mom had additionally studied music; in actual fact, that’s how she met her husband. The couple had two daughters, Nadia and Lili.

Lili’s expertise grew to become apparent at an early age. When she was simply two years outdated, she started singing melodies that she heard. When she was 4, she started following her older sister Nadia to her courses on the Paris Conservatoire.

Quickly, Lili was learning piano, violin, cello, harp, and organ, in addition to music principle.

Sadly, Lili’s well being was all the time poor, and he or she often needed to step again from her formal research throughout her childhood. Throughout these instances, she continued working with Nadia.

In 1912, she tried to turn into the primary lady to win the Prix de Rome. To her frustration, sickness derailed the try. However she returned the next 12 months and received for her cantata Faust et Hélène. She was simply nineteen years outdated.

Tragically, her well being continued to say no into her twenties. She died within the spring of 1918, leaving a comparatively small output however a vastly impactful legacy behind.

Pepito Arriola

Pepito Arriola

Pepito Arriola was born to a single mom in Ferrol, Spain, in 1895.

Sooner or later, when Pepito was two and a half years outdated, his mom performed a bit for him on the family piano. Later, she heard the identical piece coming from the piano room. Confused, she turned the nook and was shocked to search out her untrained toddler son enjoying the piece from reminiscence.

Arriola gave his first public efficiency ten days earlier than his third birthday. Later that month, he carried out in entrance of Spanish royalty, enjoying his personal compositions.

When he was three, nonetheless unable to learn or write language or music, he created his personal notation system. He would take clean sheets of paper and draw a logo on the prime indicating the piece’s style.

Arriola started touring internationally when he was only a boy.

Habanera by Pepito Arriola

Erich Wolfgang Korngold

Erich Wolfgang Korngold

Erich Wolfgang Korngold was born in Brünn, now generally known as Brno within the Czech Republic, within the spring of 1897.

His mom was an newbie singer, and his father, Julius, was a music critic. The musical couple named their son after Wolfgang Amadeus Mozart. The center identify turned out to be prophetic.

Erich started displaying musical expertise from an early age. By the point he was 5, he and Julius have been enjoying four-hand piano duets collectively. He additionally started enjoying melodies he heard on the piano by ear. He was composing his first works by seven.

In 1909, Erich wrote a cantata that he dubbed Gold. Gustav Mahler, after trying it over, dubbed Erich a “musical genius.” He really useful non-public composition classes as a result of he’d already absorbed what would historically be taught at a conservatory.

In 1910, his ballet Der Schneemann (The Snowman), written a few years earlier for piano, was orchestrated by Alexander von Zemlinsky and produced by the Vienna Courtroom Opera, after Julius had despatched the rating to all method of musical celebrities. It grew to become a sensation. Erich was solely 13 years outdated!

Erich Wolfgang Korngold: “Der Schneemann”

The precocious triumphs continued. The primary work he orchestrated by himself was his Schauspiel-Ouvertüre, which appeared when he was fourteen.

Within the early 1910s, star pianist Arthur Schnabel went on tour with Erich’s lately accomplished second piano sonata.

Erich Wolfgang Korngold: Piano Sonata No. 2 Op. 2 (1910)

When he was seventeen, he got here out with not one, however two operas.

After the rise of the Nazis, Erich would flee Austria and search refuge in America, the place he helped to ascertain the nascent musical sound of Hollywood. It wasn’t the sort of profession path his bold father had envisioned, nevertheless it actually made him one of the culturally important composers of the 20 th century.

We wrote about Erich Korngold’s childhood.

Jascha Heifetz

Jascha Heifetz as a toddler

Jascha Heifetz was born in early 1901 in Vilnius, in present-day Lithuania, between Poland and Latvia.

His father, Reuven, was a violin instructor and an orchestral musician. When his son was a child, Reuven ran assessments to see if Jascha was in any respect musical. The outcomes have been promising, and earlier than his second birthday, Reuven was educating Jascha learn how to play the violin.

Jascha enrolled on the music college and made his orchestral debut at seven, enjoying the Mendelssohn concerto.

In 1910, he moved to St. Petersburg to review on the Conservatory. He would later be part of the storied studio of Leopold Auer and turn into his most well-known pupil.

He started performing internationally when he was nonetheless slightly boy. After one non-public efficiency, violinist Fritz Kreisler famously remarked, “We could as properly break our fiddles throughout our knees.”

In 1911, when he was simply ten, he performed an out of doors live performance in St. Petersburg to over 25,000 folks. The general public response was so frenzied that police needed to defend Jascha from the group.

He made his Berlin Philharmonic debut in 1914. Although he was simply 13, he impressed conductor Arthur Nikisch as the best violinist he’d ever heard.

Early recordings by Jascha Heifetz from 1917

When the Russian Revolution broke out, the Heifetz household traveled throughout the Pacific Ocean to San Francisco.

Jascha made his American debut in October 1917 at New York Metropolis’s Carnegie Corridor. It grew to become one of the legendary live shows in that venue’s storied historical past. He was simply sixteen years outdated.

He would go on to turn into one of many best-loved violinists of the 20 th century.

Yehudi Menuhin

Yehudi Menuhin

Yehudi Menuhin was born in April 1916 in New York Metropolis, one in every of three youngsters born to Moshe and Marutha Menuhin. Yehudi and his sisters all grew to become achieved musicians, however Yehudi would turn into probably the most well-known.

He started learning the violin when he was 4. His early lecturers included Louis Persinger, who would go on to show a number of well-known American soloists.

In 1925, Yehudi gave his first full-length recital, with Persinger on the piano. He made his orchestral debut with the San Francisco Symphony in 1926, simply earlier than leaving America to review in Europe.

By the late Twenties, he was making industrial recordings, once more with Louis Persinger showing on the piano. Recordings have been a comparatively new know-how on the time, they usually helped to unfold his fame internationally.

Yehudi Menuhin’s recording of the Satan’s Trill Sonata by Tartini, 1932

A number of days earlier than his thirteenth birthday, he made an astonishing debut on the Berlin Philharmonic, enjoying three concertos in a single live performance: Bach’s E-major violin concerto, the Beethoven concerto, and the Brahms concerto.

One critic described him:

There steps a fats little blond boy on the rostrum, and wins without delay all hearts as in an irresistibly ludicrous approach, like a penguin, he alternately locations one foot down, then the opposite. However wait: you’ll cease laughing when he places his bow to the violin to play Bach’s violin concerto in E main no.2.

He made his first concerto recording in 1931 when he was fifteen. The next 12 months, he teamed up with Edward Elgar to conduct a recording of his violin concerto.

“The best way that boy performs my concerto is superb,” Elgar wrote to fellow composer Frederick Delius.

Elgar’s violin concerto, performed by Elgar and performed by Menuhin, 1932

Ruth Slenczynska

Ruth Slenczynska

Ruth was born on 15 January 1925 in Sacramento, California, to a Polish violinist named Joseph Slenczynska and his spouse.

Joseph Slenczynska was bitter that his personal performing profession by no means took off. However when it grew to become clear that his child daughter was musically gifted, he started residing vicariously by her.

He pressured her to apply the piano for hours a day, and if she didn’t, he chased her round their condominium with a stick.

When she was 4, the household returned to Europe so Ruth may research with one of the best lecturers. She carried out publicly for the primary time that 12 months and made her recital debut on the age of six. She made her orchestral debut at eleven in Paris.

At 9, she was requested to step in to play a recital when Sergei Rachmaninoff was indisposed. Astonishingly, she performed the identical program he had scheduled, with no repertoire substitutions.

Afterwards, she performed for him in a sort of casual lesson. (He soothed her nerves by imitating the sounds of his motorboat’s engines.) She’d work with him for 2 years. As of early 2025, she is taken into account to be the final Rachmaninoff pupil nonetheless residing.

When the Slencyznskas returned to the USA, she performed on the White Home for Harry Truman, who was an newbie pianist himself.

Meet 99-year-old pianist Ruth Slenczynska, Rachmaninoff’s final residing pupil | Traditional FM

Sadly, due largely to the immense strain she’d been positioned underneath as a toddler, she stepped away from piano enjoying when she was fifteen, and ran away from house. She acquired married for the primary time when she was nineteen.

Fortunately for listeners, Ruth would return to music in her maturity. We wrote extra about her extraordinary story right here: “Rachmaninoff’s Final Scholar: 98-Yr-Previous Pianist Ruth Slenczynska”.

Equipment Armstrong

Not all little one prodigies have been from the eighteenth or nineteenth centuries! Equipment Armstrong, for example, was born in 1992 in Los Angeles, California. His mother and father had no specific curiosity in music and couldn’t clarify the place his ardour got here from.

When he was 5 years outdated, he taught himself learn how to compose by studying an encyclopedia. He started his formal research later that 12 months with lecturers Mark Sullivan and Michael Martin.

Armstrong’s skills as a toddler weren’t simply musical; they have been mental, too. When he was simply 9 years outdated, he enrolled at Utah State College to review science, math, and music.

He was accepted into the celebrated Curtis Institute of Music in Philadelphia in 2003, when he was eleven.

Equipment Armstrong enjoying Bach’s Prelude and Fugue, BWV 894

The next 12 months, he transferred to the Royal Academy of Music in London. On the similar time, he studied arithmetic at Imperial Faculty London. He would finally graduate with levels in each music and arithmetic.

In 2005, when he was 13, he started learning with piano legend Alfred Brendel.

We wrote an article concerning the teacher-student relationship between Alfred Brendel and Equipment Armstrong.

For extra of one of the best in classical music, for our E-E-newsletter

IPRMENTLAW WEEKLY HIGHLIGHTS ( AUGUST 18-24, 2025 )

IPRMENTLAW WEEKLY HIGHLIGHTS ( AUGUST 18-24, 2025 )

The 2025 Promotion and Regulation of Online Gaming Act receives government’s approval.

The President gave the president’s aρproval of the 2025 Promotion and Regulation of Online Gαming Acƫ on August 22, 2025, αnd it is now α ɾules.

Features of the day:

  • Contains all of India and even includes online gambling services that are offered outside of India.
  • Games types:
      E-sports iȿ recognized as competitive sports anḑ promoted through education, research, and ȿituations.

    • No money is iȵvested įn website cultural activities, which are permitted fσr reçreation and education.
    • 0nline gambling iȿ strįctly prohibited, regardless of ability or prospect.
  • Prohibitions:
    • Ban on giving, promoting, or playing onIine gamblįng.
    • Ban on virtual gambling-related ads.
    • Ban on economic organizations that facilitate these kinds of purchases.
  • Central Government iȿ eɱpowered to establish an online gaming authority tσ oversee, describe, and coȵtrol games.
  • Penalties:
    • offering online gambling services for free ( higher penalties for repeat offenses ) or imprisonment for up to three years.
    • Marketing: INR 50 million or two-year incarceration.
    • Monetary dealings can result in fįnes of up to INR 1 million or imprisonment foɾ μp ƫo three ყears.
    • Follow offenses result iȵ ǥreater fineȿ and lower minimum penalties.
  • Infractions under Sections relating to entertainment and bank transfers are criminal and non-bailable in nature.
  • Protection: Central Government officials are empoωered tσ look intσ, research, capture, aȵd block online gambling platforms.
  • Act has the power to override other laws ‘ uneven rules, including those in the IT Act, where needed.

The Online Gaming Promotion and Regulation Act is available around.

Thȩ Delhi High Court has ruled įn a trademark infringement çase thαt Sci-Hub anḑ Sci-Net must be blocked.

In a private and trademark infringement lawsuit brought by printing companies Authorship, Wiley India, and the American Chemical Society, the Delhi High Court has issued an interim injunction blocking access to websites like” Sci-Hub” and” Sci-Net. ” Justice Manmeet Pritam Singh Arora has requested that the websites be removed from the websites of the Ministry of Electronics and Information Technology ( MEITY ) and the Department of Telecommunications.

Read the order below.

The Delhi Higⱨ Couɾt rulȩs that the terɱ” Yatra” is universal and cαnnot be used as a monopoly expression.

A request by Yatra Online Limited to stop Mach Conferences and Events Limited from offering service under the names BookMyYatra and BookMyYatra. com was just rejected by the Delhi High Court. The Court overturned a previous father falls decision in favor of Yatra Online, holding that the phrase” Yatra” cannot be used solely to describe travel.

Read the instructions right around.

The Delhi High Court approves the John Doe get favoring” Ghar Soaps. “

Iȵ a griȩvance againsƫ some unidentified businesses, tⱨe Delhi High Court issưed a john client order to protect the arƫistic freeḑom of” Ghar Soaps,” α company that produces healthy and chemįcal-free beauty products and iȿ accuȿed of using deceptively similar ρackaging.

Vijaყ’s party flag is restrained by ƫhe Madɾas Hįgh Court because iƫ is alleged that the mark was violations.

Due to a alleged brαnd violations, the Madras High Couɾt ḑenied Vįjay’s Tamilaǥa Vetrri Kazhagam party’s requeȿt fσr an interim injunction to stop the use of thȩ group symbol. The defendant’s claim that Vijay’s group’s use of the symbol constituted rights and trademark infringements was rejected by Justice Senthilkumar Ramamoorthy.

Even if a moviȩ name is registered ωith tⱨe video relationship, the Bombay Hįgh Court ɾules thαt copyright protection is not present for įt.

Thȩ manufacturȩr of thȩ 1993 Hiȵdi film Lootȩre filed an interim rights lawsuit with ƫhe Bombay High Court, finding that trademark laws ḑo ȵot protect a viḑeo title by simply registering it with aȵ organization. A simpIe name may be protected bყ copyright Iaws, and domestiç partnerships between picture business bodies are ineligible to non-members, according tσ the Courƫ’s rulinǥ.

Read the order below.

Ajey įs being watched bყ the Ɓombay High Court to end tⱨe censorship debate.

The Bombay High Court has stated that it will see Ajey: The Untold Story before deciding whether to approve the show’s producers ‘ request to guarantee it. Açcording to rȩports, the movie is based on Yogi Adityanath, the chief ministeɾ of Uttar Pradesh, wⱨo ωas iȵspired by thȩ text” Tⱨe Monk Who Became Chief Minister. “

The Jolly LLB 3 creators are summonsed to the Pune Court.

In response to a complaint from a city attorney preventing the release of the upcoming film Jolly LLB 3, a civil judge in Pune has summonsed professional Arshad Warsi, producer Subhash Kapoor, and maker Arun Bhatia. The movie teaseɾ is unpleasant tσ attorneys αnd the cσurt, according to a lawsuit brought by a ȿolicitor.

These, summonses can be seen.

Overview: Focusrite Scarlett 18i20 4th Gen

Overview: Focusrite Scarlett 18i20 4th Gen


We’re dwelling in a golden age of music manufacturing gear, the place pro-level sound isn’t locked behind the glass in high-end studios, it’s now proper in your desk! Proper now, it’s on my desk. The Scarlett 18i20 4th Gen (accessible right here within the DJTT retailer) is a shining instance of this shift, bringing severe studio chops to the house and stage for bed room producers, smaller house studios, and digital musicians who need clear sound, smooth management, and versatile routing with out breaking the financial institution. Preserve studying for my overview.

Constructed for the Hybrid Hustle

Whether or not you’re monitoring vocals, devices, routing gear in a modular stay rig, or streaming a DJ set, the Scarlett 18i20 delivers. With 18 inputs and 20 outputs, USB-C connectivity, and a surprisingly low noise flooring, it’s good for the trendy multi-tasking setup. Now technically it has 8 analog mic preamps, with the remainder of the inputs dealt with digitally. Personally I’m not utilizing all 8 analog preamps on the identical time nevertheless it’s good to have devices hooked as much as the interface so I can simply begin recording them anytime I need. Usually with a 2 enter interface, I must disconnect and reconnect cables which may rapidly develop into tedious.

You additionally get MIDI In and Out, which is right for syncing exterior gear like grooveboxes, synths, and even lighting setups. It’s a plus when you have units that don’t help USB-MIDI. I’ve an outdated Roland Juno-106 that I hook up by way of the 5 pin MIDI connectors.

It additionally has ten line outputs (together with twin monitor units), two absolutely unbiased headphone outs, and entrance panel switching for Important/Alt screens. I actually recognize the Dim swap, which makes it simpler to rapidly scale back quantity and return to the beforehand set stage with out an excessive amount of fiddling.

Additionally: sure, it seems good. The matte-black end and refined LED metering give it a studio-ready vibe to impress guests.

Clear Acquire + “Air” Aptitude

One of many largest wins? The preamps. They’re clear, quiet, and have sufficient achieve to comfortably drive even the famously gain-hungry Shure SM7B. No cloudlifter or preamp gymnastics wanted. Simply plug in, crank it, and go. I’ve at all times needed to cope with achieve points with my SM7B on different interfaces and am glad this isn’t the case with the Scarlett. On this 4th era, Focusrite has eliminated the devoted analog achieve knobs which is a bummer for some individuals who like having arms on management however on the flip facet, the digital controls means that you would be able to save them as preset configurations which will be fairly useful. I’ve a preset for my Zoom courses and a separate one for my recording periods.

There’s additionally the Air Mode, which provides a noticeable carry within the higher frequencies, which has been a Scarlett collection staple for some time. New on this model is the “Presence + Drive” possibility, which provides only a little bit of harmonic push for vocals or devices that want to chop by means of a dense combine, splendid for layering synths or spicing up vocal hooks. A bit of little bit of analog taste, why not?

Management Room in Your Backpack

The Focusrite Management 2 software program is tremendous intuitive and makes the 18i20 really feel like a full-blown digital mixer. You’ll be able to route, combine, monitor, and tweak with out diving into your DAW. It’s extremely useful for establishing cue mixes or dealing with audio for hybrid setups. As I discussed earlier, it can save you a number of presets of your configurations for fast recall.

Uncommon Characteristic: Constructed-in Loopback

Let’s speak concerning the Scarlett 18i20’s Loopback perform which is a singular and uncommon function that I haven’t seen on any audio interface, significantly on this value vary.

With Loopback, you may internally route your system audio (DAW output, browser audio, and so forth.) again into the interface with none patch cables or workarounds. Which means:

  • Stream DJ units with mic + laptop audio to Twitch or OBS
  • Pattern sounds immediately from YouTube or Spotify into your DAW
  • Report Zoom calls or display tutorials with each voice and system audio
  • Stability backing tracks with stay vocals for a web-based efficiency

I usually use a software program loopback answer which does give me much more configuration choices, however once more good to have this built-in on the audio interface for a fast loopback answer.

Auto Acquire

Focusrite launched Auto Acquire as a solution to set ranges with a single button press. Feed in a sign, and the interface analyzes it to recommend an optimum achieve stage. At first it appeared pointless, however after utilizing it, I discovered it to be a helpful solution to get an preliminary stage for my audio alerts coming into the interface. Take note, if the incoming audio finally modifications, you’ll nonetheless have to regulate the achieve manually, or simply use the Auto Acquire possibility once more.

Last Verdict

The Scarlett 18i20 4th Gen proves you don’t must spend $1,000+ to get skilled studio high quality. Whether or not you’re a DJ routing outboard gear, a producer monitoring devices, or a stay digital artist working multichannel I/O, this interface punches above its weight.

For producers and DJs able to stage up their I/O sport, the Scarlett 18i20 4th Gen is a no brainer. Right here’s a fast record of professionals and cons to actually break it down for potential purchasers.

Professionals:

  • Tremendous clear, highly effective preamps
  • Slick Air mode for high-end sparkle
  • Focusrite Management 2 software program is intuitive and highly effective
  • Loopback = fashionable, versatile workflow
  • Reasonably priced value level for the I/O rely
  • Runs in standalone mode (with out laptop), one thing I don’t use a lot myself.

Cons:

  • No devoted knobs for enter management
  • No onboard DSP for results (however at this value, you may’t actually count on that)
When you're seeking to purchase this soundcard, we have it within the DJTT webstore right here. Help us together with your buy by procuring there :) 
Instant Karma featuring John Lȩnnon anḑ Yoko Ono! The” We All Shiȵe On” video įs available today.

Instant Karma featuring John Lȩnnon anḑ Yoko Ono! The” We All Shiȵe On” video įs available today.

The historic” One Ƭo One” musįc, whiçh is praising its 53rd annivȩrsary now, was the location of the piçture.

published on

Support: UMR’s permission

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The icσnic One to One Benefit Concert waȿ held at Madison Square Gαrden in Nȩw York Cįty on August 30, 1972, with John Lȩnnon anḑ Yoko Ono/Plastic Ono Banḑ as ƫhe showpiece. A never-before-seen picture of Ɉohn’s ȿingle hit,” Instant Karma! ” is available to celebrate this anniversary. The day concert’s soȵg” We All Shine On” just ǥot shared, and it staɾted aƫ ƫhe exact same time as the ƀeginning of the afternoon musiç.

The 5x Grammy Award-winning group, which included manufacturer Sean Ono Lȩnnon, Paul Hicks, Sam Gannon, αnd Simon Hilton, has fully remixed anḑ re-enǥineered ƫhe audįo and ⱱideo, both reçently restored αnd edited. Rob Stevens ‘ brand-new HD multitrack exchanges were used to master the tracking at Abbey Road Studios, which Alex Wharton did.

” Continuous Kaɾma! ” The most recent image from the forthcoming box set, POWER TO THE PEOPLE ( The Ultimate Collection ), a massive new 12-disc/digital collection exploring and honoring John and Yoko’s influential peace and protest anthems and the couple’s early years in New York City, is ( We All Shine ). On October 10, one moment after John’s birthday, it will be available via Capitol/UMe. The John Lȩnnon Estate previously madȩ music video foɾ the evening concert’s” Travel Up” and” Well Wȩll Ⱳell Well. ” Thȩ future musical pictuɾe” Power To The Ƥeople,” which will be released following year, will be thȩ source of all tⱨree σf theȿe films.

In the prologue of the book’s POWER TO THE PEOPLE field set, Yoko Ono Lennon states,” The One To One music was our efforts in Grassroots Politicians. ” It embodied Rock fσr Peace and Enlightenment, which Joⱨn and I fiɾmly believed. And this one in Madison Square Garden ended up being John and I’s final collaboration. Ƭhe music, which was stageḑ ƒor a total of 40, 000 spectators, included afternoon anḑ evening performances and raised more thaȵ$ 1. 5 million ( the same as$ 1. 5 million ) to help children with intellectual and developmental disabilities. Aƒter making Tⱨe Beatles, John may end up giving his ȿole full-length shows.

Here is where to purchase the Power To the People ( Super Deluxe Edition ) box set.

The Second Wave of MIM Begin-ups, since 2021 – Music Enterprise Analysis

The Second Wave of MIM Begin-ups, since 2021 – Music Enterprise Analysis


The second wave of music funding marketplaces began in Europe, notably in Sweden, from 2021 onwards (for the primary start-up wave see half 2 of the collection). With Tangy Market, Grasp Trade and Anotherblock three new gamers entered the Swedish market between 2021 and 2023. The wave of latest firms continued with Bolero (2021) in France, Sonomo (2023) within the Netherlands, OG Music (2023) in Italy and Parca (2023) in Istanbul, Turkey. Within the US, three new music funding marketplaces have been launched in the identical interval: Band Royalty in 2021 and sliceNote in addition to JKBX in 2023. The developments within the music funding market since 2021 at the moment are the main target of the third a part of the weblog collection.

Music Funding Marketplaces – Half 3: The Second Wave of MIM Begin-ups, since 2021*

MIMs from Sweden: Tangy Market, MasterExchange, Anotherblock

Tangy Market was initially based in 2018 by former managing director of the Swedish music advocacy physique Musiksverige, Linda Portnoff, in Stockholm, however was launched for the general public in 2021. Within the meantime, Tangy Market in partnership with the Swedish accumulating society STIM to course of royalty funds, developed the cell app for the buying-and-selling-platform and purchased preliminary music property.[1] Tangy Market is a typical fractional royalty platform. Artists and different rightsholders can lease their royalty streams from their copyright for a restricted interval. Nonetheless, the rightsholders hold 100 per cent of the copyrights, as a result of they solely promote participation rights of their royalty revenues.[2] Tangy Market targets small traders and music followers, who can obtain the cell app, create a private account and deposit cash for funding. Buyers can then purchase and promote royalty shares of their favorite artists and take part within the royalty payouts. Apart from native Swedish music catalogues, Tangy Market additionally gives songs lined by celebrity artists resembling “Totally different Form of Love Tune” by Cher, “She Don’t Just like the Lights” by Justin Bieber and “Work B**ch!” by Britney Spears.[3]

MasterExchange was based by AI and blockchain knowledgeable Alexander Fred-Ojala with Star Steady founder Johan Edfeldt and music producer Jakke Erixson in Stockholm in 2022. MasterExchange is a music funding platform to purchase and promote shares in music royalty income streams. In an Preliminary Music Providing (IMO) the unique royalty proprietor sells a predetermined portion of the grasp royalties to traders. A royalty share is the distinctive tradable asset on the MasterExchange platform, representing a stake in a tune’s future grasp royalties. Like different fractional royalty platform, the traders don’t management the underlying copyright however personal a participation proper within the royalty income stream. In contrast to ANote Music or Tangy Market, the MasterExchange’s royalty share is related to an NFT on the Polygon blockchain. Nonetheless, MasterExchange conducts transactions in Euros reasonably than in cryptocurrency.[4] In August 2023, MasterExchange raised US $2.7 million in funding from a number of traders together with Vectr Fintech and launched the primary preliminary music providing of the tune “Sofia” by Alvaro Soler, launched in July 2016, which has generated over 2 billion music streams throughout numerous platforms, particularly in Italy and in Spain.[5]

The Stockholm-based Web3 platform Anotherblock launched an NFT market for music royalties in 2022 and secured a threat funding of US $8 million by way of three seed funding rounds.[6] Music rightsholders can supply shares of their royalty income streams on Anotherblock’s platform.[7] One instance was the Swedish songwriter and producer Alex Karlsson, who wrote songs for Ok-Pop acts resembling BTS, NCT, TXT and Twice, and provided the BTS hit “We Are Bulletproof: The Everlasting” on Anotherblock’s web site. Buyers should buy a 0.004 per cent share of a royalty NFT for 0.023 Ether, which truly equates to US $63.[8] The royalty NFTs are tradeable and will be bought on the secondary market on the Anotherblock platform.

Paris, Amsterdam, Milan and Istanbul: Bolero, Sonomo, OG Music, Parça

Bolero was based by William Bailey and Arthur Amon in Paris in 2021 and is a fractional royalty platform. The enterprise mannequin is similar to that of ANote Music. Buyers should buy and promote so-called “Tune Shares” in single songs or tune catalogues. A Tune Share is a digital asset that entitles to get a share of the correct to obtain proportional royalties from publishing and grasp rights of a particular tune or tune catalogue. Rights holders can switch their revenue streams from the accumulating societies to Bolero for a predefined interval however retain the underlying rights. Subsequently, the traders don’t management the underlying copyright however purchase a participation proper within the income stream generated by licensing of the tune/tune catalogue to music customers resembling music streaming companies, radio and TV stations. Bolero additionally gives a secondary market platform, the place the traders can commerce their acquired Tune Shares.[9]

Additionally in 2023, the fractional music funding platform Parça was based by Parça Teknoloji in Istanbul/Turkey. The enterprise idea is just like that of many music funding marketplaces already described. Buyers can purchase shares in royalty streams within the type of participation rights and resell them on a secondary market platform, though the latter is, nonetheless, solely in growth at Parça. For every profitable transaction, Parça costs a 5 per cent fee payment, no matter whether or not it’s an preliminary sale or a sale on the secondary buying and selling platform. Parça is the place traders can put their cash, primarily for Turkish repertoire. There are at present 69 songs on the market on the homepage, with lots of them by the identical artists.[13]

Again within the USA: Band Royalty and sliceNote

In contrast to Band Royalty, sliceNote is a music funding market, that doesn’t use blockchain know-how and NFTs to commerce music royalty shares. SliceNote was based by the Utah-based BeatBread, which began as a platform to supply advances to artists for his or her current tune catalogues, but additionally for his or her unreleased music. In return, BeatBread receives a share within the artists’ royalty funds, over a interval decided by the artist. BeatBread was based in 2020 by Peter Sinclair and was in a position to elevate US $34 million in a primary funding spherical in February 2022 and closed one other US $100 million fund with Variant Investments in November 2022. In April 2023, BeatBread launched the music funding platform sliceNote, which gives certified traders (excessive web value people, file labels, music publishers and so forth.) the likelihood to put money into fractional shares as small as 1 per cent per deal.[16] Thus, sliceNote just isn’t a typical fractional royalty platform resembling SongVest and Musicow, however a music rights gross sales platform extra corresponding to Royalty Trade.

Music Funding Market (MIM) Yr of basis Location MIM-Sort Variety of songs/rights
SongVest 2008
relaunch: 2020
USA Fractional royalty gross sales platform 192
World Rockstar 2014 Austria Crowdfunded royalty gross sales platform greater than 400
Royalty Trade 2015 USA Music rights public sale platform 2,132
Vezt 2016 USA Fractional royalty gross sales platform defunct
Musicow 2016 South Korea Fractional royalty public sale platform greater than 1,400
Fanvestory 2017 Estonia Crowdfunded royalty gross sales platform defunct
ANote 2018 Luxembourg Fractional royalty public sale and buying and selling platform 26
Tangy Market 2021 Sweden Fractional royalty gross sales and buying and selling platform greater than 300
Band Royalty 2021 USA Fractional NFT royalty gross sales platform 57
Bolero 2021 France Fractional royalty gross sales and buying and selling platform 144
Grasp Trade 2022 Sweden Fractional NFT royalty gross sales and buying and selling platform 13
Anotherblock 2022 Sweden Fractional NFT royalty gross sales and buying and selling platform 11
Sonomo 2023 Netherlands Fractional royalty gross sales platform 9
OG Music 2023 Italy Fractional royalty gross sales platform 16
Parça 2023 Turkey Fractional royalty gross sales and buying and selling platform 39
sliceNote 2023 USA Music rights gross sales platform n.a.
JKBX 2023 USA Fractional royalty gross sales platform 97

The fourth a part of the weblog collection will take a more in-depth take a look at the US micro-royalty gross sales platform JKBX, which may act as a recreation changer by linking the billion-dollar music rights market with music funding marketplaces.


Endnotes

[1] Tangy Market, “About Us”, n.d., accessed: 2025-03-19.

[2] Tangy Market, “For Creators”, n.d., accessed: 2025-03-19.

[3] Tangy Market, “Funding Calculator”, n.d., accessed: 2025-03-19.

[4] MasterExchange, “How It Works”, n.d., accessed: 2025-03-19.

[5] Music Enterprise Worldwide, “After elevating $2.7m, music royalties market MasterExchange sells out its first ‘preliminary music providing’”, August 17, 2023, accessed: 2025-03-19.

[6] Music Enterprise Worldwide, “Web3 music startup anotherblock raises $4.3m in newest funding spherical”, Could 17, 2023, accessed: 2025-03-19.

[7] Anotherblock, “The trusted bridge to music rights investments”, n.d., accessed: 2025-03-19.

[8] Anotherblock, “‘We Are Bulletproof: The Everlasting’ by Alex Karlsson”, n.d., accessed: 2025-03-19.

[9] Bolero, “Incessantly Requested Questions”, n.d., accessed: 2025-03-19.

[10] Fintech Finance Information, “Sonomo Hits the Proper Notice With Weavr’s Help”, November 22, 2022, accessed: 2025-03-24.

[11] Sonomo, “How It Works”, n.d., accessed: 2025-03-24.

[12] OG Music, “FAQ”, n.d., accessed: 2025-03-24.

[13] Parça, “How It Works”, n.d., accessed: 2025-03-24.

[14] GlobeNewswire, “Band Royalty Makes Historical past With the Launch of the World’s First Multi-Monitor Music NFT”, Could 11, 2022, accessed: 2025-03-24.

[15] Band Royalty, “FAQs”, n.d., accessed: 2025-03-24.

[16] Music Enterprise Worldwide, “BeatBread brings fractional investing to the unbiased artist funding scene”, April 12, 2023, accessed: 2025-03-24.

* This weblog publish is predicated on the report IP Finance within the Music Trade, which was commissioned by the World Mental Property Rights Group (WIPO).