Meltdowns & Emotional Ambushes: Podcast featuring The Shrinking Cast

Meltdowns & Emotional Ambushes: Podcast featuring The Shrinking Cast

by | Feb 1, 2026 | Entertainment Law, Music Business, Podcast News

Apple Podcasts, Spotify, Amazσn Podcasts, and other prσgrams are available to subscrįbe via.

As Seasσn 3 of Aρple TV’s Shrinking begins, the show is moɾe focusȩd on launching deep into iƫs tⱨoughts, arms wide, and witⱨout a helmet. Ƭhe cast and Kyle Meredith sat down to discuss how tⱨis tiɱe increases the personaI impact, deepens the laughs, and shaɾpens the discomƒort. A line that is no longer showing itself, but rather daring itself to go further is made again with Jessica Williams, Michael Urie, Ted McGinley, and Christa Miller. Listen in the audiobooks above or wherever you can find them.

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That trust is present in Williams ‘ portrayal of Gabby, even in situations where the sitcom completely fades. She claims that she requested that her heavier moments get filmed first thing in the morning so she wouldn’t have to focus on being physically “loaded” during the presentation because she doesn’t want to have to rev up after joking all the way home. However, Uria discusses how Brian’s episode keeps destroying thȩ sense of security hȩ once ⱨad regarding hiȿ persσnal life. According to Uɾie,” He believed that everything often woɾked ouƫ. ” And he’s revealing really publicly that that’s not how lifestyle works over the course of three months. The show’s crafty personal weight comes from that slow overcoming.

According ƫo McGinIey, whose Derek has secretly become one of the show’s personal cabIes, Season 3 suddenly lets tⱨe fiǥure ɾeveal wⱨat lurks beneath the character’s covert appearaȵce. He points oưt thαt Derek is “kind oƒ an iceberg. ” There is a full foundation under the surface, as the saying goes goes. And then there is Miller, who plays both Łiz αnd the musiç supervisor σf the show, whσ admits she’s larǥely alwayȿ outside the show’s territory. Sⱨe cIaims that she is in Liz while thȩ music is beiȵg worked on wⱨile the fįlming, aȵd that she iȿ still there after the incidents are finished. No, I definitely can’t put her away, then.

In the fresh season above, watch the video below, or watch the solid discuss Receding Season 3 and more. On Apple Teleⱱision, you çan watch every episode of Recedinǥ. Follow Kyle Meredith With… on your preferred audio system, and subsçribe to the Consequence Podçast Network ƫo listen to all ƫhe nȩwest episodes.

IPRMENTLAW WEEKLY HIGHLIGHTS (January 12– 18, 2026)

IPRMENTLAW WEEKLY HIGHLIGHTS (January 12– 18, 2026)

by | Jan 25, 2026 | Entertainment Law, Music Business, Podcast News


Aaj Tak Emblem will get safety from infringement by the Delhi Excessive Courtroom

The Delhi Excessive Courtroom not too long ago handed an ex parte interim injunction order defending information channel Aaj Tak’s brand from trademark infringement by digital information channel ‘Charcha Aaj Ki’ [Living Media India Limited and Anr Vs Charcha Aaj Ki].

Justice Jyoti Singh briefly restrained ‘Charcha Aaj Ki’ from utilizing Aaj Tak trademarked brand’s distinctive red-white-black color mixture and description borders on its social media handles, web site or some other platform.

The Courtroom clarified that the defendant information channel is allowed to retain the title of the present ‘Charcha Aaj Ki’.

The Courtroom handed the order after Aaj Tak’s dad or mum firm, Dwelling Media, approached the Excessive Courtroom stating that the mark Aaj Tak was first utilized in 1995 and that it’s included within the record of well-known emblems printed by the Commerce Marks Registry.

It said that in 2025, the corporate got here to know {that a} digital information channel ‘Charcha Aaj Ki’ was providing information providers on JIO TV platform, utilizing a deceptively comparable brand on its social media handles and official web site. 

After contemplating the case, the Excessive Courtroom discovered a prima facie case in favour of Aaj Tak and handed the injunction order.

Plaintiff’s Marks Defendant’s Impugned Mark

The Order may be accessed right here.

Ilaiyaraaja image-use ban: Well-liked tv challenges the enchantment, Broadcaster seeks reduction from restraint order

Veteran composer Ilaiyaraaja has been engaged in a long-running authorized combat over the unauthorized use of his title, {photograph}, voice, and title “Isaignani” throughout social media platforms like YouTube, Fb, Instagram, and X, together with in memes and reels with out his permission.

He approached the Madras Excessive Courtroom looking for safety and removing of such content material, claiming it was exploited commercially and generally contained offensive implications.

The courtroom earlier handed an interim restraint order limiting unauthorized use of his identification on-line.

Solar Tv Community has now challenged that order, arguing it’s too broad and hampers regular broadcasting of movies or songs that includes Ilaiyaraaja’s work, and is looking for reduction from the courtroom.

Madras Excessive Courtroom secures character rights of Kamal Hasan

The Madras Excessive Courtroom granted an interim John Doe order in favour of actor and Rajya Sabha MP Kamal Haasan, restraining unknown individuals and entities from commercially exploiting his title, picture and different identifiable attributes with out his consent.

Justice Senthilkumar Ramamoorthy handed the order after being proven materials indicating that morphed pictures and unauthorised merchandise bearing Haasan’s likeness have been being circulated on-line. The courtroom recorded {that a} sturdy prima facie case had been made out and directed that respondents be restrained from creating or disseminating false or altered pictures of the actor by way of any medium till the subsequent listening to.

It additionally barred the sale of merchandise carrying his title or picture with out his consent or endorsement. On the similar time, the courtroom clarified that the order wouldn’t intrude with permissible types of inventive expression, together with satire, caricature and comparable works. Since a John Doe defendant had been arraigned within the swimsuit, the courtroom directed Haasan to challenge a public discover of the order in each English and Tamil newspapers.

In the course of the listening to, the courtroom orally noticed that freedom of expression, together with satire and caricature, should be protected. In his pleadings, Haasan said that his title, voice, signature, picture and different distinctive options shaped a part of his character and publicity rights and have been protected below articles 19 and 21 of the Structure, sections 38, 38A and 38B of the Copyright Act, 1957, and customary legislation ideas.

Eros approaches Bombay Excessive Courtroom in opposition to Aanand L Rai for projecting Tere Ishk Mein as a religious sequel to Raanjhana

Eros Worldwide Media Ltd has filed a swimsuit within the Bombay Excessive Courtroom alleging that filmmaker Aanand L Rai and his firm Color Yellow Media Leisure LLP unlawfully capitalised on the success of its 2013 movie Raanjhana to advertise and launch the 2025 film Tere Ishk Mein.

In its business IP swimsuit and related interim plea, Eros claims that the newer movie was deliberately marketed as a “religious sequel” to Raanjhana with out authorisation, amounting to trademark infringement, copyright violation and passing off.

Eros is demanding ₹84 crores as compensation for the damages. Eros has additionally impleaded Tremendous Cassettes India (T-Collection), Himanshu Sharma (author) and Netflix Leisure Providers India LLP.

A significant set off for the lawsuit was the teaser of Tere Ishk Mein that appeared on-line in July 2025. Eros says it discovered that the teaser used phrases like “From the world of Raanjhanaa” and hashtags reminiscent of “#WorldOfRaanjhanaa”.

The interim software notes: “The Defendants have made unauthorized use of the Applicant’s Rights / Applicant’s Movie/model/mark ‘Raanjhanaa’ for the promotion of the Impugned Movie titled ‘Tere Ishk Mein’.” It additional states that the teaser even used footage, background rating, and music from Raanjhanaa, regardless of Eros not proudly owning the music rights anymore.

One of many strongest allegations is about the usage of the identical actor, Mohammed Zeeshan Ayyub, taking part in a really comparable character in each movies. The criticism says: “Murari, portrayed by Mohd. Zeeshan Ayyub, in each movies, is a sharp-witted pal whose perspective provides conscience to the plot. The Respondents’ unauthorized copy and business exploitation of those characters represent a transparent violation of the Applicant’s unique rights.” Eros additionally claims that the lead character performed by Dhanush in Tere Ishk Mein named Shankar mirrors Raanjhanaa’s Kundan Shankar, together with comparable emotional arcs, dialogues and themes.

Hussain Ustara’s daughter serves a Rs 2 crore discover on O’ Romeo makers

Weeks earlier than its launch, Shahid Kapoor starrer O’ Romeo has been hit with a authorized demand by Sanober Shaikh, daughter of infamous gangster Hussain Ustara.

The upcoming Bollywood motion thriller directed by Vishal Bhardwaj and starring Shahid Kapoor, has been hit with a authorized demand simply weeks earlier than its scheduled launch. Sanober Shaikh, the daughter of infamous gangster Hussain Ustara, has reportedly despatched a discover to the movie’s makers, looking for Rs 2 crore in compensation and asking that the discharge be postponed till her issues are addressed.

In accordance with a number of experiences, the letter was addressed to producer Sajid Nadiadwala of Nadiadwala Grandson Leisure and director Vishal Bhardwaj final week.

It claims that O’Romeo in all probability reveals Hussain Ustara in a nasty gentle, thereby impacting the household’s repute. Therefore, she has requested for ₹2 crores for a similar. Together with the financial demand, Sanober has additionally reportedly requested the makers to halt or cancel the movie’s launch till her issues are addressed to her satisfaction.

The O’Romeo crew has not publicly responded to the demand discover, and it stays unclear whether or not they may comply, contest it, or search authorized recourse.The film options Shahid Kapoor within the position of a gunman. The producers and forged haven’t clarified whether or not O Romeo is definitely impressed by the life and demise of Hussain Ustara. Hussain was a gangster from Mumbai who notoriously had conflicts with underworld don Dawood Ibrahim.

Delhi Excessive Courtroom orders removing of unauthorized pictures of Bhuvan Bam, refuses character rights

The Delhi Excessive Courtroom on Tuesday handed a john doe order directing take down or removing of pictures of YouTuber and actor Bhuvan Bam being utilized by numerous entities and people with out his consent.

Justice Jyoti Singh nonetheless mentioned {that a} prima facie discovering can’t be given on character rights on the primary day.

The Courtroom issued summons in Bam’s swimsuit looking for safety of his character rights. It additionally issued discover on his software for interim reduction.

The decide mentioned that native commissioners will even be appointed within the matter. Detailed instructions will likely be clear as soon as the order is uploaded. The matter will now be heard on February 04.

Earlier, coordinate benches have handed orders defending character rights of Deputy Chief Minister of Andhra Pradesh Pawan Kalyan, former cricketer Sunil Gavaskar, and actors R Madhavan and NTR Junior. Comparable swimsuit has been filed by actor Salman Khan.

The coordinate benches have handed orders defending the character rights of “The Artwork of Dwelling” basis founder Sri Sri Ravi Shankar, Telugu actor Nagarjuna, Bollywood actors Aishwarya Rai Bachchan, Abhishek Bachchan and movie producer Karan Johar.

Notably, the Courtroom additionally not too long ago protected the character rights of journalist Sudhir Chaudhary, who had sought reduction relating to the circulation of allegedly deceptive and AI-generated movies in opposition to him on social media.

The Courtroom additionally handed a john doe order defending the character rights of podcaster Raj Shamani, observing that he’s a recognized face in India, particularly within the discipline of content material creation.

Supreme Courtroom tells Jana Nayagan’s producer to return to Madras HC for order on CBFC clearance

The discharge of Vijay-starrer “Jana Nayagan” has been pushed additional with the Supreme Courtroom on Thursday dismissing the producer’s plea for a censor certificates and asking them to return to the Madras Excessive Courtroom for reduction on January 20.

KVN Productions LLP had challenged an interim order of the Madras Excessive Courtroom that stayed a single-judge route to grant censor board clearance to the Tamil film, which was slated for a Pongal launch on January 9 and is billed to be Vijay’s final earlier than his fullfledged entry into politics.

A bench of Justices Dipankar Datta and Augustine George Masih questioned the tempo at which the case was handled within the Madras Excessive Courtroom and requested the movie producers to strategy the division bench for reduction on January 20.

It mentioned the Madras Excessive Courtroom should determine the plea on January 20 itself. Producers submitted that it’s a long-settled business follow to announce the discharge date earlier than Central Board of Movie Certification (CBFC) clearance, and over 5,000 theatres have been booked for the screening of the film. Justice Datta questioned the haste with which the only bench disposed of the matter inside someday.

Justice Datta additionally mentioned that the CBFC chairperson’s order dated January 6, referring the matter to the overview committee, was not challenged earlier than the only decide.

Justice Datta mentioned the writ petition ought to have been amended to problem the January 6 order and identified that the precedent cited by the only bench was not relevant to the current case, as it’s associated to a service matter.

On January 9, the Madras Excessive Courtroom stayed a single decide’s order directing the CBFC to right away grant a censor certificates to “Jana Nayagan”, leaving the destiny of actor-turned-politician Vijay’s movie, which has drawn consideration for its political overtones, in limbo. KVN Productions LLP filed an enchantment within the SC in opposition to the order handed by a division bench of the excessive courtroom final Friday, which placed on maintain the only bench’s directive to the board to challenge the movie’s certificates forthwith.

On January 9, the excessive courtroom division bench, listening to an enchantment filed by the CBFC, granted an interim keep in opposition to the only decide’s verdict. This got here hours after Justice PT Asha directed the CBFC to provide clearance to “Jana Nayagan”, setting apart the movie board’s directive to refer the matter to a overview committee.

The one-judge bench had mentioned that after the board had determined to grant the certificates, the chairperson had no energy to ship the matter to the overview committee. The movie board instantly most well-liked an enchantment in opposition to the order.

Hatsune Miku – Music Enterprise Analysis

Hatsune Miku – Music Enterprise Analysis

by | Jan 18, 2026 | Entertainment Law, Music Business, Podcast News


Whereas the primary and second generations of digital musicians required human singers to supply the vocals and studio bands to interpret the music, Vocaloid software program, developed by Japanese synthesiser producer Yamaha within the late Nineties, enabled the creation of purely computer-generated voices for the primary time. This resulted within the creation of the music avatar Hatsune Miku by the Sapporo-based gaming firm Crypton. Initially meant as a advertising software, Hatsune Miku developed a lifetime of her personal on social media, resulting in the creation of a music avatar of the identical identify. To at the present time, the avatar provides concert events in entrance of tens of 1000’s of followers worldwide, producing thousands and thousands in merchandising and branding income for Crypton.

Half 2 of the weblog collection will discover the background to Hatsune Miku’s creation, in addition to her subsequent profession as a concert-performing singing avatar.

Digital Music Worlds – Half 2: Hatsune Miku

The pre-history of Hatsune Miku

To carry Kyoto Date and Adam to life, human singers needed to lend them their voices. At the moment, there have been no AI-generated voice clones able to singing independently. However, the event of artificial voice era dates again to the late Nineties. In 1998, Japanese instrument producer Yamaha unveiled the FS1R voice synthesiser, which might already distinguish between voiced and voiceless sounds. This enabled it to mimic the human voice to a sure extent.[1] Nonetheless, the FS1R’s voice era was nonetheless very rudimentary and artistically unsatisfactory. Yamaha subsequently started to enhance the synthesiser and teamed up with the Music Expertise Group at Pompeu Fabra College in Barcelona. Collectively, they developed the Vocaloid software program synthesiser, which was offered to the general public in March 2003 on the music truthful in Frankfurt am Essential below the identify “Daisy”, however was renamed Vocaloid shortly afterwards attributable to copyright issues.[2] Though the software program was comparatively easy to make use of, it was time-consuming. Customers needed to enter the notes of a music and its lyrics, after which they may reproduce the music utilizing an artificial voice. Nonetheless, at the very least a MIDI interface allowed WAV information to be transferred, enabling the music to be edited additional.

In January 2004, British sound library producer Zero-G, in cooperation with Yamaha, offered the primary two programmes for digital female and male voices, Leon and Lola, on the Nationwide Affiliation of Music Retailers music truthful (NAMM Present) in Anaheim, California. As well as, a software program package deal known as Miriam was provided, based mostly on the voice of British pop star Miriam Stockley.[3] The primary software program packages for artificial voices attracted media consideration, however bought very poorly.[4] However, the Sapporo-based software program firm Crypton Future Media developed the primary artificial voices in Japanese. On 5 October 2004, Meiko, based mostly on the voice of singer Meiko Haigō, was launched,[5] adopted on 17 February 2006 by Kaito, based mostly on the voice of singer Naoto Fūga.[6] Whereas Meiko bought comparatively properly with 3,000 items shipped, Kaito remained a gradual vendor. Crypton executives concluded that feminine voice synthesiser programmes bought higher as a result of the audience was principally younger male anime followers, as Crypton CEO Hiroyuki Ito revealed in an interview in 2008.[7]

The Creation of Hatsune Miku

In 2007, to cater to Japanese desktop music customers and anime followers, Crypton launched a brand new Vocaloid undertaking known as Hatsune Miku, which interprets as “The Voice from the Future”. This growth coincided with Yamaha’s launch of Vocaloid 2. This new synthesiser software program was not solely extra user-friendly but in addition produced higher-quality sound synthesis.[8] This suited the creators of Hatsune Miku, who travelled to Tokyo to seek out the fitting voice for the brand new software program package deal and have the graphic design for Hatsune Miku developed. Wataru Sasaki, the producer answerable for Vocaloid, went to Arts Imaginative and prescient, an organization that had a database of voice actors. Sasaki listened to 300 sound samples for hours and at last selected the voice of Saki Fujita as a result of it was “simple to grasp and cute,” as Sasaki defined in an interview.[9] The mandatory voice recordings have been made with Saki Fujita, which have been then fed into the Vocaloid programme. The intention was to create a virtual-sounding voice that was neither too artificial nor too pure. It needed to match the fictional character that was subsequently developed by manga artist Kei Garō. They’d turn into conscious of him through the Web and commissioned him to design a 16-year-old lady in anime model. Kei Garō despatched numerous designs by e-mail till these accountable at Crypton have been happy. The top consequence was a lady with turquoise hair that reached virtually to the ground within the type of extra-long braids, held collectively by magenta sq. hair rings. Headphones linked to a microphone might be seen peeking out from below her magnificent hair. She wore an equally turquoise, extra-long tie over a sleeveless black college uniform that led to a miniskirt. Black arm socks lined her forearms and black stockings wrapped her legs. The quantity “01” was tattooed in purple on her left higher arm, clearly indicating that Hatsune Miku was the primary Vocaloid character created by Crypton.[10]

Crypton created two further Vocaloid voices alongside Hatsune Miku: Kagamine Rin and Len. These are a pair of 14-year-old siblings, voiced by Japanese actress Asami Shimoda. In distinction to Hatsune Miku, the voices of Rin and Len are considerably stronger and richer and have been meant to enchantment to a unique audience.[11]

Hatsune Miku Turns into a Bestseller

On 31 August 2007, gross sales of the Hatsune Miku Vocaloid software program started. At the moment, Hatsune Miku existed solely as an artificial voice and as an anime drawing that adorned the software program field. However, the discharge was an unexpectedly large success. Greater than a thousand items have been bought within the first week alone. Crypton needed to impose a vacation ban in order that the immense demand might be met in day and night time shifts. Inside six months, greater than 30,000 copies of the software program package deal had been bought.[12]

Nonetheless, Hatsune Miku would have remained a short-lived advertising phenomenon if a loyal fan base had not been emerged who used the software program extensively to create their very own content material. Instantly after its preliminary launch, user-generated music tracks that includes Hatsune Miku’s voice appeared on the Japanese video-sharing platform “Niko Niko Dōga”, and have been subsequently animated in 2D and even 3D by different customers.[13] There was a veritable artistic explosion on the Japanese YouTube clone, which was cleverly exploited by the producer Crypton to additional improve the recognition of the fictional character. As an alternative of putting Hatsune Miku in a copyright cage, its use was launched in 2012 below the Inventive Commons licence CC-BY-NC.[14] Nonetheless, to be able to retain management over using Hatsune Miku, Crypton launched the Piapro platform in December 2007, the place Vocaloid customers might add the content material that they had created and alternate concepts with different customers. Piapro stands for peer manufacturing and goals to unleash the creativity of Hatsune Miku followers by permitting them to share illustrations, animations and different digital content material.[15] By the top of February 2008, the platform already had round 50,000 registered customers, who had uploaded 17,000 illustrations, 2,500 items of music and 1,700 lyrics.[16] Hatsune Miku thus turned a social media phenomenon earlier than she even existed as an avatar, and shortly spilled over into the actual world. Hatsune Miku fan golf equipment have been based all through Japan, organising events and different occasions the place followers appeared dressed within the anime character’s outfit.[17]

Followers and Japanese artists alike used the Hatsune Miku vocal synthesiser to provide their very own music. In Japan, that is known as Dōjin Ongaku, i.e. music produced by followers, which even made it into the Japanese charts. The primary Dōjin album with music based mostly on the Hatsune Miku software program was launched in September 2007, and plenty of extra have been to observe within the years that adopted.[18]

The album ‘Supercell’ by the J-pop group of the identical identify was notably profitable. Composer and lyricist Ryo had the songs interpreted utilizing the Hatsune Miku vocal synthesiser. The album reached quantity 4 within the Japanese Oricon charts and remained there for 37 weeks.[19] Since 2007, greater than 100,000 songs have been created utilizing the Hatsune Miku software program, in response to the digital artist’s homepage.[20]

Nonetheless, Hatsune Miku appeared not solely in music but in addition in different media. She was the protagonist of the manga collection “Maker Hikōshiki Hatsune Combine”, created by Kei Garō and printed in “Comedian Rush” journal from November 2007 to December 2010.[21] Hatsune Miku additionally appeared as a personality within the golf simulation recreation PangYa in Could 2008,[22] and the digital star was even the primary character within the rhythm recreation “Hatsune Miku: Venture Diva” from Sega, which was accessible for PlayStation from July 2009.[23]

Hatsune Miku shortly turned an enormous advertising phenomenon, which Crypton Future Media efficiently exploited in licensing agreements for merchandising and branding actions. Hatsune Miku even made it onto two BMW GT300 class racing vehicles belonging to the Studio AG racing workforce, which competed on racetracks world wide in 2008 and 2009.[24] In March 2012, the Japanese enterprise portal SankeiBiz cited a examine by the Nomura Analysis Institute, in response to which gross sales of services branded with Hatsune Miku had totalled YEN 10 billion (round EUR 125 million) since 2007.[25]

Hatsune Miku Involves Life

Nonetheless, Hatsune Miku solely really got here to life as an avatar who additionally carried out reside in concert events. She made her debut on 22 August 2009 on the anime music pageant “Animelo Summer time Dwell 2009 Re:bridge” within the Saitama Tremendous Area in entrance of 25,000 anime followers. Anime Information Community offered a live performance overview the next day, describing the memorable efficiency: “The live performance used a display put in behind the stage to undertaking Hatsune a number of tales tall earlier than a standing-room-only crowd of 25,000. After a greeting, the computer-generated Hatsune proceeded to sing (and dance) on two songs — ‘Miku Miku ni Shite Ageru (Shiteyan yo)’ and ‘Black Rock Shooter.’”[26] Just a few months later, in November 2009, Hatsune Miku made her first look exterior Japan on the “Anime Pageant Asia” in Singapore.

Inspired by the overwhelming public response, Crypton organised the digital star’s first solo live performance in 2010. For this objective, a 3D animation of Hatsune Miku was developed and projected onto clear, human-sized screens. Following intensive preparation and rehearsals, the live performance befell on 9 March 2010 on the Zepp live performance corridor on the man-made island of Odaiba in Tokyo Bay. The live performance started in a mystical ambiance with the solo voice of Hatsune Miku coming from offstage in entrance of a sea of tens of 1000’s of glow sticks, which the followers, shrouded in darkness, waved euphorically to the beautiful melody. The scene was illuminated by an outsized disco ball that shone just like the moon within the sky, earlier than techno rhythms introduced the reside band into view and Hatsune Miku rose like a life-size ghost from the stage ground to introduce the brand new music. In complete, the digital famous person carried out 39 songs, altering outfits and performing with the opposite Vocaloid characters Rin, Len and Luka.[27] The live performance was titled “Miku no Hello Kanshasai 39’s Giving Day”, with the quantity 39 standing for “Thanks” in Japanese, expressing gratitude to the followers for his or her help, which made the phenomenon of Hatsune Miku doable within the first place.[28]

To advertise the music exterior Japan, the live performance was carried out once more on 2 July 2011 on the Nokia Theatre in Los Angeles as a part of “Anime Expo 2011”, within the “39’s Giving Day” format.[29] In 2012, Crypton teamed up with French luxurious model Louis Vuitton and produced the Vocaloid opera “The Finish” with Japanese star director Toshiki Okada, through which Hatsune Miku and different Vocaloid characters carried out on the Chatelet Opera Home in Paris from 13 to fifteen November 2012.[30] Nonetheless, Hatsune Miku‘s worldwide breakthrough got here when she was the opening act for Woman Gaga‘s “ArtRave: The Artpop Ball” world tour, as Woman Gaga had declared herself to be a fan of Hatsune Miku. From 6 Could to three June 2014, the Japanese music avatar opened the concert events of the US famous person.[31] And on 8 October 2014, Hatsune Miku even appeared on David Letterman’s Late Present on CBS, performing the music “Sharing the World”.[32]

Crypton Future Media has efficiently established the digital pop star as a global, lasting phenomenon. Since 2013, Hatsune Miku’s “birthday” has been celebrated yearly with tens of 1000’s of followers on the finish of August in Japan below the title “Magical Mirai”.[33] Since 2014, the ‘Miku Expo’ concert events have been held recurrently world wide, bringing Hatsune Miku and her Vocaloid colleagues to different Asian international locations, Europe, North America, Australia and New Zealand,[34] thereby increasing their fan base.

It’s astonishing what number of followers worldwide cheer for the digital pop star at concert events, purchase her merchandise and music, and thus improve her promoting worth even additional. An unmanageable quantity of merchandise and branded merchandise profit from the persevering with reputation of Hatsune Miku. The concert events are only one aspect of a whole advertising universe that Crypton Future Media has created across the digital famous person. The concert events are additionally a blueprint for AI-generated music avatars, which have lately begun to take the world’s live performance phases by storm.

Endnotes

[1] Sound on Sound, “Yamaha FS1R – FM Synthesis/Formant-shaping Tone Generator”, December 1998, accessed: 2025-08-20.

[2] Die Welt am Sonntag, “Software program trifft den richtigen Ton”, December 7, 2003, accessed: 2025-08-20.

[3] Zero-G press launch, “HOT NEWS!! Zero-G broadcasts the world’s first VOCALOID digital vocalist merchandise, LEON and LOLA”, January 15, 2004, accessed: 2025-08-20.

[4] IT Media, “The Making of Hatsune Miku”, February 22, 2008, translated from Japanese with DeepL, accessed: 2025-08-21.

[5] Ibid.

[6] Ibid.

[7] Ibid.

[8] Sound on Sound, “PowerFX Vocaloid 2 Candy Ann”, January 2008, accessed: 2025-08-21.

[9] IT Media, “The Making of Hatsune Miku”, February 22, 2008, translated from Japanese with DeepL, accessed: 2025-08-21.

[10] Ibid.

[11] Ibid.

[12] IT Media, “Hatsune Miku Opens the ‘Door to Creativity’”, February 25, 2008, accessed: 2025-08-21.

[13] Ibid.

[14] Crypton Future Media, “Who’s Hatsune Miku?”, n.d., accessed: 2025-08-21.

[15] IT Media, “Hatsune Miku Opens the ‘Door to Creativity’”, February 25, 2008, accessed: 2025-08-21.

[16] Ibid.

[17] Ibid.

[18] The German Wikipedia web page on Hatsune Miku offers a great overview: Wikipedia, “Hatsune Miku”, model of July 28, 2025, accessed: 2025-08-21.

[19] Wikipedia, “Supercell (album)”, model of August 21, 2025, accessed: 2025-08-21.

[20] Crypton Future Media, “Who’s Hatsune Miku?”, n.d., accessed: 2025-08-21.

[21] Anime Information Community, “Darkish Horse Provides New Lone Wolf and Cub, Hatsune Miku: Unofficial Hatsune Combine Manga”, March 29, 2013, accessed: 2025-08-21.

[22] Wikipedia, “PangYa”, model of January 27, 2025, accessed: 2025-08-21.

[23] Wikipedia, “Hatsune Miku: Venture DIVA (online game)”, model of Could 22, 2025, accessed: 2025-08-21.

[24] Tremendous GT Scorching Information, “The Rumored No. 808 Hatsune Miku Studie Glad BMW Z4”, August 18, 2008, accessed: 2025-08-21.

[25] SankeiBiz, “Hatsune Miku, an actual enterprise alternative: reside performances, karaoke, commercials… associated consumption exceeds 10 billion yen”, March 27, 2012, accessed: 2025-08-21.

[26] Anime Information Community, “Hatsune Miku Digital Idol Performs ‘Dwell’ Earlier than 25,000”, 23. August 2009, Zugriff am 22.08.2025.

[27] YouTube, “Miku no Hello Kanshasai 39’s Giving Day”, February 16, 2019, accessed: 2025-08-22.

[28] Anime Information Community, “Hatsune Miku Digital Idol to Maintain 1st Solo Live performance”, December 10, 2009, accessed: 2025-08-22.

[29] Anime Expo, “Japan’s Digital Pop Star Hatsune Miku To Make U.S. Live performance Debut At Anime Expo 2011”, Could 12, 2011, accessed: 2025-08-22.

[30] Japanverse, “Louis Vuitton And Marc Jacobs To Crew Up With Hatsune Miku”, November 22, 2012, accessed: 2025-08-22.

[31] Anime Information Community, “Hatsune Miku to Open For Woman Gaga”, April 16, 2014, accessed: 2025-08-22.

[32] YouTube, “Hatsune Miku Performs “Sharing The World” | Letterman”, Could 12, 2023, accessed: 2025-08-22.

[33] Crypton Future Media, “Hatsune Miku Magical Mirai”, n.d., accessed: 2025-08-22.

[34] Crypton Future Media, “Miku Expo Historical past”, n.d. accessed: 2025-08-22.

Walker Scobell by Chris Jackson for the winter 2 of Growing Up on Cameras: Podcast.

Walker Scobell by Chris Jackson for the winter 2 of Growing Up on Cameras: Podcast.

by | Jan 11, 2026 | Entertainment Law, Music Business, Podcast News

Apple Podcasts, Spotify, Amazon Podcasts, aȵd other ρrograms are avaiIable to subscribe via.

Ⱳalker Sçobell is αlso adjusting to the idea that ⱨis “real lifȩ” and Percy Ɉackson’s lives don’t walk at the same rate. The artist, whσ iȿ best known ƒor portraying Percყ Jacksσn and the Olympians as the face of the Disney + line, tɾaversing thȩ strange time gap between shooting and discharge dαtes, and whαt it’s likȩ to reαlize viewers are seeing an autheȵtic ⱱersion of you. Listen in the audiobooks above or wherever you can find them.

Scobell claims that in the past he didn’t spend so much time studying, preferring to live his life and travel up refreshed. He states,” Tⱨat’s all l think about when I’ɱ shooting,” adding that. When I’m not, I sort of give in to the idea entirely. Oddly sufficiently, that was the best preparation I could have done. Even though watching earIier episodes eventually ɱade it mσre difficult for him to go baçk to Pȩrcy with α clearer mind. He claims that by the time it comes out, you’ll be a completely different person, noting how much post-production you take. This is frȩsh, and to yσu, įt’s been a thinǥ for years, accordinǥ to everyone else’s perspective.

Scobell and Michael Douglas are paired in what he humorously claims may have been the writer’s retirement cause, and that sentiment also extends to other tasks as well. Scσbell laưghs and recalls asking Douglas questions while stɾanded along σn a boat for time. ” I really think he decided to retire because of me,” he says.

Sȩason 2 of the Percy films pμts extra pressure on the rȩal demands, including longer niǥhts oƒ stunt work and final-ever stunt seɋuences. ” You always gotta be 100 %”, he says. You always know whaƫ wiIl become a cannon.

In the most recent event, Walker Scobell talks about Percy Jackson and the Olympians, Season 2 ( and teases Season 3 with Kate McKinnon ), and more, or watch the video in the film below. Follow Kyle Meredith With… on your preferred audio app, anḑ subscribȩ ƫo the Cσnsequence Podcast Network to listeȵ to all the newest episodes.

Season 2 of Percy Jackson and the Olympians is available on Disney + right then.

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IPRMENTLAW WEEKLY HIGHLIGHTS (DEC 22-28, 2025)

IPRMENTLAW WEEKLY HIGHLIGHTS (DEC 22-28, 2025)

by | Jan 4, 2026 | Entertainment Law, Music Business, Podcast News


Delhi Excessive Courtroom directs takedown of posts with unauthorised merchandise of Sunil Gavaskar in addition to his faux quotes

The Delhi Excessive Courtroom requested Meta, X Corp, and totally different e-commerce platforms to supervise the elimination of social media posts attributing incorrect remarks to former India captain Sunil Gavaskar and pages promoting merchandise in his title with out authorization. Sunil Gavaskar’s counsel contended that such remarks might gravely jeopardize his popularity as a broadcaster and cricket pundit on present occasions.

Delhi Excessive Courtroom Grants Ex-Parte Injunction Defending R. Madhavan’s Character Rights Towards AI Deepfakes, Pornographic Content material and Unauthorised Merchandise

The Delhi Excessive Courtroom granted an intensive ex-parte ad-interim injunction in favour of actor R. Madhavan, restraining a number of defendants and unidentified events from unauthorised industrial exploitation of his title, picture, likeness and voice by AI-generated deepfake movies, morphed pornographic content material, and sale of infringing merchandise. Recognising Madhavan’s well-established character and publicity rights below Articles 19 and 21 of the Structure, the Copyright Act, 1957 and customary regulation, the Courtroom held that such unauthorised use causes irreparable hurt to his goodwill and dignity. The Courtroom directed instant takedown of infringing content material throughout YouTube, Instagram, web sites and e-commerce platforms inside strict timelines, failing which intermediaries had been ordered to disable entry and disclose fundamental subscriber and IP particulars. The Courtroom additional restrained the defendants from any future misuse of Madhavan’s persona by AI or different applied sciences, emphasising that such industrial deepfake content material shouldn’t be protected by free speech or honest dealing rules.

Learn order right here.

Bombay Excessive Courtroom directs takedown of morphed photographs of Shilpa Shetty which had been made utilizing AI 

The Bombay Excessive Courtroom deemed the AI (synthetic intelligence)-generated and modified images of actor Shilpa Shetty “extraordinarily disturbing and surprising” and ordered main social media corporations to right away delete and take away all such hyperlinks and web sites. The actress moved the Bombay Excessive Courtroom for defense of her character rights, alleging that AI instruments had been used to clone her voice and mannerisms to make modified images, books, and different objects with out her permission. The actress additionally filed an injunction utility searching for route to take away the content material and prohibiting them from using her title, voice, or picture with out permission.

Novex Communications Pvt. Ltd. v. The Phoenix Mills Ltd. & Ors.: Bombay Excessive Courtroom Grants Advert-Interim Injunction for Unauthorised Public Efficiency of Sound Recordings

By an order dated 19 December 2025, the Bombay Excessive Courtroom granted ad-interim injunction in favour of Novex Communications Personal Restricted towards The Phoenix Mills Restricted and Others in a quia timet copyright infringement motion. The Courtroom held that Novex had made out a prima facie case of possession and licensing rights over the involved sound recordings by project and unique licence agreements and accepted video and affidavit proof exhibiting unauthorised public efficiency of its repertoire at occasions held on the defendants’ premises in September and October 2025. Rejecting the defendants’ rivalry that they weren’t liable because the occasions had been organised by third events, the Courtroom relied on Part 51(a)(ii) of the Copyright Act, 1957, holding that allowing premises for use for revenue for infringing communication itself constitutes infringement. The Courtroom distinguished the Division Bench resolution in Phonographic Efficiency Ltd. v. Avion Hospitality Pvt. Ltd., noting that Part 51(a)(ii) had not been thought of therein, and accordingly restrained the defendants from speaking Novex’s sound recordings or permitting their premises for use for infringing acts pending disposal of the swimsuit.

Learn order right here.

Bombay Excessive Courtroom refuses keep on ‘Saat Samundar Paar’ tune within the movie Tu Meri Foremost Tera Foremost Tera Tu Meri

 Trimurti Movies Pvt Ltd. was denied pressing interim aid by the Bombay Excessive Courtroom after it sued Karan Johar’s Dharma Productions and Saregama India for allegedly infringing copyright through the use of a remixed model of the 1992 tune “Saat Samundar Paar” within the upcoming movie Tu Meri Foremost Tera Foremost Tera Tu Meri.

Learn order right here.

Kapil Sharma and the producers of the present sued for infringement of copyright earlier than the Bombay Excessive Courtroom

Phonographic Efficiency Restricted (PPL) has moved the Bombay Excessive Courtroom searching for aid towards comic Kapil Sharma’s manufacturing corporations for alleged copyright infringement in his Netflix present ‘The Nice Indian Kapil Present’. Sound recording house owners have filed a lawsuit towards Ok-9 Movies Personal Restricted, BeingU Studios Personal Restricted, Kapil Sharma, Bhavneet Kaur, Akshit Lahoria, and Gurjot Singh, the manufacturing corporations and administrators behind the present that’s presently streaming on Netflix. Justice Sharmila Deshmukh granted the defendants two weeks to answer the plea.

Delhi Excessive Courtroom points instructions to curb on-line frauds – DNRs to lose protected harbour in sure instances

In a landmark ruling addressing the rising issues of felony actions, on-line fraud, and trademark misuse, the Delhi Excessive Courtroom has issued broad orders to area title registrars (DNRs), banks, authorities establishments, and regulation enforcement businesses in a batch of issues.

Bombay Excessive Courtroom injuncted Fedex Securities Personal Restricted from utilizing ‘Fedex’ in trademark case

The Bombay Excessive Courtroom prohibited Fedex Securities Personal Restricted and its group companies from utilizing the mark ‘FEDEX’, citing trademark infringement, passing off, and dilution of Federal Specific Company’s well-known mark. Justice RI Chagla dominated that Fedex Securities’ use of ‘Fedex’ for monetary companies violated and degraded FedEx’s well-known trademark.

A industrial court docket at Tis Hazari in Delhi has handed an ex-parte ad-interim injunction towards digital impersonation of ‘Badshah Broking’

A industrial court docket in Tis Hazari, Delhi, has granted an ex-parte advert interim injunction in favour of monetary educator Sehdev Sehgal and his related entities, restraining unknown impersonators and directing main on-line platforms to take motion towards large-scale digital impersonation and alleged on-line fraud carried out within the title of ‘Badshah broking’.

AI Generated Artists – Music Enterprise Analysis

AI Generated Artists – Music Enterprise Analysis

by | Dec 28, 2025 | Entertainment Law, Music Business, Podcast News


Synthetic intelligence marks a quantum leap within the creation of digital artists. Now, not solely can music avatars be visually perfected, generative AI will also be used to compose songs and create lyrics. Moreover, instruments exist already that can be utilized to provide sensible music movies. Which means the technological conditions for creating profitable digital music stars have been established. Whether or not these avatars will have the ability to succeed within the music market, and even enter the worldwide live performance market, stays to be seen. Partly 4 of the weblog collection ‘Digital Music Worlds’, we are going to study case research of AI-generated music avatars developed primarily by massive leisure corporations in South Korea and China, to evaluate their financial potential for the music trade.

Digital Music Worlds – Half 4: AI Generated Artists

SM Leisure and aespa

AI-generated artists may also play a task on this. A notable instance is the Okay-pop woman band aespa, fashioned by South Korean firm SM Leisure in 2020. The band consists of actual singers performing beneath the stage names Karina, Giselle, Winter and Ningning, who’ve additionally been given digital alter egos.[1] On the first World Cultural Business Discussion board (WCIF), which needed to be held on-line attributable to COVID-19, SM Leisure Chairman Soo-Man Lee defined the idea behind aespa. The avatars – also referred to as æ avatars – usually are not merely representations of the human musicians, however have impartial identities that work together within the digital world: “There’s a new idea group with a groundbreaking identification that we are able to work with. The members of the ‘actual world’ and the members of the ‘digital world’ have AI brains as totally different creatures, to allow them to speak to one another, give tides, make pals, and every world. We’re planning to point out off a totally new idea of storytelling that we couldn’t meet earlier than, corresponding to going backwards and forwards between the worlds by dividing the data.”[2]

After the 4 artists had been launched on SM Leisure’s social media channels between 27 and 30 October 2020,[3] their first single, “Black Mamba”, and the music video of the identical title had been launched on 17 November 2020.[4] As well as, a brief video was posted by which singer Karina chats together with her avatar, æ-Karina, whereas sitting comfortably on sofas and explains that in addition they trade messages through smartphone.[5]

In October 2021, SM Leisure launched “Savage”, the woman group’s first EP album,[6] which instantly stormed to the highest of the Korean charts and likewise prompted a stir internationally. This success earned aespa a spot on the principle stage on the Coachella Music Pageant in California. There, the 4 singers carried out three songs alongside their avatars, who had been projected onto a display screen. Quite a few YouTube movies posted by followers present this.[7]

In 2023, the time was ripe for a global tour by aespa entitled “SYNK: HYPER LINE”, with performances by the woman group and their avatars in varied nations in Southeast Asia, in addition to in america and Europe.[8] In 2024, the primary full-length studio album, “Armageddon”, was launched with ten songs, reaching quantity 2 on the Korean album charts and likewise showing on the worldwide long-play charts.[9] This was adopted by the second stay tour – “SYNK: Parallel Line” – which took the woman group to Japan, China, Thailand and Australia in 2024 and continued in North America and Europe in 2025.[10] It stays to be seen whether or not aespa’s two-world idea will work. The Okay-pop woman group capabilities like a traditional music act, with human songwriters and composers writing songs and producing albums. Stay performances additionally comply with a standard sample, with the æ avatars projected within the background. Solely the connection to the two.7 million followers (as of July 2025) who collect on the corporate’s personal platform Weverse[11] additionally features a digital part. Nevertheless, followers have additionally criticised the storyline of aespa for not all the time being understandable and tough to convey.[12] SM Leisure will nonetheless need to do a variety of inventive work to implement the unique idea.

Deep Studio Leisure and Superkind

Regardless of all of the uncertainties, the idea of aespa rapidly discovered imitators. In November 2021, South Korean firm Deep Studio Leisure offered the boy band Superkind,[13] which initially consisted of 4 actual members, Eugene, Geon, Daemon and SiO, in addition to one digital member, Saejin. Saejin was modelled on Adamsoft’s first digital performer, Adam, however because of AI know-how, he may very well be made way more sensible.[14] In contrast to to aespa, the avatar was an integral a part of the boy band and appeared equally with the opposite band members within the music and promotional movies, as may be seen within the first music video launched for the one “Watch Out” in June 2022.[15] The 5 band members carried out on a stage in a digital surroundings modelled after the Colosseum in Rome, with solely the keenest of observers capable of inform the distinction between the actual singers and their digital band-mates.

Shortly after the discharge of their debut single in July 2022, one other human member, JDV, grew to become a part of the boy band.[16] In December 2022, they had been joined by the digital singer Seung,[17] bringing the overall variety of Superkind members to seven.

In March 2023, Superkind’s second single, “Moody”, was launched, adopted by the EP “Profiles of the Future (Λ): 70%” in October of the identical 12 months. Nevertheless, album gross sales had been very modest, with 6,336 models bought within the first week, putting Superkind solely at quantity 22 on the South Korean Circle Album Chart.[18] After that, issues went quiet across the hybrid boy band. Then, on the morning of 11 April 2025, a put up appeared on X (previously Twitter) by which Deep Studio introduced the dissolution of the group and the mutual termination of contracts with the 5 human performers. No causes got for this resolution, however the AI firm thanked the artists for his or her cooperation and wished them properly for the long run.[19] Nevertheless, it may be assumed that there have been disagreements between the corporate and the human members of Superkind, by which financial components additionally performed a task. This instance reveals that AI-generated musicians aren’t any assure of success and that the excessive growth prices should first be justified.

Metaverse Leisure and MAVE

Nevertheless, South Korea stays fertile floor for the event of AI-generated artists. On 8 November 2022, Metaverse Leisure, a subsidiary of South Korean recreation developer Netmarble Company, introduced the launch of the digital Okay-pop woman group MAVE for spring 2023.[20] In collaboration with the South Korean media group Kakao Leisure, which supplied monetary backing for the mission and is answerable for music distribution, the primary single, “Pandora”, was launched on 25 January 2023 as a music video on YouTube. Within the video, the 4 lifelike members of the woman group — Siu, Zena, Tyra and Marty — carry out in a futuristic-looking metropolis and sing a few hopeless future by which feelings have been misplaced, and about discovering hope once more in a digital world known as Idypia.[21] With the assistance of an AI voice generator, the digital singers are capable of carry out their songs not solely in Korean, but additionally in English, French and Bahasa, the official language of Indonesia. Nevertheless, the AI voices had been skilled with human performers and the dance efficiency within the video is predicated on movement seize know-how, which was already used for Hatsune Miku.[22] On 30 November 2023, MAVE’s second single, entitled “What’s Your Identify?”, was launched on YouTube.[23] Though the debut single had nearly 32 million views on YouTube and “What’s Your Identify?” was additionally clicked on nearly 12 million instances (as of August 2025), MAVE did not enter the South Korean singles charts.[24] This is also the rationale why no additional songs had been launched by the AI woman group from 2024 onwards.

Supertone: MIDNATT and SYNDI8

It subsequently appears tough to create a purely digital AI act if there is no such thing as a thrilling storyline behind it. It’s subsequently simpler to derive an AI avatar from an current star. That is the case with MIDNATT, the alter ego of South Korean celebrity Lee Hyun, who fashioned the vocal group 8Eight along with Joo Hee and Baek Chan and loved success from 2007 to 2014.[25] 8Eight was signed to Korean music firm Massive Hit Leisure, which later grew to become HYBE Company. MIDNATT was developed by South Korean AI firm Supertone, which was acquired by HYBE in 2022 for US $32 million.[26]

In Could 2023, the primary single ‘Masquerade’ by MIDNATT was launched as a YouTube video.[27] Due to Supertone’s voice cloning know-how, the track is obtainable in six languages (Korean, English, Spanish, Chinese language, Japanese and Vietnamese). MIDNATT is the primary results of Challenge L, by which HYBE subsidiary HYBE IM goals to create extra AI-generated artists.[28]

Nevertheless, the follow-up mission got here from Supertone, which launched the digital woman group SYNDI8, consisting of the avatars Canary, Nest, Goyo and Raven, in July 2024. SYNDI8 “stay” within the digital NANSY Land, whose title is derived from Neural Evaluation & Synthesis. The intention is to provide voices as realistically as potential utilizing an AI mannequin. An attention-grabbing element that emerges from Supertone’s announcement about SYNDI8 is the aim of making mental property for AI-generated voices: “We discover the purposes of know-how within the music content material enterprise and to domesticate personal voice mental property (IP) to exhibit the capabilities of creations.”[29]

In contrast to MIDNATT and MAVE, nevertheless, SYNDI8 are manga-style comedian characters, not modelled after people. The EP “MVP”, launched in July 2024, featured music movies produced in comedian fashion for all three songs: “ATOTA”[30], “My Fantasy”[31] and “True Color”[32]. Reasonably than creating hyper-realistic representations of the singers, Supertone centered on producing voices that had been as sensible as potential with the assistance of AI. Nevertheless, with just a few thousand views between them, the movies show that SYNDI8 is an experiment that also wants additional growth.

Tencent Music and Lucy

Moreover the South Korean leisure corporations, the Chinese language know-how firm Tencent is especially concerned in growing AI-generated digital artists. In November 2022, Tencent Music Leisure, a Tencent subsidiary, introduced that it had produced over 1,000 music items utilizing the Lingyin Engine generative AI device. These have been streamed over 100 million instances in China. This know-how has additionally enabled the voices of the late Chinese language singers Teresa Teng and Anita Mui to be recreated.[33]

Tencent Music went one step additional with the Lucy mission. This can be a hyper-real digital pop star developed by the corporate’s personal Lyra Lab and offered to the general public in December 2022 through X (previously Twitter).[34] A month later, Lucy already had three songs within the Chinese language charts and quite a few singles on the Chinese language streaming platform QQ Music.[35] Nevertheless, if Tencent Music will get its manner, it is not going to cease at Lucy, however shall be joined by different AI-generated music avatars.

The evaluation of current AI-generated music avatars reveals that efficiently positioning them in the marketplace is tough. The more than likely path to success is to derive AI artists from human musicians, as demonstrated by aespa and MIDNATT. In these circumstances, followers have a degree of reference within the flesh-and-blood stars, who’re perceived as extra genuine and thus have larger identification potential. AI artists created from scratch discover it a lot more durable to succeed. In addition to the appreciable growth prices, advertising and marketing, promotion and distribution prices should be coated for them to turn into seen in the marketplace. Up to now, solely Hatsune Miku has succeeded in constructing a big, sustainable fan base that attends her concert events. The stay music enterprise particularly is the essential issue within the sustainable institution of an AI music star. As the instance of ABBA has already proven, an excessive amount of technical effort is required to ship the suitable stay expertise for the viewers. Easy 2D projections usually are not sufficient, and hologram know-how has not likely established itself in the marketplace. So, to construct up an AI-generated music star in a sustainable manner and make them profitable, along with good music, nice music movies and thrilling social media appearances, what is required above all is an immersive stay expertise that may win over the followers. As well as, a

Endnotes

[1] Korea Joong Ang Every day, “SM Leisure to debut new woman group, aespa”, October 26, 2022, accessed: 2025-08-28.

[2] SM Leisure Pressemitteilung, “Soo-Man Lee, chairman of SM Leisure Group, delivered a speech on the 1st World Cultural Business Discussion board as a consultant of the Korean cultural group!”, October 28, 2020, accessed: 2025-08-28.

[3] m.entertain.naver.com, “Yoo Ji-min debuts as Karina, member of SM Leisure’s new woman group ‘aespa’”, translated from Korean utilizing DeepL, October 28, 2020, accessed: 2025-08-28.

[4] YouTube, “aespa ‘Black Mamba’ MV”, November 17, 2020, accessed: 2025-08-28.

[5] YouTube, “aespa ‘MY, KARINA’”, October 28, 2020, accessed: 2025-08-28.

[6] Wikipedia, “Savage (EP)”, model of June 4, 2025, accessed: 2025-08-28.

[7] YouTube, “aespa full efficiency @coachella 2022”, April 24, 2022, accessed: 2025-08-28.

[8] NME, “aespa announce Europe, US legs of 2023 ‘SYNK: Hyper Line’ world tour”, Could 19, 2023, accessed: 2025-08-28.

[9] Wikipedia, “Armageddon (Aespa album)”, model of August 25, 2025, accessed: 2025-08-28.

[10] Wikipedia, “Synk: Parallel Line”, model of August 10, 2025, accessed: 2025-08-28.

[11] Weverse, “aespa”, n.d., accessed: 2025-08-28.

[12] Digiverse, “A brief historical past of digital artists”, October 12, 2022, accessed: 2025-08-28.

[13] Superkind is an anagram of NUKE, PRID and S. NUKE refers back to the digital members of the boy band, PRID to the human members, whereas the S stays a thriller that PRIDs and NUKEs should unravel on their journey; see ibid.

[14] YouTube, “SAEJIN, SUPERKIND, Debut Challenge”, January 22, 2022, accessed: 2025-08-29.

[15] YouTube, “SUPERKIND ‘WATCH OUT’, Official MV”, June 20, 2022, accessed: 2025-08-29.

[16] Korea JoongAng Every day, “Superkind has a member with a distinction — nevertheless it’s nearly undetectable”, July 28, 2022, accessed: 2025-08-29.

[17] KProfiles, “SUPERKIND Members Profile”, n.d., accessed: 2025-08-29.

[18] Circle Chart, “Album Chart 2023, Week 42”, October 21, 2023, accessed: 2025-08-29.

[19] The X-post was shared throughout quite a few on-line media retailers, together with allkpop, “Superkind formally disbands following contract conclusion with DEEPSTUDIO”, April 11, 2025, accessed: 2025-08-29.

[20] The Dailypost, “Netmarble F&C subsidiary Metaverse Leisure launches official web site”, November 8, 2022, accessed: 2025-08-29.

[21] YouTube, “Pandora”, January 25, 2023, accessed: 2025-08-29.

[22] Reuters, “Meet Mave: the AI-powered Okay-pop woman group that look nearly human and converse 4 languages”, March 17, 2023, accessed: 2025-08-29.

[23] YouTube, “MAVE_What’s My Identify”, November 30, 2023, accessed: 2025-08-29.

[24] Wikipedia, “Mave”, model of February 11, 2025, accessed: 2025-08-29.

[25] Wikipedia, “8Eight”, model of January 19, 2025, accessed: 2025-08-29.

[26] Music Enterprise Worldwide, “HYBE acquires faux voice AI firm Supertone in $32m deal (report)”, October 4, 2022, accessed: 2025-08-29.

[27] YouTube, “MIDNATT ‘Masquerade’ Official MV (Obtainable in 6 languages ENG/KR/JP/CH/ES/VN)”, Could 15, 2023, accessed: 2025-08-29.

[28] The Korean Herald, “Hybe opens up an period of ‘tech-tainment’ with new artist Midnatt”, Could 15, 2023, accessed: 2025-08-29.

[29] Cited in Music Enterprise Worldwide, “After being acquired by HYBE in a $32m deal final 12 months, voice cloning startup Supertone launches AI-powered digital pop group, SYNDI8”, July 2, 2024, accessed: 2025-08-29.

[30] YouTube, “SYNDI8 ‘ATOTA’ Official Visualizer”, July 10, 2024, accessed: 2025-08-29.

[31] YouTube, “SYNDI8 ‘My Fantasy’ Official Visualizer”, July 10, 2024, accessed: 2025-08-29.

[32] YouTube, “SYNDI8 ‘True Colour’ Official Visualizer”, July 10, 2024, accessed: 2025-08-29.

[33] Music Enterprise Worldwide, “Over 1,000 songs with human-mimicking AI vocals have been launched by Tencent Music in China. Certainly one of them has 100m streams”, November 15, 2022, accessed: 2025-09-01.

[34] X-Publish, “In the present day, TME introduced the debut of Lucy, who’s the primary super-realistic digital idol of the corporate”, December 12, 2022, accessed: 2025-09-01.

[35] Music Enterprise Worldwide, “Meet the digital artists backed by a number of the world’s largest leisure corporations”, Could 22, 2023, accessed: 2025-09-01.