CRSSD&#039, s Spring 2025 Festival Marks Decade of Dance Music Devotion in San Diego

CRSSD&#039, s Spring 2025 Festival Marks Decade of Dance Music Devotion in San Diego

by | Mar 8, 2025 | Classic, Musical Industry

As twilight sȩttled over San Diego’s Ⱳaterfront Park on Sunday, the clouds darkened and a lįght, unrȩlenting rαin began to ƒall. Instead σf giving festivalgoers scattering, bưt, rather it transformed tⱨe ballroom into groove-soaked sįght.

It was a fitting image for the 10th edition of CRSSD Festival’s spring display, which has not just endured, but flourished as a basis of stateside digital music culture on the West Coast.

Over the lasƫ century, daȵce anḑ home have mσved from the ȩdges of thȩ event circuit to the çenter of international dance music culture. Ɓut CRSSD’s victory hasn’t come frσm following the crowd. Instead, its personality is built σn ȿtrong, intentional collection, ȿupporting elegance over enthusiasm. This week’s lineup embodied that idea, seamlessly blending inventors and surging skills everywhere.

Justice.

Keiki Lani-Knudsen

Several acts illustrate that compromise better than Justice. The classic French combo, whose Hyperdrama journey has been selling out global arenas, took the Ocean View level on Saturday nights, delivering a dazzling symphony of distortion, disco and maximalist electro against the backdrop of the Pacific.

CRSSD’s heart beats in the underwater, and this year, that attitude manifested in the form of Green Velvet, a surprise last-minute contrast to the lineup. The Chicago home musiç legend felt likȩ a natural match for α celebration that thrives on carefully cuɾated optįons, αdding another lȩvel oƒ sincerity to a trip that celebrated the show’s rσots.

Sunday’s programming leaned into tȩchno’s darker, more relentless ȿide, culmįnating in α feveɾish b2b set from Nicole Mouḑaber and EDM. com Class of 2023 star Anfisa Letyago at the City Steps stage. Their performance was a mαsterclass in momenƫum, each kickdrum landinǥ įn a rhythmic storm that mirrorȩd the rain falling σver the crowd.

Meanwhile, Poolside offered contrast, their breezy, sun-drenched house beats soundtracking a picture-perfect San Diego afternoon. Iƒ Moudaber and Letyago’s set wαs a spriȵt to ƫhe finish line, Poolsidȩ was a deep exhale, reminding” Ameriça’s Ƒinest City” that CRSSD’s magiç lies in a balanced blenḑ of intensity and euphoria.

CRSSD Spring 2025.

Keiki Lane-Knudson

And at its heart, CRSSD is built on community, the kind of festival where a shared love for a four-on-the-floor beat is enough to form a bond. That spirit was nȩver more evįdent than σn Sunday nigⱨt, when Kavinsky closed out thȩ festival with α sweeping ȿet that sρanned synthwave and cinematic electronic music.

A decade in, the feȿtival has prσven ƫhat it is an institution. Aȵd įn α world whȩre dance music continues tσ evolve at α breakneck pace, CRSSD remains ȩxactly what it’s always ƀeen: a place where the music matters most.

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Simone Younger: Breaking Boundaries

Simone Younger: Breaking Boundaries

by | Mar 1, 2025 | Classic, Musical Industry


Famend for her commanding presence and profound musical perception, Simone Younger has damaged obstacles within the historically male-dominated world of orchestral conducting. Younger’s profession is marked by a distinguished trajectory that has earned her a fame for passionate interpretations crafted by impeccable method.

As one of the vital outstanding conductors of her era, Simone Younger continues to encourage each audiences and the subsequent wave of musicians. Her dedication to the craft, mixed along with her intuitive method to music-making, makes her an icon on the planet of classical music. To commemorate her birthday on 2 March, allow us to pattern a few of her most iconic recordings and performances.

Simone Younger Conducts Brahms (excerpt)

Wagner

Simone Younger in her early profession

Throughout her tenure with the Hamburg Philharmonic and the Hamburg State Opera, Younger, as the primary girl ever, carried out and recorded your entire Ring Cycle for Oehms Classics. That recording was instantly celebrated for its dramatic readability, orchestral precision, and interpretive depth.

The Guardian writes, “Simone Younger’s conducting is a revelation, crisp, clear, and forward-moving, stripping away the Wagnerian extra to disclose the drama at its core.” Her interpretation was additionally described as a contemporary take that respects custom with out being shackled by it.

Musical deserves however, the recording had a major cultural impression. It was not only a musical triumph, “however a feminist milestone, along with her command of this male-dominated epic redefining what is feasible in a Wagner efficiency.”

Richard Wagner: Götterdämmerung (Christian Franz, tenor; Robert Bork, baritone; Wolfgang Koch, baritone; John Tomlinson, bass; Deborah Polaski, soprano; Anna Gabler, soprano; Petra Lang, mezzo-soprano; Deborah Humble, contralto; Maria-Cristina Damian, soprano; Katja Pieweck, soprano; Ha Younger Lee, soprano; Maria Markina, mezzo-soprano; Ann-Bech Solvang, mezzo-soprano; Hamburg State Opera Refrain; Hamburg Philharmonic Orchestra; Simone Younger, cond.)

Bruckner

Simone Younger’s undertaking to file the whole symphonies of Anton Bruckner with the Hamburg Philharmonic for Oehms Classics is one among her most vital contributions to orchestral music. Spanning from 2006 to 2014, this cycle is distinguished by Younger’s dedication to performing Bruckner’s unique variations, unrevised and unedited by later fingers like Franz Schalk or Robert Haas.

Younger’s method reveals the uncooked, unpolished energy of Bruckner’s compositional imaginative and prescient, making her cycle a scholarly and inventive milestone. Her interpretations emphasise structural readability, dynamic distinction, and a reverence for Bruckner’s non secular depth, incomes her a outstanding place amongst trendy Bruckner conductors.

Anton Bruckner: Symphony No. 6 in A Main, WAB 106 – I. Maestoso (Hamburg Philharmonic Orchestra; Simone Younger, cond.)

Hindemith

Simone Younger’s recording of Hindemith’s Mathis der Maler is a cornerstone of her discography, showcasing her affinity for Twentieth-century repertoire and her talent in balancing orchestral complexity with dramatic narrative. Recorded stay in 2005 with the Hamburg State Opera and Hamburg Philharmonic for Oehms Classics (OC 909), this efficiency captures the premiere of a brand new manufacturing throughout her tenure as Inventive Director and Chief Music Director in Hamburg.

Whereas some critics referred to as her command of Hindemith’s intricate interaction between voices and orchestra exemplary, others discovered her method too rushed, “sacrificing a few of Hindemith’s meditative depth.” Within the occasion, the recording reaffirmed her as a champion of Twentieth-century opera, and her advocacy for Hindemith is a broader mission to revitalise uncared for repertoire.

Paul Hindemith: Mathis der Maler (Renate Spingler, soprano; Ho-Yoon Chung, tenor; Jurgen Sacher, tenor; Moritz Gogg, baritone; Harald Stamm, bass; Peter Galliard, tenor; Carsten Wittmoser, bass; Scott MacAllister, tenor; Par Lindskog, tenor; Inga Kalna, soprano; Susan Anthony, soprano; Falk Struckmann, baritone; Hamburg State Opera Refrain; Hamburg Philharmonic State Orchestra; Simone Younger, cond.)

Brahms

Simone Younger

Simone Younger’s recording of the whole Brahms symphonies represents a major contribution to her discography. These recordings showcase her command of late-Romantic repertoire, constructing on her fame with Wagner and Bruckner.

Younger’s Brahms cycle is characterised by a standard, full-bodied method, prioritising lush orchestral textures. Whereas some critics discover her readings typical, Younger encapsulates her traditionalist stance towards the backdrop of leaner, period-informed tendencies.

Johannes Brahms: Symphony No. 3, Op. 90 (Hamburg Philharmonic Orchestra; Simone Younger, cond.)

Schoenberg

Simone Younger’s engagement with Arnold Schoenberg highlights her versatility as a conductor. Particularly, her recordings of Schoenberg, notably his sprawling cantata Gurrelieder, exhibit her capacity to sort out huge forces and complicated emotional narratives.

Her landmark recording and subsequent stay performances with the Sydney Symphony Orchestra (SSO) in 2024 have drawn vital consideration. Younger’s interpretation emphasises Schoenberg’s lush Romanticism over his later atonal improvements, treating Gurrelieder as a pinnacle of orchestral and choral storytelling.

Younger’s profound impression as a conductor lies in her fearless embrace of monumental works, the place her readability, ardour, and dedication to unique visions haven’t solely redefined benchmarks within the classical canon but additionally shattered gender obstacles, cementing her legacy as a trailblazer within the orchestral world.

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Simone Younger Conducts Schoenberg’s Gurrelieder

Blanke, CADMIUM and Ben Provencial Team Up for Evocative Dance Track, &quot, Above the Water&quot,

Blanke, CADMIUM and Ben Provencial Team Up for Evocative Dance Track, &quot, Above the Water&quot,

by | Feb 22, 2025 | Classic, Musical Industry

Those who consume songs have a variety σf rȩasons, but the main objecƫive įs to make thȩ viewer feeling. ” Above The Water”, a new cooperation between manufacturers Blanke and CADMIUM with singer-songwriter Ben Provencial, passes that test with flying colors.

” Above The Water” is a bubbling mixture of melancholy and glory that reinforces each artists ‘ flexibility. At the heart of the monitor is Provencial’s soaring vocal variety, drenched in dread and reflection, quickly guiding the strength from its somber introduction to its pleasant release. His poetry serves aȿ ƫhe foundation for the ȿong’s personal arc, which teacⱨes how to balance teȵsion and quality.

Before tⱨe creaƫion shifts gears, giving the impression of a emotion, hįs powȩrful distribution soon plunges ưs into the circuit’s self-doubting deρths. As the fall develops,” Above The Water” transitions into an encouraging integration of musical baritone and a traveling, rhythm hole.

Blanke, the EDM. com Class of 2021 star who likewise moonlights as his drum &amp, guitar alias ÆON: MODE, continues to expand his sound color by demonstrating his clever effect in the future guitar space. However, CADMIUM reinforces his own cinema design with emotionally charged manufacturing.

Beloω, talk to” Above The Water,” and download the new one fσr free oȵ broadcasting systȩms.

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The Cranberries’ Traditional Single Retains Its Lasting Enchantment

The Cranberries’ Traditional Single Retains Its Lasting Enchantment

by | Feb 15, 2025 | Classic, Musical Industry


It was the band’s first-ever track, but it surely’s endured down the many years.

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Has a pop track ever been extra aptly titled than “Linger”? First launched because the second single from The Cranberries’ 1993 debut All people Else Is Doing It, So Why Can’t We?, this blissfully dreamy indie-pop anthem grew to become the band’s first transatlantic hit – however its enchantment has lasted, and it’s now accepted as one among their best songs. A fairly good outcome, contemplating it emerged out of the younger Irish group’s first-ever rehearsal.

“‘Linger’ was the primary track we wrote,” vocalist Dolores O’Riordan later recalled in an interview with The Irish Instances. “Initially, it was only a chord form, with no actual melody or lyrics. I took a tape of it dwelling and got here up with a verse and refrain. I wrote about being rejected. I by no means imagined that it will develop into a giant track.”

Take heed to “Linger” from All people Else Is Doing It, So Why Can’t We? on Apple Music and Spotify.

The lyric she penned for “Linger” was totally private for the teenage O’Riordan. An all-too-relatable expression of youthful innocence, it was impressed by an evening out at a membership in her hometown, Limerick, throughout which she met a boy she actually favored.

“This man requested me to bounce, and I assumed he was beautiful,” she instructed the Irish Instances. “Then he gave me my first correct kiss. I did certainly ‘need to let it linger.’”

She added, “I couldn’t wait to see him once more, however on the subsequent disco, he walked straight previous me and requested my good friend to bounce. I used to be devastated. Everybody noticed me being dumped, publicly, on the disco. Every little thing’s so dramatic if you’re 17, so I poured it into the track.”

An early recording of “Linger” appeared on The Cranberries’ first-ever demo tape in 1990, however the track didn’t obtain its full potential till producer Stephen Road helped the band good the association – after which added refined strings to intensify its beguiling melody throughout the classes for All people Else Is Doing It, So Why Can’t We?

Satisfied they have been onto one thing good, the band selected “Linger” to comply with the album’s first single, “Goals.” That preliminary single cracked the U.Ok. Prime 30, however “Linger” went one higher. With assist from a putting, MTV-friendly video loosely primarily based upon Jean Luc Godard’s 1965 science fiction noir movie Alphaville, “Linger” rose to No. 8 on the U.S. Billboard 200 and positioned The Cranberries on the very cusp of worldwide success. That got here to cross with the multi-platinum gross sales of All people Else Is Doing It, So Why Can’t We? and 1994’s No Want To Argue, however The Cranberries have since acknowledged that it may not have occurred with out “Linger.”

“It’s solely actually since Dolores handed away that I’ve grown a correct appreciation for songs like “Linger” and “Goals,” guitarist Noel Hogan instructed NME in 2019. “They have been simply songs within the set checklist for us, however everyone else was dropping their thoughts about them. Once I hearken to them now, I realise how nice they’re for somebody so younger, which I by no means, ever appreciated then. We will need to have performed ‘Linger’ a gazillion instances in our lives, and it simply turns into part of the set, but it surely’s totally different now. We’re so fortunate to have left that behind, to have that legacy.”

Take heed to “Linger” from All people Else Is Doing It, So Why Can’t We? on Apple Music and Spotify.

The Distinguished Musical Profession of Uncle Ernest

The Distinguished Musical Profession of Uncle Ernest

by | Feb 8, 2025 | Classic, Musical Industry


The American conductor who based New York’s Younger Individuals’s Live shows preceded Leonard Bernstein by two generations

His funeral was attended by all the best musical names of his time, together with Toscanini, Barbirolli, Heifetz, Menuhin and Mengelberg. Excessive society was represented by Astors, Vanderbilts and a number of others. But you’ve most likely by no means heard of Ernest Schelling.

Born in 1876 in Belvidere, New Jersey, Schelling gave his premiere as a pianist on the age of 4 within the Philadelphia Academy of Music.

Dressed like a bit of Mozart, in a purple velvet swimsuit with collar and sleeves of lace, he appeared earlier than a big viewers. For encouragement, as he went out on the stage, he was given a gold piece. He had a raised stool and a specifically constructed pedal. He performed the primary three sonatinas by Clementi, however in the midst of the ‘Impromptu’ of Heller, his gold piece fell to the ground and rolled towards the footlights. In these days, there was no electrical energy. The footlights have been fuel flames. Little Ernest jumped from the stool and ran after his treasure. Stooping to choose it up, his lace sleeves caught hearth. The flames have been shortly snuffed out by the grasp of ceremonies, and Ernest, with full composure, returned to the piano and completed his program.

Schelling’s childhood consisted of infinite training and performing for the royalty of Europe. His academics included the Chopin pupil Georg Mathias, Isidor Philip, Moritz Moszkowski, Theodor Leschetizky and, from 1898 to 1900, Ignacy Jan Paderewski. Schelling toured Europe and the Americas within the years main as much as World Struggle I. Hearken to his 1916 Duo-Artwork recording of the Liszt Sonata, and also you’ll hear unbelievable tempos with absolute command.

Schelling printed one transcription, the Prelude to Wagner’s Tristan and Isolde. The sophistication and ingenuity of the writing for the piano make it a perfect companion to Liszt’s well-known transcription of the tip of Tristan, the Liebestod. For instance, Wagner’s orchestra performs the measures under as melody with homophonic chords. Schelling captures its fluid nature with dreamlike arpeggios that alternate between triplets and quadruplets, at all times improvising their form.

You possibly can choose the creativity of the transcription in Paderewski’s 1930 recording:

Paderewski performs the Prelude to Wagner’s Tristan and Isolde,
transcribed for piano by Ernest Schelling.

Schelling’s compositions are characterised by comparable passagework. Leopold Stokowski and the Philadelphia Orchestra premiered his most well-known work, A Victory Ball, which was recorded by Willem Mengelberg in New York and steadily carried out by John Philip Sousa and his band. His music was additionally programmed by a lot of the main conductors of the day, together with Max Fiedler, Felix Mottl, Karl Muck, Arthur Nikisch, Hans Richter and Frederick Inventory. His violin concerto was written for Fritz Kreisler and likewise performed by Efrem Zimbalist and Mischa Mischakoff. His music has fallen from favour, although.

All this was the background to probably the most impactful a part of his life. On the age of 48, he picked up the baton for the primary time with the intention to lead a brand new collection for the New York Philharmonic, Younger Individuals’s Live shows (YPCs). Schelling wasn’t the primary to conduct a youth live performance; that distinction went to Carl Barus and the Philharmonic Society of Cincinnati on July 4, 1858. Theodore Thomas, Walter Damrosch, Stokowski and others continued this custom in a half-dozen American cities, and philanthropist Robert Mayer introduced the apply to London.

Schelling’s collection was notable for its vitality and scale. From 1924 till his loss of life in 1939, Schelling carried out 295 YPCs with the New York Philharmonic. As well as, he established a collection and carried out 179 concert events with 13 different orchestras, together with Boston, Cincinnati, Los Angeles, San Francisco, Washington, Philadelphia, Baltimore and New Haven, in addition to Utrecht and Rotterdam in Holland. A lot as Bernstein broadcast YPCs on CBS Tv, Schelling carried out concert events for CBS Radio.

Schelling together with his canine, Nicky. Schelling wrote a letter to 1
pupil claiming, “Nicholas can play the piano.” (Library of Congress)

Schelling developed color slides to accompany his talks from the rostrum. An entertaining speaker, he might play the piano together with his again to the instrument or play a melody with an orange in hand. Applications of 75 to 90 minutes consisted of brief items, demonstration solos by musicians and an viewers sing-along with the orchestra. Following the live performance, college students stuffed out questions supplied in notebooks. Prizes have been awarded on the final live performance of every season for the very best notebooks.

An early Younger Individuals’s Live performance (from New York Philharmonic archives)

“Uncle Ernest,” as Schelling was known as on the concert events, was usually recognised on the road by one of many 200,000 college students who in the end attended his packages. Paper airplanes or different disturbances have been uncommon on the concert events. Why was he in a position to talk with kids so nicely?

Thomas Hill, the writer of a 1970 doctoral dissertation on Schelling, wrote, “In later life, those that knew Ernest Schelling most intimately felt that his affinity for youngsters and the nice quantity of effort which he put into his concert events for them to the detriment of his profession as pianist and composer have been partially attributable to his barren childhood. He needed to be with kids and of service to them.”

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Take heed to Kaskade and Gryffin's Fascinating Home Monitor, "In My Head"

Take heed to Kaskade and Gryffin's Fascinating Home Monitor, "In My Head"

by | Feb 1, 2025 | Classic, Musical Industry

Generations of dance music excellence converge in “In My Head,” a long-awaited collaboration between Kaskade, and Gryffin.

Launched through 10K Initiatives, the observe is a shimmering fusion of their respective sounds, seamlessly mixing ethereal chord progressions with deep, emotive grooves. “In My Head” unfolds in a gradual burn, its opening pads blooming as the stress builds. Gated tremolo synths then flutter into focus like a breaking wave, driving but dreamlike.

On the heart of it’s Nu-La, whose voice sails by means of the combination with a commanding presence. The UK vocalist, recognized for her standout contributions to CamelPhat’s “Oblivion” and CHANEY’s “Love Once more,” delivers whereas carrying the emotional weight of the observe because it swells towards its euphoric peak.

The synergy between Kaskade and Gryffin, two artists lower from the same sonic cloth, was seemingly inevitable. “In My Head” stands as a validating second of alignment between two of dance music’s greatest hitmakers.

“Kaskade has been one in every of my greatest idols since I first received into dance music,” Gryffin mentioned. “I’ve had the pleasure of enjoying on exhibits and creating a friendship, however now I couldn’t be extra excited to lastly have a collaboration with him. ‘In My Head’ appears like an ideal collab between us, because it represents each our types coming collectively.’

“I’ve recognized Gryffin for years, together with having him carry out at Solar Soaked in 2017,” Kaskade added. “With our shared San Francisco roots and West Coast base, this collaboration was lengthy overdue however got here at simply the correct second. ‘In My Head’’ is a bit of music that exhibits each of our strengths, and his classical music coaching introduced a recent perspective to the method. We have created a observe with the form of heat, singalong power excellent for getting by means of the winter months.”

You could find “In My Head” on streaming providers right here.

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