Hank Azaria on His Bruce Springsteen Tribute Band: Audio

Hank Azaria on His Bruce Springsteen Tribute Band: Audio

by | Nov 9, 2024 | Entertainment Law, Music Business, Podcast News

Hear via: Apple Podcasts | Spotify | Amazon Podcasts | More Programs
In a memorial act that began as a 60th birthday party and rapidly turned into a normal job, Hank Azaria, the singer of Hank Azaria and the EZ Street Band, channels his inward Bruce Springsteen. He’s even taking it on the road ( get tickets here )! In a discussion with Kyle Meredith, Azaria delves into his voyage from humorous acting to rock’ n’ move, tackling Bruce’s classic voice, and the mental thrill of performing Springsteen’s classics on stage. Hear above or wherever you get your apps.

Known for his wide-ranging roles in The Sopranos, Friends, and Brockmire, Azaria reflects on his journey from a being Bruce lover in 1976 to fronting a band that performs frequently. He explains how Springsteen’s initial five songs, which bootleg live tapes and never-ending spins, helped grow his fans. ” These melodies just really mean a lot to me,” I wanted to accomplish them justice”, he shares.

For Azaria, singing Springsteen’s music is not only about nailing the idea, it’s an mental shop and a way to network Springsteen’s expressive story. Azaria’s fresh setlist covers Springsteen legends from Greetings from Asbury Park, N. J. to Wrecking Ball. Between music, he uses Springsteen’s traditional “talks” design, weaving in individual stories that connect him even further to Bruce’s themes of endurance, creativity, and conflict. Every performance adds an extra dimension of function because it benefits his generosity each and every performance.

This sudden tilt, he says, has opened a new chapter in his career — one that combines his skills for vocal change, his longtime love of music, and his commitment to giving up. ” Little brings me more pleasure than working up these music”, he reflects,” and every exhibit, I’m finding anything new in them, just like Bruce does”.

Listen to Hank Azaria talk about Hank Azaria and the EZ Street Band, his love of Bruce Springsteen, The Simpsons, and more in the new episode above or by watching the video below. Keep up on all the latest episodes by following Kyle Meredith With … on your favorite podcast platform, plus, check out all the series on the Consequence Podcast Network.

IPRMENTLAW WEEKLY HIGHLIGHTS (OCT 21-27, 2024)

IPRMENTLAW WEEKLY HIGHLIGHTS (OCT 21-27, 2024)

by | Nov 2, 2024 | Entertainment Law, Music Business, Podcast News


Adar Poonawalla acquires 50% stake in Karan Johar’s Dharma Productions for ₹1,000 crore

Adar Poonawalla’s Serene Productions has introduced an funding of INR 1000 CR into Karan Johar’s manufacturing corporations, Dharma Productions and Dharmatic Leisure (known as Dharma collectively) and shall now maintain a 50 per cent stake in Dharma. Karan Johar who can also be the corporate’s Government Chairman shall retain the remaining 50 per cent possession. “Poonawalla’s funding values Dharma at Rs 2,000 crore,” Serene Productions stated in an announcement.

Coldplay live performance ticket scalping: PIL filed in Bombay Excessive Courtroom towards searching for pointers to curb ticket scalping and black advertising

A public curiosity litigation has been filed within the Bombay Excessive Courtroom searching for pointers to curb black advertising and ticket scalping at main occasions within the backdrop of alleged foul play in the course of the on-line tickets sale for British band Coldplay’s extremely anticipated live performance in Mumbai in January 2025. The plea was talked about for pressing listening to earlier than the division bench of Chief Justice D Okay Upadhyaya and Justice Amit Borkar who has posted the listening to after Diwali trip.

ED Raids Uncover Ticketing Rip-off for Coldplay and Diljit Dosanjh Concert events Throughout India

The Enforcement Directorate (ED) raided places in 5 cities—Delhi, Mumbai, Jaipur, Chandigarh, and Bangalore—exposing unauthorized ticket resales and scams associated to Coldplay’s and Diljit Dosanjh’s concert events. The investigation revealed that tickets, which bought out rapidly on official platforms, had been resold on secondary markets at inflated costs. BookMyShow filed FIRs towards a number of suspects concerned. Seized gadgets and SIM playing cards are being analyzed for cash laundering hyperlinks.

Calcutta Excessive Courtroom turns into India’s third HC With specialised division to listen to Mental Property circumstances

The Calcutta Excessive Courtroom not too long ago adopted the much-awaited Mental Property Rights Division Guidelines, 2023, (Calcutta IPD Guidelines) making it the third Excessive Courtroom in India, after Delhi and Madras, to implement specialised laws for mental property (IP) issues.

Ekta Kapoor and mom Shobha booked beneath POSCO Act for objectionable scenes in Gandi Baat.

A case has been filed towards them beneath the POCSO Act towards Ekta Kapoor and mom Shobha  for allegedly exhibiting inappropriate scenes involving minor women in an ALT Balaji’s internet collection Gandi Baat. They’ve refuted the claims and shared an official assertion on Tuesday by way of an Instagram submit clarifying that Shobha and Ekta aren’t concerned in day after day operations of the corporate and the identical is managed by separate groups. The assertion additional learn that the corporate is absolutely compliant with all relevant legal guidelines together with the POCSO Act and any reference to engagement of minors by the corporate is fully incorrect.”

Bombay HC bars ‘Mrs. India’ winner from competing in different pageants, upholds contractual obligations

The Bombay Excessive Courtroom has quickly restrained 2023 ‘Mrs India’ pageant winner, ,Sherry Singh, implementing contractual obligations within the magnificence pageant business from collaborating in any nationwide and worldwide magnificence contests throughout pendency of  the go well with towards her. The case was filed by Mrs. Mohini Satyendra Sharma, the only real proprietor of “Mrs. India Inc.,” which conducts pageants beneath the model title “Mrs. India” and holds numerous worldwide franchise licenses. The group’s phrases and circumstances explicitly forestall winners from collaborating in different pageants throughout their tenure and for 5 years thereafter. Sharma submitted that Sherry Singh was going to take part within the Mrs. Bharat Universe 2024 pageant scheduled in South Korea. Justice Physician noticed that regardless of being given ample alternative since April 2024, Singh had not filed any response to the interim software. The courtroom acknowledged, “Having heard Mr. Shah as additionally having gone by means of the Phrases and Circumstances relied upon… I’m glad that the Plaintiff has made out a prima facie case for the grant of advert interim reduction. That is extra so, since No.3, Mrs. Sherry Singh, although served, has chosen to not seem at present”

Learn the order right here.

Nawazuddin Siddiqui lands in hassle over poker Advert carrying police uniform

As per experiences, the Hindu Janajagruti Samiti has written a letter to the Mumbai Police Commissioner and the Director-Normal of Maharashtra Police, demanding motion towards Nawazuddin Siddiqui and Ankur Singh, the proprietor of Massive Money Poker over an commercial. Within the advert, the actor is seen encouraging the viewers to play poker carrying a police uniform. The organisation has claimed that the commercial is damaging the popularity of the Maharashtra police by linking it to playing.

View the advert right here.

Madras Excessive Courtroom dismisses ban on ‘Thangalaan’ OTT launch

The Madras Excessive Courtroom dismissed the ban on the OTT launch of ‘Thangalaan’ starring Chiyaan Vikram. As per experiences, the PIL was filed by a resident named Porkodi from Thiruvallur who demanded the ban on the movie’s on-line launch. He alleged that the movie portrayed Vaishanvism in a humorous approach which may result in potential tensions between communities. The petition demanded a keep on the OTT launch and argued that such a portrayal may disrupt the concord of the society. The courtroom discovered that the Thangalaan movie was already cleared by the Central Board of Movie Certification (CBFC) for theatrical launch. Because of this, the bench dominated that there have been no grounds to impose any limitations on the movie’s digital launch.

Star Well being information leak: Madras excessive courtroom asks Telegram to delete posts, chatbots

The Madras excessive courtroom, whereas listening to a petition filed by Star Well being towards Telegram and different platforms after its database was hacked, has directed Telegram to delete posts flagged by Star Well being Insurance coverage. The courtroom in its interim order, has directed the insurance coverage firm to ship an e-mail with the username and the URL from which such bots are posted so Telegram can block and delete them after the messaging platform stated it was unable to seek for leaks by itself.

Copyright infringement case filed towards Navi Mumbai firm for unauthorised use of font

A Navi Mumbai firm is dealing with a copyright infringement case for the unauthorized use of the Sailfin font. The case sheds gentle on the significance of font licensing, emphasizing that even fonts, usually neglected as minor design parts, are topic to mental property protections. This authorized motion highlights the dangers companies face in the event that they fail to adjust to licensing agreements, together with potential lawsuits and reputational injury. Because the digital ecosystem grows, the necessity for clear font utilization insurance policies turns into important to keep away from copyright violations.

Bombay Excessive Courtroom Acknowledges ‘GIRNAR’ as a Properly-Identified Trademark

The Bombay Excessive Courtroom, has acknowledged the trademark “GIRNAR” as a widely known mark in India inside the which means of the Commerce Marks Act, 1999 recognising that the goodwill and popularity of the trademark prolonged properly past particular items or providers, making it a family title in India and deserving of safety throughout all product classes.

Delhi HC protects Dream11 trademark: Points everlasting injunction towards reproduction web site

A go well with was filed by Sporta Applied sciences Pvt. Ltd. searching for everlasting injunction restraining the defendants for alleged illegal actions of the defendants, particularly the operation of an internet site that intently mimics the plaintiffs’ established fantasy sports activities platform, “DREAM11”. The plaintiff argued the defendants web site (http://www.dream11com.in/) has replicated the plaintiffs’ earlier web site and utilized their ‘DREAM11′ logos and logos with out authorization. The defendant’s web site diverted customers to a betting platform, tarnishing the plaintiffs’ goodwill.

The courtroom discovered a transparent case of trademark infringement and passing off, ordering a everlasting injunction towards using the ‘DREAM11’ marks and the switch of the infringing area ‘dream11com.in’ to the plaintiffs.

Main Labels, Hundreds of Artists Signal Assertion Opposing Use of Artistic Works in AI Coaching

Hundreds of musicians, composers, actors and authors from throughout the artistic industries, together with ABBA’s Björn Ulvaeus, all 5 members of Radiohead and The Remedy’s Robert Smith, have signed an announcement opposing synthetic intelligence corporations and builders utilizing their work and not using a license for coaching generative AI techniques. Signatories additionally embrace all three main document labels — Common Music Group, Sony Music Leisure and Warner Music Group — in addition to a variety of music commerce organizations representing document labels, publishers and creators from the U.S., Canada, Australia, France, Germany, Spain, Austria, Mexico, the U.Okay., Eire, Sweden and Brazil.

Elon Musk and Warner Bros. Discovery sued by Blade Runner 2049 Producer over AI Advert

Alcon Leisure, the producers behind Blade Runner 2049, are suing Elon Musk over AI-generated photos in an advert for the launch of Tesla’s Robotaxi. The lawsuit is alleging direct copyright infringement over the advert, which was utilized in an occasion for the Robotaxi presentation livestreamed on the Warner Bros. As per Selection, article, in line with the lawsuit, the day earlier than the Robotaxi launch, Alcon was contacted by Warner Bros concerning using particular photos and pictures from Blade Runner 2049 within the presentation, and requested particular permission and rights to a picture from the Movie which Alcon co-CEOs Andrew Kosove and Broderick Johnson had expressly denied.

Wall Avenue Journal, New York Submit Sue Perplexity AI For Copyright Infringement

The Wall Avenue Journal and the New York Submit has filed a lawsuit in a US courtroom towards AI firm Perplexity AI for illegally copying and reproducing copyrighted content material from The Wall Avenue Journal and the New York Submit to energy its AI-driven “reply engine.”. Perplexity is one in every of Silicon Valley’s hottest startups in the mean time, whose AI powered search engine is usually talked about as a possible disruptor to Google. In contrast to ChatGPT, Perplexity’s device supplies up-to-date solutions that always embrace hyperlinks to supply supplies, permitting customers to confirm info.

Examine it right here.

” Breakage” in the Digital Age – Music Business Research

” Breakage” in the Digital Age – Music Business Research

by | Oct 26, 2024 | Entertainment Law, Music Business, Podcast News

The word “breakage” dates back to a day when information were made of acrylic and may break during travel. A label was obviously unable to continue selling these records, so clauses were written in the label contracts at the time to make sure that damage was not taken into account when determining the artists ‘ communicate. The phrase has survived into the modern era and is used to describe a band’s income that is not required to get shared with artists. In this final installment of the line on streaming music’s economics, we examine precisely what this profit is and the controversy that has arisen from it.

The Music Streaming Economy – Part 18:” Breaking” in the Digital Age

In” Record Makers and Breakers,” John Broven’s regular work on the US music business from the 1940s and 1950s exposes the deliberate use of record labels to break shellac records to prevent music productions from breaking even, avoiding paying the artists their profits. Henry Stone, the leader of De Luxe Records, claimed in an interview with the writer that the business was able to recover the lost revenue because the sales were typically covered by insurance against breakage. ]1 ]

But,’ breakage’ is also important in the modern age, albeit in a unique form. This has to do with the legal arrangements between music streaming services and brands, which we have covered extensively elsewhere. In a nutshell, Spotify &amp, Co. make progress payment to the categories to be allowed to use their song directories. These improve payments are therefore recouped using the streaming fees. Nevertheless, if the income is less than the progress, the change remains with the brands as “breakage”. A brand has US$ 25,000 in extra income that is not required to be distributed to the artists if a streaming company pays a label US$ 1 million as an advance for the contract period but the label’s catalogue is simply streamed to the value of US$ 750, 000 as an advance. The proceeds from the sale of the collateral that the degrees have acquired from streaming services are the same. They can convert it into dollars when they are sold, such as in an Investor like Spotify, where the designers are not required to disclose their artistic accomplishments, which in turn increased the value of the streaming service. The record label must determine whether or not to give “its” performers this money.

Many performers and their administrators have asked themselves whether their names, mainly the main labels, promote electronic “breakage” with them. Darius Van Arman, the founder and publisher of Secretly Group, criticized the majors ‘ “breakage” practice in a much-reported guest article for Billboard Magazine. He stated that” the majors typically share breakage only when required to do so in their contracts with big artists or larger distributed labels. ]… ] Unfortunately, this practice of maximizing breakage puts a downward pressure on the value of music ( i. e. in negotiations, major labels are requesting larger lump-sum payments, rather than pushing for higher royalty rates ), when really the whole music industry should be working together to increase the value of music, especially as large technology companies continue their assault on copyright”. ]2 ]

This was stated by Van Arman in advance of his evidence at the US Congressional” Music Licensing” sessions held on 10 and 25 June 2014 before the Subcommittee on Courts, Intellectual Property, and the Internet of the House Judiciary Committee. During the reading, the Members of the House interrogated representatives of the music industry, collecting societies, streaming services and labels, as well as Roseanne Cash, the daughter and heiress of singer and Johnny Cash, who testified about the disparate supply of streaming revenues between rights owners and artists, and called for a radio straight for authors in the US. In his detailed written statement, Darius Van Arman criticized the major labels, which “use their market power to maximize only the guarantee” [ …] with the intention that the guarantee cannot possibly be recouped within the time allotted for it. The major does not have to share the money with its artists, the independent labels that the major distributes, or publishing interests because it cannot be attributed to specific recordings or performances. ]5 ]

As a positive counterexample, Van Arman cited the indie label licensing association MERLIN, which distributes all “breakage” revenues to its members ,]6 ] although it should be added that MERLIN’s members are indie labels, not artists. However, in a” Labels ‘ Fair Digital Deal Declaration” ]7] drawn up by the Worldwide Independent Network ( WIN), the indies have agreed to share breakage revenues with their artists on a voluntary basis.

The public debate that ensued caused the music majors to feel uncomfortable. However, they were only made to comply when a contract between Spotify and Sony Music Entertainment was leaked in May 2015, disclosing the major labels ‘ business model of preferential treatment and terms of favor. [8 ] The International Music Managers Form ( IMMF) immediately responded by writing an open letter to music publishers and labels asking for more transparency in the reporting of streaming revenues, citing the Spotify-Sony deal, and voicing concerns about the music majors ‘ breakage practices. [9 ] In an interview, IMMF Vice-Chairman Volker May vehemently criticized Sony &amp, Co.’s handling of these” collateral additional revenues,” saying that” the labels are receiving all manner of collateral benefits from supplying the artists ‘ music to digital platforms, benefits that are not shared with the artists ( performers or writers )”. ]10]

Sony was forced to respond to these accusations by issuing a solemn statement in which it solemnly assured that the group’s labels would distribute all of its recording artists ‘ unallocated income from advances, non-recoverable payments, and minimum revenue guarantees as part of its digital distribution agreements. ]… ] This applies to all revenue under digital catalogue distribution agreements, whether or not the guarantees, advances or ‘ flat’ payments can be associated with individual master transactions”. ]11]

It’s probably not a coincidence that Warner Music Group leaked an anonymous royalty statement to Music Business Worldwide shortly afterward, revealing that Warner does indeed “break” revenues with its artists. To be fair, Van Arman specifically excluded Warner from his criticism. In any case, Warner Music Group felt obliged to issue the following statement:” Warner Music shares all advances, minimum guarantees and ‘ flat fees’ with its artists, ]…] This policy has been in effect at Warner Music since 2009, purposely treating breakage like other digital revenue”. ]12]

The statements from Sony and Warner have now put pressure on the third major music label, Universal Music Group, to also comment on its handling of “breakage” revenues. Universal also clarified its approach to digital “breakage” revenues on June 2 by stating that” we also choose to share with artists minimum guarantees as well as unrecouped digital advances, where they exist,” while the most significant source is composed of royalty payments. ]13]

However, the majors ‘ statements did not address whether all signed musicians would receive a portion of the “breakage” money or just a select few stars with bargaining leverage. Additionally, it’s unclear whether the sharing provisions only apply to artists who are currently under contracts or to those whose contracts have expired but whose music is still available and making money. In any case, we can only speculate about the artists ‘ share of the “breakage” revenues and the amount of compensation.

Finally, one might wonder why the majors have implemented such a system of improvements for music streaming services. Risk avoidance plays a particularly significant role in risk avoidance in addition to the same way that was used to recover advances from label contracts. In the early days of music streaming, there were many short-living players, with a high risk that they would generate little or even no streaming revenue. The advances were a revenue guarantee from the perspective of the majors, and they had the advantage of reducing the reliance on streaming services.

Overall, the example of “breakage” revenues highlights how multifaceted and complex the distribution problem in music streaming is. We have seen that rights holders are fiercely opposed to switching to alternative revenue distribution models like pro-rata and user-centric, and that revenue distribution models like pro-rata and user-centric have a negative impact on the distribution of streaming revenues. However, research on the musician’s income shows that only a select few stars profit from the streaming industry and that the majority of artists only make a small amount of money from music streaming. The big winners, on the other hand, are the labels and, secondarily, the music publishers, who were able to significantly improve their income situation in the US with the Music Modernization Act 2018. The main pillar of the business model of music streaming services is the music rights ( master and publishing rights ), which makes them structurally dependent on the rights holders, and, as we have seen with Spotify, makes it very difficult for them to operate their business model profitably.

Endnotes

]1 ] John Broven, 2010, Record Makers and Breakers. Voices of the Independent Rock ‘ n’ Roll Pioneers, Urbana and Chicago: University of Illinois Press, p 141.

]2 ] Billboard,” ‘ We Want to Compete,’ Says Secretly’s Van Arman, Ahead of His Congressional Testimony Tomorrow ( Guest Post )”, June 24, 2014, accessed: 2024-10-14.

]3 ] These hearings marked a significant step forward toward the Music Modernization Act of 2018.

]4 ] Testimony by Roseanne Cash before the” Subcommittee on Courts, Intellectual Property, and the Internet” of the House Judiciary Committee, 113th Congress, 2nd Session, Hearing on” Music Licensing under Title 17 ( Part I &amp, II ) on June 10 &amp, 25 2014, pp 240-242 of the hearing-transcript.

]5 ] Written statement complementary to Darius Van Arman’s testimony before the” Subcommittee on Courts, Intellectual Property, and the Internet” the House Judiciary Committee, 113th Congress, 2nd Session, Hearing on” Music Licensing under Title 17 ( Part I &amp, II ) on June 10 &amp, 25 2014, pp 270-286 of the hearing-transcript, cit. on p 274.

]6 ] Ibid., p 275.

]7 ] World Independent Network ( WIN),” Fair Digital Deals”, n. d., accessed: 2024-10-14.

]8 ] The Verge,” This was Sony Music’s contract with Spotify”, May 19, 2015, accessed: 2024-10-14.

]9 ] International Music Managers Forum ( IMMF),” Open letter on Record Label and Music Publisher Deals in the Digital Market”, May 21, 2015, accessed: 2024-10-14.

]10] Cited in Music Business Worldwide,” Managers react to leaked Sony and Spotify contract”, May 22, 2015, accessed: 2024-10-14.

]11] Cited in Music Business Worldwide,” Sony: We share Spotify advances with our artists”, May 27, 2015, accessed: 2024-10-14.

]12] Cited in Music Business Worldwide,” Warner pays artists share of Spotify advances… and has for 6 years”, May 29, 2015, accessed: 2024-10-14.

]13] Cited in Music Business Worldwide,” Universal: Yes, we share digital breakage money with our artists”, June 2, 2015, accessed: 2024-10-14.

Lil Nas X Partners With TikTok on Platform’s First NFT Collection

Lil Nas X Partners With TikTok on Platform’s First NFT Collection

by | Oct 19, 2024 | Entertainment Law, Music Business, Podcast News

Oh, what a earth: TikTok is now embracing the decentralized Wild West that is Web3. On Thursday, September 30th, the cultural program that really surpassed a billion monthly active users announced its first NFT set, called TikTok Top Moments. The collection’s purpose, according to media materials, is to let audio fans, public social media users, and influencers unique element of a viral moment in pop culture history.

Twitter is starting points off with a little help from Lil Nas X, a master of viral victory who was first ushered into the limelight when his 2019 hit” Old Town Road” sparked a burst of jokes and modern challenges. Nas will be the first performer to lose his cast of NFTs, which includes a one-of-one gift, along with a few different limited-edition choices, arriving on October 6th.

This project was based on Willingham’s stop-motion stop-motion video tribute to Nas ‘ song” Montero ( Call Me By Your Name )” and was put together by Nas and TikTok creator Rudy Willingham. ( Around three and a half million people are currently viewing the original TikTok video. )

Five different models — produced in collaboration with well-known Blog authors Bella Poarch, Curtis Roach, Brittany Broski, FNMeka, Jess Marciante, and Gary Vee — will follow. TikTok paired Internet stars with artists experienced in creating NFTs. Importantly, Grimes is assisting her real-life companion Poarch, as well as Broski, whose presence in a movie about rank-smelling tea inspired a lake of jokes and earned her more than six million fans. Another included crypto experts include COIN ARTIST, x0r, and RTFKT.

The NFTs may work on the Ethereum blockchain. TikTok plans to make them more eco-friendly by using what’s called” Layer 2″ technology. The one-of-one currencies may be put up for auction, but the limited edition NFTs may be sold at “accessible value points” on a regular basis until the end of October, according to data on the collection’s independent site.

” As the creator economy continues to grow, we’re continually looking for new and differentiated ways to support our creators”, Nick Tran, TikTok’s global head of marketing, said in a statement before highlighting TikTok’s ability to help” shape the internet” and cultivate the Internet’s “most beloved cultural milestones”. More bluntly, a headline on the microsite reads,” OWN A MOMENT THAT BROKE THE INTERNET”.


Heather Graham and Her Chosen Family Cast: Audio

Heather Graham and Her Chosen Family Cast: Audio

by | Oct 12, 2024 | Entertainment Law, Music Business, Podcast News

Talk via: Apple Podcasts | Spotify | Amazon Podcasts | More Systems

In Chosen Family, Heather Graham takes on the triple part of writer, director, and sun, crafting a profound funny about the difficulties of family relationships, relationships, and personal development. The movie follows Graham’s yoga instructor Ann as she navigates her tumultuous family life and tragic dating experiences. Kyle Meredith spoke with Graham about their responsibilities and the production process for the movie, together with co-stars Julia Stiles and Thomas Lennon. Hear above or wherever you get your apps.

Edwards, who plays Anne’s disturbed sister, delivers a strong functionality as a recovering addict with strong anger issues. The actress in the movie 10 Things I Hate About You expressed how many she enjoyed the emotion of portraying such a tense character. It’s entertaining to act like a grownup who acts like a toddler, she said, noting that the role allowed her to discover feelings that are n’t frequently explored in real life. Additionally, Tiles reflected on their collaboration and Graham, especially considering that both women have recently begun to direct ( Stiles ‘ Wish You Were Here is currently in post production ), and how they fought back against the odds of making independent movies.

Reno 9-1-1 student Lennon, who portrays one of Ann’s best companions in Chosen Family, offered insight into his own theory on creating possibilities in Hollywood. ” Waiting for permission from someone is not something I’m great on”, he said, echoing Graham’s method to forging her own way in the industry.

The chemical between the throw is apparent, with Graham admitting her senses about the more outlandish moments:” I thought,’ Is this too crazy?’ However, I also believed it might be the funniest image ever. Through the panic of dating, setting boundaries, and finding like, the film leaves us with a warning that sometimes, it’s ok to grin at life’s messiest events.

In the fresh season above or by watching the videos below, hear the cast of Chosen Family discuss all of this and more. Keep up on all the latest shows by following Kyle Meredith With … on your favorite radio software, plus, check out all the line on the Consequence Podcast Network.


IPRMENTLAW WEEKLY HIGHLIGHTS (September 23 – 29, 2024)

IPRMENTLAW WEEKLY HIGHLIGHTS (September 23 – 29, 2024)

by | Oct 5, 2024 | Entertainment Law, Music Business, Podcast News


Supreme Court docket Expands Scope of POCSO Act to incorporate viewing Youngster Pornography

The Supreme Court docket has dominated that viewing baby pornographic materials on the web constitutes an offence below Part 15 of the Safety of Youngsters from Sexual Offences (Pocso) Act. Part 15 offers with the offence of storage or possession of kid pornographic materials with an intention to transmit the identical. It was additionally held that the intention to transmit could be gauged from failure to delete and report the fabric.

The bench, consisting of the Chief Justice of India and Justice J.B. Pardiwala, clarified their conclusion with an instance. On this illustration, if ‘A’ repeatedly watches baby pornography on-line with out downloading or storing it on his system, he would nonetheless be thought-about to be in possession of the fabric. It is because, whereas watching, ‘A’ workout routines vital management over the content material, reminiscent of sharing, deleting, enlarging, or adjusting the quantity. Moreover, since he voluntarily views the fabric, it implies that he has information of and management over it.

Case: Simply Rights For Youngsters Alliance v. S. Harish

Case Particulars: Felony Enchantment Nos. 2161-2162 Of 2024

You possibly can learn extra about it right here.

Karnataka Excessive Court docket restrains Youtubers from Sharing Dwell Court docket Streams

The Karnataka Excessive Court docket on Tuesday issued an order restraining media businesses and people from sharing movies of live-streamed courtroom proceedings with out authorization. The Court docket directed platforms like YouTube, Fb, and X (previously Twitter) to delete any movies that had been posted in violation of the present guidelines. Sure media businesses had been additionally restrained from displaying such movies on their channels.

The order got here in response to a petition filed by the Advocates Affiliation Bengaluru, in search of a directive from the Centre restraining people, video-makers, media businesses, and so on., from illegally utilizing courtroom proceedings of dwell streamed movies. The Excessive Court docket famous that guidelines prohibiting the sharing of those movies are already in place and {that a} disclaimer was being displayed to tell viewers to not misuse the content material. The petition was filed after controversial movies of Justice V. Srishananda of the Excessive Court docket surfaced on-line. In a single video, he was seen referring to an space in Bangalore as “Pakistan“.

Case Identify: Advocates Affiliation Bengaluru v. Union of India

Case Particulars: Writ Petition No. 26229 / 2024 (GM-RES)

You possibly can learn extra about it right here. You possibly can entry the order copy right here.

PIL Filed in Bombay Excessive Court docket Seeks Ban on On-line Rummy in Maharashtra

A Public Curiosity Litigation (PIL) has been filed within the Bombay Excessive Court docket in search of a ban on the net sport of Rummy in Maharashtra, arguing that it’s a sport of “likelihood” and constitutes playing. The petitioner claims that apps like Junglee Rummy and Rummy Circle promote “on-line playing,” which violates the Public Playing Act, 1867, the Bombay Prevention of Playing Act, 1887, and the Bombay Wager Act. The petition additionally requests the State to ban these apps and urges Google to cease offering servers to assist them.

Throughout the listening to, the respondents, argued that the PIL isn’t maintainable, stating that a number of Excessive Courts have already dominated that Rummy is a sport of talent, not likelihood.

The Court docket, led by a Division Bench of Justice Devendra Kumar Upadhayay and Justice M.M. Sathaye, requested the respondents State, Google, Junglee Rummy and Rummy Circle, to file affidavits on the problem of maintainability and clarify how on-line Rummy qualifies as a sport of talent.

Case: Ganesh Ranu Nanaware v. State Of Maharashtra

Case Particulars: CRPIL/17/2024 [Criminal]

You possibly can learn extra about it right here.

Diljit Dosanjh Served Authorized Discover Over Alleged Ticket Value Manipulation

Singer-actor Diljit Dosanjh has made headlines after being served with a authorized discover for allegedly manipulating ticket costs for his Dil-Luminati live performance in Delhi. The discover was issued by Riddhima Kapoor, a regulation pupil from Delhi, who claims she was unable to buy a ticket on account of unfair practices by the organizers.

Kapoor has alleged that the live performance organizers manipulated ticket availability, resulting in scalping and inflated costs. She talked about that though ticket gross sales had been scheduled to begin on September 12 at 1 pm, passes had been made out there a minute earlier and bought out instantly.

You possibly can learn extra about it right here.

Zomato serves authorized discover to Viagogo for unauthorized Diljit Dosanjh live performance ticket gross sales

Following the above growth of a discover served to Diljit, Viagogo, a multinational ticket change platform, was discovered reselling tickets for each Coldplay and Diljit Dosanjh at exorbitant costs. In response, Zomato’s ticket platform, Zomato Dwell, has despatched a authorized discover to Viagogo for unauthorized gross sales of Diljit Dosanjh live performance tickets, as Zomato is the official accomplice for promoting tickets to the singer’s upcoming live performance. Zomato Dwell has additionally filed cybercrime complaints towards a number of different secondary ticket platforms for comparable points.

You possibly can learn extra about it right here.

Tamil Nadu Gaming Authority Takes Authorized Motion Towards Influencers for Selling On-line Betting

For the primary time, the Tamil Nadu On-line Gaming Authority (TNOGA) has taken authorized motion towards a number of YouTubers, Instagram influencers, and a non-public agency for selling on-line betting and playing platforms. These social media personalities, who primarily vlog about meals and cinema, subtly promoted offshore fantasy video games, poker, and rummy, engaging customers with guarantees of money rewards of as much as ten lakh per day for small deposits.

TNOGA issued showcause notices to the people and entities, questioning why their entry shouldn’t be blocked in Tamil Nadu. After receiving unsatisfactory responses, TNOGA initiated authorized proceedings on the Metropolitan Justice of the Peace Court docket, Saidapet. If discovered responsible below the Tamil Nadu On-line Gaming Act, the accused may face fines starting from 5 lakh to 10 lakh and as much as three years in jail. Moreover, some movie celebrities, who promoted betting apps through short-lived Instagram tales, are additionally below investigation. A non-public agency was additionally pulled up for promoting betting apps by way of taxi stickers in Chennai.

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Coldplay Live performance Ticket Controversy: Lawyer Recordsdata Criticism Towards BookMyShow

Amit Vyas, a lawyer and founder-partner of Mumbai regulation agency Vertices Companions, has filed a police grievance towards BookMyShow, Dwell Nation, and different promoters of the upcoming Coldplay live performance in Navi Mumbai, alleging black advertising of tickets. Vyas was logged out whereas making an attempt to guide tickets on September 22, prompting him to analyze and uncover comparable experiences amongst others.

The grievance, now below investigation by the Financial Offences Wing (EOW) of Mumbai police, claims that BookMyShow and Dwell Nation used ticket bots to create synthetic digital queues, blocking real followers from buying tickets. Vyas additionally alleged that numerous tickets had been diverted to the secondary market, Viagogo, the place they’re being bought at inflated costs — as much as 50 occasions larger than their unique value. The grievance requires an FIR towards BookMyShow, Dwell Nation, and their key personnel for offences reminiscent of dishonest, organised crime, and legal breach of belief. The EOW has issued summons to Ashish Hemrajani, CEO of BookMyShow, and the corporate’s technical head for inquiry.

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Enforcement Directorate Cracks Down on Unlawful Betting Apps Linked to Chinese language Nationals

In a major operation towards unlawful on-line functions related to Chinese language nationals, the Enforcement Directorate (ED) has hooked up property, together with funds held in cryptocurrency wallets on Binance. In keeping with sources, the investigation in Kolkata has revealed that Chinese language nationals allegedly operated the unlawful betting and gaming software, Fiewin, with the assistance of Indian accomplices.

The ED has arrested 4 Indian nationals linked to the case, who’re presently in judicial custody. Fiewin was marketed as a platform for making fast and simple cash, selling easy video games like Minesweeper and Color Prediction that rely purely on luck slightly than participant talent.

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CBFC Requires Modifications for Kangana Ranaut’s Emergency

The Central Board of Movie Certification (CBFC) has issued a U/A certificates for Kangana Ranaut’s Emergency, requiring 13 adjustments. The CBFC mandated a disclaimer that the movie’s occasions are “impressed by true occasions” to make clear that it could not replicate absolute reality.

Moreover, the board has ordered the elimination of a dialogue between Bhindranwale and Sanjay Gandhi, together with three scenes that seek advice from Bhindranwale as ‘sant.’ The CBFC has additionally requested a discount in violent content material, notably scenes depicting Sikhs inflicting violence on non-Sikhs.

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Authorized Controversy Surrounds “Vicky Vidya Ka Woh Wala Video”

The movie “Vicky Vidya Ka Woh Wala Video” has sparked controversy over its storyline, prompting producers Sanjay Tiwari and Gul Bano Khan to subject a authorized discover to the movie’s makers. Gul Bano revealed to IANS that she had registered the central thought of the movie with SWA in 2015 as a author, intending for Sanjay Tiwari to provide it, however the venture was delayed. The authorized discover was despatched to T-Collection, Balaji Movement Photos, Wake Movies LLP, Kathvachak Movies, and AA Movies Non-public Restricted.

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Filmmaker S. Shankar Takes Motion Over Copyright Infringement

Famend Kollywood filmmaker S. Shankar has publicly criticized fellow administrators for allegedly incorporating components from the favored Tamil novel Veera Yuga Nayagan Vel Paari, authored by CPI(M) Madurai MP and author Su Venkatesan. Throughout a press convention for his movie Indian 2, Shankar shared that he was impressed to develop a screenplay primarily based on Su Venkatesan’s guide, planning a three-film franchise.

Nevertheless, Shankar expressed his frustration over the unauthorized use of content material from the guide by different administrators. In an in depth submit on X, he reiterated that he holds the copyright to Veera Yuga Nayagan Vel Paari and warned that he would pursue authorized motion towards any infringement of his rights.

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Delhi Excessive Court docket Restrains Social Media Influencer from Making Disparaging Remarks Towards Complan

Within the case of Zydus Wellness Merchandise Ltd. v. Prashant Desai, the Delhi Excessive Court docket addressed a dispute the place Zydus, the plaintiff, sought an injunction to restrain the defendant, a social media influencer, from making disparaging statements about their product ‘Complan’ by way of social media posts and movies. The plaintiff argued that the statements made by the defendant had been false, deceptive, and dangerous to their product’s fame, focusing on ‘Complan’ as unhealthy for youngsters. The courtroom held that the defendant, missing medical {qualifications} and making unsubstantiated claims, had crossed the road of accountable expression as a social media influencer. Consequently, the courtroom dominated in favor of the plaintiff, granting an injunction to take down the content material and restraining the defendant from making any additional disparaging remarks towards the model.

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