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A brand-new digital filtration unit for Eurorack with 16 different screen modes and evolving capabilities is called Potential Retro Transfer.
There are many digital filters accessible. Most are based on classic wires from Moog, Oberheim Roland, and other legends. When digital filters experiment with novel circuits or choices, things become more interesting.
Transfer, a new digital filter from Coming Retro, has been released that does exactly that. It leaves outdated digital filters behind and offers new options.
Potential Retro Exchange
A fresh 12HP digital filtration unit for Eurorack with a special feature set is called Transfer. Its core has 16 distinct analog filter types, each available via a series of buttons, divided over four banks.
Bankers 1 and 2 include lowpass variants with 12dB and 24 database slopes and innovative band-pass filtering. Lowpasses of 18 and 6 dB and 6 dB slopes, unconventional highpass filters, and cut filters are available in banks 3 and 4.
With this range of options, the units cover several filter basis. But it gets more exciting. A form knob on the transfer allows you to easily fit between the filter types. Additionally, you have the ability to Resume control it and create pure and versatile tone shaping.
Then, you can find in Potential Retro Exchange traditional cutoff and resonance controls, which are also fully CV controllable. Next to this, it has an input drive to spice up your signals.
It has an integrated Cca that gives you easy control over the level along with input and output sockets for stereo signals.
Second Idea
It is an interesting new digital screen, and I look forward to more good example. The possibility of changing through various screen types seems very entertaining.
Potential Retro Exchange is available now for $349,95 in the US and soon to the EU.
Rim Mount, a compact disc microphone mounting system that can be used on the disc of almost any drum, has been released by Lauten Audio.
Rim Mount, a compact disc microphone mounting system that can be used on the disc of almost any drum, was recently unveiled by Lauten Audio in New York, New York, in 2024. The gadget, which replaces bulky microphone stands, has a shock-absorbing design with a fully presenting finger that enables a user to quickly install and adjust the position of a variety of microphones. It also has a shock-absorbent design.
The Rim Mount was perfected for Lauten Audio’s Catch Mic and Tom Mic, but is extremely effective for mounting industry-standard microphone such as the SM57, MD421 and C414.
Rim Mount’s non-marring style shields drum shells, hoops, and heads from possible harm from metal-on-metal contact, avoiding the failing points, sagging, or buzzing issues that are frequently encountered with standard “magic arm”-style drum mic mounts. It uses a single lever to lock the camera into place and has the decoupling properties of a camera stand. The support should not be wrenched into area, according to Lauten Audio, and it is suggested that firm-finger strengthening.
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Rim Mount is compatible with most disc suspension systems, including DW’s Suspension Tom Mount, Pearl’s Optimount, Gretsch’s GTS Tom Suspension, and others. It can be used on drums that have metal or wood basket, though Lauten Audio advises prudence when mounting large speakers on any wood basket.
Rim Mount was field tested in productions and on journey by some of the most difficult drummers to maintain a reliable performance no matter what the application.
It is available now at an MSRP of$ 129 and is covered by a three-year limited warranty.
Randomwaves Drumboy and Synthgirl are fresh artistic open-source touch-based drum machine and synth equipment, then on Kickstarter.
Synthesizers and electronic instruments, in general, are particularly popular in hardware because you can tweak them with tactile control ( knobs, faders… ).
A new Turkish development staff demonstrates how hardware can be designed different. With the new Drumboy and Synthgirl, they left out knobs/faders and made all touch-sensitive.
Randomwaves Drumboy Synthgirl
Both Drumboy and Synthgirl are brand-new, compact equipment with a lot in common. It starts with the technology strategy. They are powered by a recently developed stereo structures using the 550 MHz Cortex M7 computer, delivering picturesque 24-bit voice.
A 5-inch color LCD is also housed in each unit, which are interconnected by reactive feel controllers scattered throughout the interface. It also has an SD card input for managing data ( samples, wavetables, etc. ). Additionally, it offers a Bluetooth port and hardware tune in and out to ensure smooth inclusion with other devices.
More significantly, Drumboy and Synthgirl will work on an open-source script developed on the commonly used STM32 system. This is a remarkable action, and I welcome it very much. Now, this dive deeper into the differences between these new groovebox-oriented equipment.
Randomwaves Drumboy
A.wav test lasting up to eight seconds is each stored in a convenient drum machine called Drumboy. You can modify your audio with several parameters, including playback speed, change, and normalize.
The traditional method of producing complex rhythms using 1/64 encoding across eight bars and eight measures or with contemporary helpers like difficult fill generators is no longer possible.
Finally, Randomwaves Drumboy features a descriptive EQ with one lower shelf, one higher shelf, and four maximum filters. You can change the Q element, obtain, and frequency for accurate good shapers. Besides this, it comes with a fully adjustable dual filter with four modes ( lowpass, highpass, bandpass, and band stop ) and two effect channels.
The first offers eight algorithms with several controls: pause, song, flanger, blunderbuss, blower, expansion, drive, distortion, and bit crusher. Behind, you can find an independent echo with power over the space size, decay, pre-delay, occupy, dry/wet, and more.
Of program, you can also keep your looks and styles. It has a lender and file system for this, which makes it possible to keep track of and understand your design at any time.
Randomwaves Synthgirl
The Randomwaves Drumboy’s spouse is the Synthgirl. Although it is a solo compact Synthesizer, it has many of the same functions.
A wavetable website with two resonators that can buy custom storm files (up to 256 steps ) from Serum and various soft synths serves as the foundation of Synthgirl. You can change the amount, rhythm, period, start, and end points of wavetables, as well as the ability to turn in both X and Y axes.
Like the Randomwaves Drumboy, Synthgirl also comes with the same multimode dual filter ( lowpass, highpass, bandpass, and band stop ) that is fully adjustable with various parameters.
The built-in statistical Iq and the 2-channel multi-FX computer are the same and had eight techniques. The separate echo engine also has this effect. Further, you can find four shaping multi-wave LFOs with 25 prebuilt types and adjustable parameters ( target, rate, and depth ).
Randomwaves does not specify what kind of packets it uses. I hope there are some built-in. Further, it hosts a fully tweakable advanced key /arpeggiator ( rate, pattern, chord, order, octave… ) and a customizable metronome.
If that’s not enough, it also has a sequencer with adjustable parameters such as bar, measure, (up to 8 ), and quantization (up to 1/64 ), providing fine-tuned control over your composition. It shares the same file structure as the Drumboy to manage and keep your looks.
Second Idea
At first glance, it is an interesting venture. I give a great hands up to the open-source plan. However, I would find the touch-only interface and the little font on the interface to be far too small. On the ipads, I prefer to reach. However, I’m really interested to see how the neighborhood feels about the project and how it develops.
We can anticipate more developments with regard to the Synthgirl and Randomwaves Drumboy capabilities because it will be open source.
You can support the development of the Randomwaves Drumboy and Synthgirl then on Kickstarter, starting at$ 149 for the Drumboy or Synthgirl. In February 2025, shipment will begin.
Rob Tavaglione, the workshop owner, tests the new Radial Nuance Select and discovers that it has excellent sound quality.
MIX VERDICT: RADIAL NUANCE SELECT
THE TAKEAWAY:” I can guarantee you’ll appreciate the good quality at whatever level you dial-up on that great and beautifully tactile stepped attenuator”.
The new Nuance Select monitor controller is a tank, and good old Radial ( and veteran designer Hutch Hutchinson ) can help streamline workflow ( both as “per the usual” for Radial ). Nevertheless, with this system, the company incorporates a new idea, the Clarity Circuit, to accomplish amazing sonics.
Nuance Select is a desktop screen controller providing clear type switching, screen selection, volume control and headphone facilities. On a 14-inch TRS, two pairs of balanced monitor outputs ( and a single bass out ) are provided, while two sets of balanced sets of observe outputs are also provided.
Two discrete headphone amps are provided ( on front-panel ¼-inch jacks ) with muting, independent input sourcing and level. On an unbalanced stereo TRS, an Auxiliary output that allows either input to conveniently feed an external device ( likely a headphone amp or foldback monitors ), as well as a quick workflow, such as a mono, mute, and dim switch.
Radial Nuance Select
This is all controlled with a proper 21-position stepped attenuator (volume control ) that provides accurate left-to-right balance within 0.1 dB at any volume, via resistors and DC servos, not capacitors ( caps do n’t always age well, drift in value over time and can introduce noise ).
The Clarity Circuit is Class-A and exceptionally clean, with little tangible THD of -0.00001 %, interference of -125 database, A-weighted signal-to-noise of 127 database, and speed response from 7 Decibels to 20 hertz.
This is all contained in a steel enclosure, with a polished aluminum 10 x 5-inch faceplate, backlit silent switches, and chrome control knobs (especially attractive is the huge, 2-inch attenuator ), powered by an external supply connected with a locking 4-pin XLR at the end of a sturdy 12-foot cable. Owing for getting the facts straight, Radial!
After weeks of daily work, my assistant and I were able to quickly come to terms with the Nuance Select’s exceptional cleanliness and absence of distortion, something we’ve probably never heard of before. The change is more confirming than stunning, more transparent than special, more revealing than introductory. There is no warmth generated by the unit, there is no added cohesion or gelling, dynamics are untouched, there is no emphasis of frequency, there is no ( de ) emphasis of placement, panning or soundstage. There is just stark reality, linearity and assurance.
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Only a few of my clients noticed the NS change, but only my assistant noticed it because the differences are significant to my ears but appear to be refined to laypeople. However, I quickly developed a reliance on such top-notch audio value, and I was disappointed that I was unable to use Nuance Select in my studio!
I track bands and use analog summing ( no console ). My installation requires a feature-rich joystick with several sources, multiple-input-blending for my headphone/cue mixes, and a talkback device, also. For what it’s worth, I would prefer XLR connections and multi-color (ed ) switches for even more ease of use.
However, for those of you with great, standard, present, all-digital procedures, the Nuance Select comes highly recommended. A three-year insurance backs up common Radial stability, a retail value of$ 699 makes for just a moderate expenditure, and I can promise you’ll love the sound quality at whatever stage you dial-up on that big and beautifully clicky stepped attenuator.
AlphaTheta Corporation announced the launch of the bank’s first-ever circular blender: the euphonia. The 4-channel blender is also the first piece of hardware from the business to bear the AlphaTheta company logo, which takes the place of the Pioneer DJ branding. euphonia is a blend digital/analog mixing with circular faders that features a custom-designed 3Band Master Isolator, built-in Send FX, and more.
Let’s take a look.
Major features
The euphonia weighs in at just under 21 lbs – notably lighter compared to Pioneer’s other mixers like the A9 ( almost 29 lbs ) and V10 ( 37 lbs ). A wide range of circular features and effects are available in the new mixing, including:
Four circular faders have a new appearance and feel thanks to the addition of maximum weighting and elastomer to the outside of each knob, which DJs will notice when they turn the knobs at various speeds.
The digital signal processor ( DSP) employs HQ 32-bit A/D and D/A converters in addition to 96 kHz/64-bit floating point mixing operations. The sound finally travels through a converter circuit created in collaboration with Rupert Neve Designs, a business renowned for its digital audio circuitry.
The three handles on the top remaining of the blender are located on the 3Band Master Isolator. The handles are set to be located in the center, and they can become turned left or right until they reach a minimum or maximum. This is somewhat an interesting selection on AlphaTheta’s element because the knobs are set at 12: 00, which is standard with their other mixers. It seems odd that they would stick to that style of construction, especially since so many rotaries have a full-range Extraversion that start all the way to the left ( a theme that also emerged with the V10’s filter knob ). I would’ve expected the company’s primary circular blender to get built more in-line with rotaries on the market now. You can also utilize three boost levels: + 12dB for dynamic performances, + 6dB for sound quality adjustments, and 0dB for reverb effects that wo n’t affect the volume at all.
The 3B Master Isolator
The Energy Visualizer and a fresh Mix Level Meter, which were created especially for euphonia, are directly to the right of the isolators, giving you a needle for each channel to make it easier to track your stirring and size ranges.
5 built-in Send FX and a High-Pass Filter– including Delay, Tape Echo, Echo Verb, Reverb, and Shimmer. Additionally, DJs can connect additional effect units and change each route to their liking, using the Send/Return knobs. Additionally, any Send FX may be pushed into the Master Isolator speed songs.
Inputs – 4x digital ins ( coaxial ), 4x line ins (RCA ), 4x phono ins (RCA ), and a Mic in (XLR & 1/4 ″ TRS jack )
Outputs – 1 each of the Master, Booth, and Recording outputs, as well as two headphone jacks ( a 1/4 ″ and a 3.5mm )
Built-in USB Type-C voice program for PC/Mac
2-Band Booth EQ
Lock energy cord
Rekordbox and Serato DJ Pro agreeable with both
A$ 3, 799 Pricetag
Although the$ 3, 799 price tag for the euphonia comes with a sticker surprise, especially given the state of the economy, the ongoing discussion about how the music industry is struggling in a number of sites, and the truth that this is the first full rotary mixing produced by the once-lovely-known as Pirates DJ, AlphaTheta product. When compared to other well-known rotary mixer manufacturers like Star, who unveiled their$ 599.99 R4 mixing at NAMM earlier this year, which plainly was priced with a more affordable perspective in mind, the price trend is interesting.
When you’re considering dropping$ 3.8k on a blender from the company – one more costly than Pioneer DJ’s DJM-V10, which costs$ 3, 499 – we’re curious to see how much of an allure this will have to rotary-loving Dj and equipment fans. It’s a prime mixing at a price that is unquestionably high.
AlphaTheta’s euphonia is expected to be accessible in-store later this month for$ 3, 799. What do you think of the mixing? Do you get it? What do you like best about it, and what could be improved or changed? In the feedback section below, let us know.
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Behringer has released the UB-Xa 2.0 firmware update for its analog polysynth ( OB-Xa clone/replica ) with new features and improvements.
The UB-Xa is Behringer’s primary vintage polysynth duplicate release in a long list of but to appear instruments. It is more accurately a clone/replica of the Oberheim OB-Xa from 1980.
Nevertheless, it is more than just a 1-to-1 clone/replica. It keeps the design going, for instance, with a harmonic aftertouch keybed and double voices. Since the summer, the version is also available in the space-saving UB-Xa D pc type. Customers of the UB-Xa may rejoice, there is a huge 2.0 firmware update.
Behringer UB-Xa 2.0
The fresh UB-Xa 2.0 firmware upgrade introduces several new features, and changes. Patch spending is a new feature of the device version 2.0.
You can now keep and remember areas with more efficiency by including the atrophy information, screen, VCO, VCF, and LFO settings. The ability to protect the astrophy information was a significant have demand from the synth community.
According to Behringer, they likewise processing of the screen frequency, giving you more accuracy in enhancing. Therefore, you can explore new packet modification modes, including knock, retrigger, repeat, loop, and legato.
An expanded modification structure joins these new box options. It now includes new places and resources, giving you more methods to modify your parameters.
Behringer also enhanced the UB-Xa Synthesizer’s multi function and aftertouch to produce a richer, more emotive playing experience. Same for the SysEX and oscillator options. They are now more smoother, says the designers.
Additionally, there are performance enhancements, including improved international transpose and improved life performance options that make it simpler to bring your audio to the stage.
Additionally, it also comes with glitch changes:
First Idea
A good release for the UB-Xa instruments. I’m pleased to see that Behringer frequently updates its synths ‘ features and performance.
The fresh UB-Xa 2.0 device will be available after today. UB-Xa is over then for 1098€ and the UB-Xa D pc for 849€.
