Mija, DJ Susan, A Hundred Drums, More to Play Florida&#039, s Cyberpunk-Inspired Epic Festival in 2024

Mija, DJ Susan, A Hundred Drums, More to Play Florida&#039, s Cyberpunk-Inspired Epic Festival in 2024

In 2024, the Odyssey Music Festival will once again bring digital music and cyber society to St. Petersburg, Florida.

Then expanding to two days, the exterior store event will take place on October 4-5 at a new location, The Shop, in the town’s warehouse district. Odyssey was originally located at Vinoy Park, a shore place in downtown St. Petersburg.

The headliners on this year’s roster are Mija and Ternion Sound as well as A Hundred Drums and DJ Susan, who were named to the EDM.com Class of 2023 and 2024, both.

Epic 2024 will have two stages: the Rawsome Period, which is dedicated to the sounds of dance and house songs, and the Wave Stage, which may take a bass-heavy method. Additionally, the festival will host a number of” Conscious Oasis” areas surrounded by beautiful palm trees, photo ops, food and art vendors, and other interactive art installations.

A event fashion show and airport contest may serve as the event’s cyber theme. Specific prizes like outfits and gift cards are provided by style partners like Euphoric Ravewear, Eden Couture, and many others are offered in the subject contest, which runs on both days of OMF. For those who want priority timeslots in the airport show to display their cyberpunk style, earlier sign-ups will be available.

c&amp, sun, o Press

The show’s founder and CEO, Thomas Greco, expressed his excitement about returning Odyssey Music Festival to Saint Petersburg for its next year. Our goal is to honor the rich diversity of culture and also providing a venue for artists to display their skills.

” We believe in the power of music to motivate and unite”, continued Greco, who will also do a DJ cast at the event as Dr. Greco. With each passing year, the range and impact of Odyssey Music Festival expands, and we are dedicated to inspiring the next generation to explore the world of songs.

Purchase tickets here to experience OMF’s looks with their carefully selected Spotify playlist below.

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” Play Them Loud”: A Celebration Of Fabulous Fenders

” Play Them Loud”: A Celebration Of Fabulous Fenders

A party of a special device, in honor of’ Leo ‘ Fender, born on August 10, 1909.

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Ritchie Blackmore- Photo: Courtesy of Fin Costello/Redferns

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Fender guitarists are memorable. They have a glance, an image of modern refinement that says” Play me, sing me loud, play me gently and sing me well”. Clarence Leonidas” Leo” Fender, the leader of the Fender Electric Instrument Manufacturing Company, was honored at our party of this special instrument, which was established on August 10, 1909.

For many people of a certain time, Buddy Holly is sat down with his guitar on the handle of the 1957 Chirping Insects record. Two years earlier, Buddy walked into Adair Music in Lubbock, Texas and traded his first electric guitar for a brand new Fender Stratocaster, which back then cost a shade over$ 300. That equates to about$ 2, 900 today.

Hank Marvin is holding the Stratocaster he had purchased after seeing Holly on the Insects album, four years later, on the handle of the first album by American acoustic legends The Shadows. Ask any American guitar who followed the Shadows, and Hank’s red and white Stratocaster will almost certainly be praised.

Before the Stratocaster there was the Telecaster, the second solid-body electric guitar, the first single-pickup production type appeared in 1950 and was called the Esquire. It’s known for its beautiful, abundant, cutting voice, referred to as the telecaster lilt, as well as its gentle, warm, bluesy tone. It all depends on which pick is used – “bridge” delivery for the lilt and “neck” for the smooth strengthen.

In the earlier days, it was region players that favored the Telecaster. James Burton, the harp witch who played with Elvis Presley and Rick Nelson, was one of its first actors. Eric Clapton once played a Tele with Blind Faith and the Yardbirds. King of the Chicago music, Muddy Waters, was another who favored the Telecaster, since did Albert Collins, Stax gentleman and Booker T and the MGs guitar Steve Cropper.

At the last ever lived presence by The Beatles, on the roof of the Apple tower, George Harrison played a custom-made Telecaster. Jimmy Page played one on the guitar of Led Zeppelin‘s ageless” Stairway to Heaven”.

The Stratocaster was introduced in 1954, and it is still a staple in rock songs and almost every other genre of music. Today you can buy an Eric Clapton signature Strat, along with those endorsed by Jeff Beck, Stevie Ray Vaughan, John Mayer, Buddy Guy, Robert Cray, Ritchie Blackmore ( pictured above ), and Kenny Wayne Shepherd.

As soon as you hear the opening notes of Dire Straits ‘” Princes of Swing”, played of training by Mark Knopfler, you know it’s a Strat. You must become a guitar of his towering appearance to make it perform so well, despite the tone.

On Derek and the DominosLayla and Other Assorted Love Songs album, Clapton referred to himself as” Brownie.” Eric had bought Brownie for$ 400 at London’s Sound City, while touring with Cream in May 1967. It has an oak body, two-tone sun finish, oak neck, skunk-stripe routing and dark dot inlays. Manufactured in 1956 with the prolific range 12073, it can be seen on the handle of his 1970 debut solo album Eric Clapton.

In June 1999, Clapton sold the piano at Christie’s in New York City to help raise money for his drug and alcohol treatment firm, Crossroads Centre. Brownie sold for$ 497, 500, becoming the most expensive guitar ever sold at the time — only to be eclipsed by Clapton’s other favorite guitar, Blackie, which sold for$ 959, 500 in 2004. Brownie can be seen at the Experience Music Project in Seattle, Washington.

Another classic Fender record is the Rolling Stones ‘” Little Red Rooster”, on which Brian Jones plays a Telecaster. In 1981, when the group played Hampton Coliseum, they encored with “( I Can’t Find No) Satisfaction”. A lover roars on stage as Mick Jagger is draped in his Union Jack/Stars and Stripes coast, Keith Richards punning, and plenty of pink balloons pour down from the roof.

The Stone immediately whips off his Fender and smacks the man around the head with it as the lover returns for a subsequent move. The lover stumbles, is escorted out of the stage by protection, and Keith continues without incident. Despite the invasion, the Telecaster stays in tune. Keith claims that” the entire point stayed in rhythm,” and that this is the best Fender advertisement I can give you.

We’ve put together a 60-track music in event of Fender and away from what we’ve already mentioned, it features song from Pink Floyd, with David Gilmour notably soloing on” Comfortably Numb”, Joe Walsh in his James Gang time, Jimi Hendrix, Deep Purple, the Beach Boys, Stevie Ray Vaughan, Robin Trower, and Jeff Beck along with many other lines, some well known, some not so well known.

Listen to uDiscover Music’s Fabulous Fender playlist.

The Pianist Who Nearly Murdered Liszt

The Pianist Who Nearly Murdered Liszt


It’s the fall of 1871. A twenty-six-year-old Ukrainian lady sends a cable to Europe to pianist and composer Franz Liszt. She warns him that she is about to cross the ocean to kill him. Ten days later, she exhibits up at his doorstep.

Outrageous because it sounds, this story is definitely true. Right now we’re wanting on the lifetime of pianist and novelist Olga Janina, whose relationship with Liszt practically killed him.

Olga Janina’s Childhood and Marriage

Olga Janina

Olga Janina was born Olga Zelińska on 17 Might 1845 in present-day Lviv, Ukraine, the daughter of Ludwik Zieliński and Lopuszanska Sabina. The household was musical: her mom was a pianist, and her older brother was Jarosław Zieliński, a pianist, composer, instructor, and music critic. She started finding out piano along with her mom when she was a bit woman.

Her household was comparatively rich. Her father had made cash inventing and promoting a brand new components of boot polish. The truth is, within the mid-1850s, her household employed a Czech composer named Vilém Blodek to function her non-public tutor.

In 1863, the 12 months she turned 18, she married a nobleman named Karol Janina Piasecki. They’d one daughter, Helene, however the marriage didn’t final lengthy.

She would later write a fictionalized account of her life through which, in revenge for his wedding ceremony evening cruelty, she horsewhipped her husband and left him the next day.

Ultimately, the one factor she saved of her husband was his second identify, which she became her skilled surname.

Assembly Liszt

After her marriage broke down, Janina started ping-ponging round Europe, taking music classes from numerous academics.

In April 1865, she went along with her mom to Paris to review underneath Henri Herz and made her public debut. In 1866, she went again to Lviv to review with a Polish pianist named Karol Mikuli, a Chopin pupil.

Then, fatefully, in 1869, she went to Rome to review with Franz Liszt. She’d heard him play in April in Vienna, and she or he was completely entranced. She arrived in Might. Liszt was shocked when he met her: she’d signed her identify “O. Janina”, and he’d been anticipating a person.

Janina minimize a dashing determine. She smoked cigars, wore males’s garments, carried a dagger with a poisoned tip, wielded a revolver, smoked a substantial amount of opium and laudanum, and declared (falsely) that she was a Cossack countess. She approached her music-making with unnerving depth: she was recognized for biting her nails down to date that she left blood on keyboards.

German historian Ferdinand Gregorovius reported of her in October 1869 that she was “a bit, witty, silly particular person, mad about Liszt.”

Franz Liszt: Mosonyis Grabgeleit, S.194

Liszt’s Mosonyis Grabgeleit, S.194, from 1870, across the time he was educating Janina.

A Love Affair with Liszt?

It’s attainable that Liszt and Janina launched into some form of romantic relationship throughout this time. Years later, in a fictionalized account, she claimed that he instructed her, “I can resist you not!” and that they went to mattress collectively. It’s unclear whether or not this fictionalized model of their relationship had any fact to it.

Regardless of her eccentricities, or perhaps due to them, Liszt was impressed by her expertise.

In 1870, he invited her to carry out on the Weimar Pageant in Weimar. She labored as a copyist for him, and he inspired her to study his piano concertos.

Yuja Wang: Liszt Piano Concerto No. 1 in E-flat main, S.124

A Break within the Liszt Relationship

Franz Liszt in 1870

Through the winter of 1870-71, Liszt invited Janina to stay in his entourage whereas he spent the winter within the metropolis of Pest.

Whereas there, she had a horrifying reminiscence lapse that may show consequential to her relationship with Liszt.

Hungarian authoress Janka Wohl described the scene at a personal live performance:

When her flip got here she was very graciously acquired, and she or he commenced her [Chopin] Ballade, after all enjoying by coronary heart. All went nicely till the sixth web page, when she hesitates and will get confused. In desperation she begins once more, inspired by indulgent applause. However, at the exact same passage, her overwrought nerves betray her once more. Pale as a sheet she rises. Then the grasp, totally irritated, stamps his foot, and calls out from the place he’s sitting: “Cease the place you’re!” She sits down once more, and, within the midst of a sickening silence, she begins the wretched piece for the third time. Once more her obstinate reminiscence deserts her. She makes a determined effort to recollect the ultimate passages, and finally finishes the deadly piece with a clatter of terrible discords.

I used to be by no means current at a extra painful scene. Going out, the grasp upbraided her greater than angrily, as she clung to his arm. He had been severely tried, and he finally misplaced all persistence with the freaks of his pupil. And, this breakdown confirming because it did, his oft-expressed opinion that she was not of the stuff that artists are manufactured from, he not spared her.

Within the spring of 1871, Liszt confided in a letter to his associate, writer Carolyne zu Sayn-Wittgenstein, that the novel concepts of George Sand “[seem] faint and timid to [Janina]” and that she had tried suicide a number of occasions. Nevertheless, he begged Carolyne to not share a phrase of his pupil’s troubles.

Plotting Her Revenge

Olga Janina

Round this time, Janina’s father died, creating new monetary and emotional pressures.

After an ill-fated playing journey to Baden-Baden along with her brother, she crisscrossed the world, making an attempt to determine herself as a live performance pianist. She began out by touring Russia after which shifting to America.

Liszt had inspired her to maneuver abroad. He entrusted her with the three-volume manuscript of his Technical Research to deliver to a writer named Julius Schuberth. The request made a specific amount of sense, as he’d trusted her to work on a good copy again in Rome. Schuberth had promised to present her $1000 for the manuscript, the tough equal of $25,000 immediately. Sadly, one way or the other, she misplaced the manuscript and saved the thousand {dollars}.

Franz Liszt: Technical Research, S.146 (Schuberth’s version)

A contemporary MIDI transcription of Liszt’s Technical Research.

Making an attempt to Homicide Liszt

On 15 October 1871, she cabled Liszt that she was coming again to Europe to kill him. Ten days later, she adopted by means of, exhibiting up at his door along with her well-known revolver and a wide range of harmful medication.

Liszt spent hours speaking to her, and later, two of his pals joined, too. She insisted that the one object she had in life was to homicide Liszt after which die by suicide.

Liszt thought of contacting the police throughout the disaster, however he felt that they wouldn’t get there in time to make a distinction.

She ended their dialogue by taking poison and going into convulsions. Liszt returned her to her lodge, and a health care provider was referred to as. Seems, the poison hadn’t been poison in any respect, and she or he presumably was faking her response.

Liszt’s pals relayed agency situations: she was to go away Budapest instantly or be prosecuted.

The occasion shook Liszt up badly. He defined the scenario in obscure phrases in a letter to Carolyne, and wrote, “I want to neglect this episode as quickly as attainable which, because of my guardian angel, didn’t finish in disaster or in a public scandal.”

Plotting Extra Revenge…With Steamy Novels

Franz Liszt in 1886

Janina then took her weapons and her medication and moved to Paris, the place she carried out Liszt’s works and gave lectures about him. She additionally started to jot down fiction.

In 1874, she printed a novel underneath the pseudonym Robert Franz. (She had clearly chosen the identify to insult a Liszt good friend and confidant, composer Robert Franz Julius Knauth.) She titled her novel Recollections of a Cossack.

The guide is a couple of composer/abbot named Abbot X and his steamy love affair with a pupil. It was a thinly veiled reference to Liszt, who had turn into an abbé in 1865.

The identical 12 months, she wrote one other novel from the attitude of what she imagined Liszt’s response to her first guide could be. She printed it anonymously and referred to as that one Recollections of a Pianist.

Two novels nonetheless, weren’t sufficient. So she created the persona of Sylvia Zorelli, purportedly a good friend of the protagonist of the primary two books, and wrote two extra novels from Sylvia’s perspective: The Loves of a Cossack, by a good friend of Abbot “X”, and The Romance of the Pianist and the Cossack.

She returned to her Robert Franz persona in 1876 to jot down Letters from an Eccentric.

Within the course of, Janina created an entire backstory for her fictional self. One of the vital surprising tales was that she owned a tiger in Ukraine and that the Kiev Conservatory needed to shut down after it attacked one of many college’s leaders. Readers understood that components of her story have been true and different components fabricated, but it surely was by no means clear which have been what.

She capped her novel-writing profession off by sending copies of the books to Liszt’s well-known pals…and the pope.

What Was Liszt’s Response?

So how lots of the occasions in these novels truly occurred? Historians aren’t certain, so it looks like we’ll must be content material not realizing.

What did Liszt consider Janina? There should have been one thing exceptional about her, as a result of regardless of her ferocious one-woman PR marketing campaign in opposition to him, he by no means blamed her for her habits, feeling that she didn’t have full management over herself. “And in my view, she was proficient,” he mentioned.

Olga Janina’s Later Life

In 1881, Janina married author Paul Cézano. She created a house base within the city of Lancy, Switzerland, and thru the early Eighteen Eighties, traveled Europe giving performances. She remade her identification but once more, performing now as Russian pianist Olga Lvovna Cézano.

In 1886, she co-founded the Geneva Music Academy in Geneva, Switzerland. She solely caught round for a 12 months, founding a Larger College of Piano and Concord quickly afterward.

Cézano died in 1887. She remarried a professor and gynecologist named François Vulliet.

She saved performing even after her marriages, and scattered opinions of her appearances have survived. In London, a critic referred to as her “a performer of common caliber at finest, though rumored to have a powerful repute on the Continent.” Evaluations have been extra optimistic in Paris in 1894, the place she gave a live performance of Brahms’s works a number of years earlier than he died.

Her third husband Vulliet died in 1896. She moved to the south of France for some time earlier than returning to Paris, the place she died on 13 July 1914, a number of weeks earlier than the beginning of World Warfare I. True to chaotic kind, she had embraced one final pseudonym: the one-word “Nikto.”

Janina’s Legacy

Olga Janina has been largely forgotten by music lovers. When she’s remembered, it’s normally as being an eccentric, mentally unstable harlot.

However there’s a component of sexism at play there. Hector Berlioz, as an illustration, got here up with a murder-suicide plot similar to Janina’s, coming near killing his pianist fiancée for marrying one other man, and but we nonetheless take heed to his Symphonie Fantastique commonly. Certainly, we even have fun it.

One factor is evident: regardless of no matter psychological well being troubles she struggled with, Olga Janina was somebody who Liszt (at one level, no less than) valued and admired and perhaps even beloved. Her story is price remembering.

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HAYLA&#039, s &quot, Freefall&quot, Is an Ode to Love&#039, s Most Precarious Moments: Talk

HAYLA&#039, s &quot, Freefall&quot, Is an Ode to Love&#039, s Most Precarious Moments: Talk

In a heroic musical dive, HAYLA embraces the tumultuous descent of heart’s doubt in her latest individual,” Freefall”.

Her most recent release, which she collaborates with Grammy-nominated maker Carl Ryden, marks a major step in her career as she gears up for her comeback album period, with an interesting Los Angeles debut performance scheduled for this December.

Musically,” Freefall” is a spiral that mirrors the mental highs and lows of a marriage on the precipice. The song begins with repetitive, percolating basslines that set the tone for HAYLA’s effective vocals, weaving a tale of wanting to let go but feeling uncontrollably drawn up. Her lyrics speak to the somber realization that often, despite best efforts, things are only meant to fail.

As the trail advances, its high-energy manufacturing beams to the forefront. Finding brief moments of clarity in a rocky relationship, like finding musical synth leads glitter through a strained mix. In the crescendoing song, HAYLA’s voice rises above a musical techno-inspired format.

The romantic music, HAYLA says, was born from a specific area of discovery.

In a press release shared with EDM.com, she states that” the story of this song comes after the love ends. When the realization hits that no matter how hard you try to make something work, you ca n’t.” ” The song, however, asks the question of magnetic draw … maybe in another moment it may bring you back together”.

” Freefall” is the last piano one to relieve from HAYLA’s future debut album, which she said likely release somewhere in November. The monitor can be found here on streaming services.

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The expanded model of” Autobiography” is shared by Ashlee Simpson Ross.

The expanded model of” Autobiography” is shared by Ashlee Simpson Ross.

The online edition of the expanded edition is available right away, while the vinyl edition will be available on August 30.

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Support: Courtesy of Geffen Records

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In honor of its 20th celebration, Ashlee Simpson Ross has just released an expanded version of her debut album Autobiography. On August 30th, an exclusive vinyl version sold through Urban Outfitters and Interscope.com may be released, along with a modern version that was released today. Both cassettes can be pre-ordered right away. The new version features three specific benefit songs:” Harder Every Day”,” Sorry”, and” Unlimited June”.

The Ashlee Simpson Show star Jessica Ross ‘ debut book, which she released in the summer of 2004 while starring in her first year of MTV truth, quickly climbed to the top of the Billboard Hot 200. The popularity of Simpson Ross ‘ show, which had chronicled her day-to-day living as she prepared to launch the song, was in part credited with the victory.

Simpson Ross even shared a new ATMOS combination of her comeback hit” Pieces of Me”, Autobiography‘s lead one and one of her most widely-known paths to time. Peaking at No. The music was certified platinum by 2005 and was named Song of the June at the 2004 Teen Choice Awards and placed fifth on the Billboard Hot 100.

Buy Autobiography right away.

Viola d’amore: The Violin with Freebies

Viola d’amore: The Violin with Freebies

The viola d’amore ( or viol of love ) is a violin with a difference. Instead of the typical 4 chords as on the instrument, it can have away to 14 strings – seven bowed and seven that are’ friendly’ cords, i. e., they resonate but are not bent.

The 18th-century violin violet d’amore by Johannes Florentus Guidantus is soon apparent given the strange account of the piece, the use of flame openings rather than violin’s f openings, and the addition of additional strings.

Guidantus: Viola d’amore ( New York: Met Museum )

The friendly strings pass through the gate and under the neck, while the seven playing chords run across the top of the bridge. We can see how the two cords operate from the Guidantus instrument’s part perspective.

Guidantus: Viola d’amore – side view ( New York: Met Museum )

The pegbox’s best is typically a head, in keeping with the expressing ‘ designs.

Guidantus: Viola d’amore – head ( New York: Met Museum )

Vignali: viola d’amore with blindfolded head, 1911 ( Venice: Museo della musica )

J. U. Eberle: Viola d’amore with head, 1740 ( Jonathan Hill collection )

The instrument’s structure may also change. German violinists ‘ work is combined with several other tools in one. The system is a European violet d’amore, with the throat and pegbox of an older cello d’amore. The top of the pegbox is a lion-head. Around 1900, the device was created.

European violet d’amore with bear head, the 1900 ( New York: Met Museum )

This Giovanni Grancino viola d’amore from 1701 also has an unusual condition but the best standard instrument skim.

Grancino: viola d’amore, 1701 ( New York: Met Museum )

These strange instruments did not have friendly strings that were unique. Other Western devices, typically in the folk custom, had these, including the Finnish nyckelharpa and the Scandinavian hardanger violin. In India, the melody is the primary instrument with friendly strings.

Norwegian Hardanger Fiddle, 1786 ( New York: Met Museum )

What was the place of the more strings? They have a distinct sound that’s often described as having a’ silvery’ tone, and they resonate more than the regular bent strings, since they remain undisturbed. Artists including J. S. Bach, Vivaldi, Telemann, Haydn, and Locatelli all wrote for the equipment.

You may hear the echo effect in the viola d’amore’s playing in the beautiful background of the main musical line in this recording of music by the then unknown late-18th century composer Robert Gaswind.

Robert Ganswind: Viola d’amore Concerto in D Major – I. Tempo moderato ( Dorothea Jappe, viola d’amore, Capella Clementina, Helmut Müller-Brühl, cond. )

It’s an unusual sound and other composers, as mentioned above, adopted the instrument.

As expected, Vivaldi wrote a concerto for the viola d’amore.

Antonio Vivaldi: Viola d’amore Concerto in D Minor, RV 394 – III. Allegro ( Adrian Chandler, viola d’amore, La Serenissima, Adrian Chandler, cond. )

One in the modern day was Paul Hindemith, who wrote for the viola d’amore and piano in his Kleine Sonata, Op. 25, no. 2. Indemith was a violist, and in 1922 he discovered the viola d’amour, a rather amazing instrument that has since become quite inaccessible and for which there is only a small body of literature. The most exquisite sound you can imagine, unquestionably sweet and soft. Although it’s challenging to play, I play it with enthusiasm and the audience enjoys it.”

Hindemith and his viola d’amore

Paul Hindemith: Kleine Sonata, Op. 25, No. 2 – II. Sehr langsam ( Gunter Teuffel, viola d’amore, Anthony Spiri, piano )

Danish composer Poul Rovsing Olsen ( 1922–1982 ) picked up on the viola d’amore but combined its “gentle, ingratiating sound” with his own study of Oriental music. As a work for solo viola d’amore, the piece gives us the opportunity to appreciate all that the viola d’amore can do: its rich resonance, the silvery upper sound and the warm lower sound, all while being a violin-like instrument.

Poul Rovsing Olsen: Pour une viole d’amour, Op. 66 ( Anette Slaatto, viola d’amore )

It’s a strange sound that seems to transport us further into the world of strings than a violin or even viola can. The sympathetic strings’ resonating sound repeatedly echoes back and forth, making it sound like it’s in a mirror world.

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