Acustica Audio Alice 9 Synthesizer widget is approaching soon

Acustica Audio Alice 9 Synthesizer widget is approaching soon

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Acustica Audio Alice 9 is an upcoming Synthesizer widget for mac and Windows that is an initial synthesis and not an imitation of a typical.

Just before the end of 2024, the European firm Acustica Audio entered the Synthesizer plugin industry with two releases: Point, a Roland Jupiter-8 imitation, and the completely synth TH2. Both synths have been well-received by thȩ ǥroup and sound verყ good.

Acustica Audio’s following oscillator plugin, Alice 9, may be released in April. The designers have previously provided a teaser.

Acustica Audio Alice 9

Alice 9 is an upcoming novel Synthesizer widget for mac and Windows. Due to Acustica Audio, it will be an initial widget, not a copy of a typical Synth from the previous, but with the DNA of the previous TH8 synthesis.

Visually, the synthesizer reminds me of antique Roland or the latest UDO synths.

Four harmonics will be at its base. The initial two use sampled pulses from antique and contemporary instruments. The designers said įt’s a mixture of conventional pulse generatįon anḑ picking, but it’s not α sample or a wavetaƀle syȵthesizer. In a devoƫed ɱenu, you cαn choose from example frequencies.

Both harmonics aIso feature parameters for the test start, a collectioȵ ⱨandle, VCO 2 mȩlody, and mixing. On the other hαnd, VC0 3 αnd VCO 4 seem to ƀe traditional harmonics without a test cause. Also, you have VCO modification, like PWM and a dedicated VCO blender.

Finally, you haⱱe a multimoḑe filter, tωo letters, two LFOs, anḑ a VCA part modulable with aȵ LFO. Iƫ also has a multi-FX computer to develop youɾ ȿounds, įncluding concentration, voice screen, sσng, delay, and reverb.

There is also aȵ advanced arpeggiator package anḑ several using functions suçh as portαmento, modwheel projects, and mσre.

First Impression

Åt first glance, įt looks very mμch like another classic subtractive Synthesizer. The features are not blowing me away. Ęven though you can already hear some sound snippeƫs iȵ the preview, I’m curįous to hear what tⱨe reIease version will sound like.

Acustica Audio Alice 9 will be available on April 10, 2025.

More information here: Acustica Audio

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See David Guetta, Afrojack and Sia Perform &quot, Titanium&quot, Live for the First Time at Ultra 2025

See David Guetta, Afrojack and Sia Perform &quot, Titanium&quot, Live for the First Time at Ultra 2025

Ultra has long been the epicenter of historical events in electronic music, but for the show’s 25th anniversary, its promoters pulled off something that had eluded the business for over a generation: the first-ever live efficiency of” Titanium” by its original partners: David Guetta, Afrojack and Sia.

Since its 2011 launch,” Titanium” has transcended mere chart-topping success to become a generational party anthem, a four-billion-stream giant forever etched in the DNA of both music and digital audio. But despite the circuit’s accessibility, the group behind it had never performed it together—until today.

David Guetta, Afrojack and Sia doing” Titanium” live for the first time at Miami’s Ultra Music Festival on March 28th, 2025.

c&amp, sun, o Ultra Music Festival

Ultra’s Mainstage, noω a sanctuary to describing events iȵ waltz music, bȩcame the proving grouȵd for ƫhis long-awaited scene. Afrojack hinted at a shock by spinning Guetta’s Akon-fueled club hit” Hot Bitch” before the European icon took the stage moments afterwards, thinking about obtaining a fresh Afrojack and their storied history.

” If there’s anyone to do this right now and to try to change the scene a little bit, it’s us”, Afrojack told EDM. com in an interview back in 2021.

Then Sia, swathed in custom Dolce &amp, Gabbana and her signature wig, made her first-ever EDM festival appearance. Her unmistakable voice cut through the Miami night for a one-of-a-kind performance, proving that even in an age of hyper-accessible content, some moments still demand the magic of live music.

Watch footage from the performance of” Titanium” below.

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A post shared by David Guetta ( @davidguetta )

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Lengthy Time No See Comedy Podcast Returns for Season 2

Lengthy Time No See Comedy Podcast Returns for Season 2

Hear through: Apple Podcasts | Spotify | Amazon Music | Extra Platforms

With out additional ado, please take away your blindfolds, and prepare for Season 2 of the Lengthy Time No See podcast! In partnership with the Consequence Podcast Community and Los Angeles’ Gold-Diggers, the creators of the massively in style Lengthy Time No See Comedy showcase sequence are again with the podcast that places a pair of thriller comedians on the spot with a sequence of questions on their lives, careers, and opinions. Hearken to the trailer above, or watch it under.

Created by LTNS co-founders Wes Brumbaugh and Jack Fink, the Lengthy Time No See podcast’s distinctive format drops your favourite comics right into a scenario with no sight, no scripts, simply unfiltered, hilarious, and surprisingly insightful conversations. The friends might be outdated pals, full strangers, or simply somebody they’ve seen across the circuit. Regardless of the relationship, they’ll be requested about their ineffective skills, worst stand-up units, and the way enticing they’re with out utilizing a 1-to-10 scale.

What’s the worst fad they’ve been into? What job would they be horrible at? Dumbest factor somebody’s mentioned to them after a set? The place or whom would they hang-out in the event that they had been a ghost? As soon as the blindfolds are off, all the things’s on the desk!

Season 2’s friends embody Alec Flynn, Courtney Parchman, Joel Jimenez, Arijana Ramic, John Hastings, Maddi Mays, Eleanor Kerrigan, Max Meisel, Bruce Grey, Nicky Paris, and extra. The brand new season of Lengthy Time No See begins on March twenty eighth, with new episodes dropping each Friday.

Catch all of the side-splitting sit-downs by following Lengthy Time No See wherever you get your podcasts. Full video episodes will even be out there proper right here on Consequence and on the Gold-Diggers Media YouTube web page.

Lengthy Time No See: The Podcast is created in partnership with Gold-Diggers. Equal elements completely tuned bar, music venue, boutique lodge, and state-of-the-art recording advanced, Gold-Diggers is positioned in East Hollywood, California. The campus is particularly designed to be a house away from residence for artists, producers, writers, and music lovers from LA and around the globe. With that spirit, Gold-Diggers is stepping right into a inventive position by way of a manufacturing entity: Gold-Diggers Media.

Common Audio Apollo x8 Gen 2 — A Combine Actual-World Evaluation

Common Audio Apollo x8 Gen 2 — A Combine Actual-World Evaluation


MIX VERDICT: UNIVERSAL AUDIO APOLLO X8 GEN 2
THE TAKEAWAY: “The sound high quality is superb, and just about each characteristic you would possibly want for recording and mixing is offered and intelligently carried out.”
COMPANY: Common Audio • www.uaudio.com
PRICE: $2,899
PROS:
• Complete characteristic set for recording, mixing and mastering.
• Improved audio specs.
• Apollo Monitor Correction integrates Sonarworks expertise.
• Assistive Auto Achieve speeds workflow.
• Bass Administration permits simple integration of subwoofers.
• Plug-in bundle upgrades out there that supply glorious worth.
• New end, knobs and buttons.
CONS:
• Apollo Monitor Correction requires a further cost.
• Thunderbolt 3 cable not included.
• Not all Unison plug-ins work with Assistive Auto Achieve.

New York, NY (March 21, 2025)—Common Audio lately launched Gen 2 of its Apollo X interface vary, including options and bettering the specs of an already stellar line. Like Gen 1, the Gen 2 lineup options Thunderbolt 3 connectivity and helps as much as 24-bit, 192 kHz decision. The road, which helps each Mac and Home windows, contains desktop fashions Twin x Duo, Twin x Quad and x4, and 5 rack fashions: the x6, x8, x8P, x16 and x16D (the D is for its Dante connectivity).

UA modified the end from Gen 1 to a lighter shade of silver—a nod to the unique Apollos from 12 years in the past—and up to date the buttons and knobs. In any other case, the bodily format of the gadgets, together with the I/O and metering, has remained the identical.

The corporate loaned me a x8 Gen 2, one of many rackmount Apollos, for this assessment. Whereas it will likely be the main target right here, a lot of the new options can be found throughout the Gen 2 vary, and one, Apollo Monitor Correction, is even backward-compatible with the Gen 1 items.

The interface connects to your laptop utilizing a Thunderbolt 3 cable. Such cables are comparatively dear, and contemplating the price of these interfaces, UA actually ought to embody one.

Like its Gen 2 siblings, the x8 helps 24-bit, 192 kHz decision. Like the opposite rackmount fashions within the line, it affords six cores of DSP. The full I/O rely on the x8 is 18-in and 24-out in the event you embody the ADAT and S/PDIF digital ports, which, when related to a suitable outboard gadget, provides 10 further inputs and outputs.

The unit can deal with as much as eight channels out and in of analog audio. On the enter aspect, you need to use any mixture of its 4 XLR mic inputs, eight 1/4-inch TRS line inputs on the again panel and two front-panel 1/4-inch Hello-Z instrument inputs. The outputs, all DC-coupled, embody 10 1/4-inch line outs (together with the 2 monitor outputs) on the again and two individually addressable stereo headphone outputs with quantity controls on the entrance.

To get essentially the most out of the interface, UA features a highly effective companion app known as UAD Console, which you employ for monitor management, creating monitor mixes and accessing varied different consequential options. Every enter channel in Console incorporates 4 insert slots for recording or monitoring by UA plug-ins, plus one slot for a Unison preamp plug-in. The latter permits you to report by UA’s Unison preamp plug-ins, with management of achieve staging and impedance from Console or the interface itself.

Because of the conversion enhancements, the Gen 2 x6 and x8 fashions have enhanced dynamic vary and decrease THD throughout a number of inputs and outputs. UA improved the conversion on the Twin x and x4 desktop interfaces much more dramatically, bringing them into tough parity with the rack items. Consequently, any new Apollo you purchase will probably be within the higher echelon {of professional} audio interfaces by way of audio specs.

UA Apollo x8 Gen 2.

SONAR READINGS

Probably the most buzz-worthy addition to Apollo x Gen 2 is Sonarworks integration. Dubbed “Apollo Monitor Correction,” it stems from a collaboration between UA and Sonarworks. For these unfamiliar, Sonarworks SoundID Reference software program gives acoustical correction of your monitoring area and headphone optimization for a lot of fashionable headphone fashions.

For the previous, it sends check tones by your screens and instructs you to put a measurement microphone in a number of areas. The measurements it takes are used to create a correction profile, which compensates for room anomalies akin to room modes and flattens out the frequency response general.

When used by itself, you’d usually place SoundID Reference on a DAW’s grasp bus or as a “Systemwide” app that impacts all audio on the pc. When it’s on the grasp bus, you have to keep in mind to bypass the plug-in once you bounce, or the compensation it applies—which is strictly for monitoring—will get printed.

Apollo Monitor Correction, which may also work with Gen 1 interfaces, permits you to embed your Sonarworks correction profile within the interface. For headphones, the correction is positioned on the headphone output, and for audio system, it’s positioned on the monitor output. Due to this fact, its processing doesn’t influence your bounces, creating extra of a “set and overlook” workflow than is typical with SoundID Reference.

You possibly can concurrently embed presets for each screens and headphones, so that you don’t have to modify between them such as you do when operating SoundID Reference natively. You possibly can flip it on and off and change between profiles contained in the Console software.

On the rackmount interfaces (each Gen 1 and Gen 2), you may also have a completely different preset for every headphone output. I’ve used the SoundID Reference plug-in for a number of years, and its implementation in Apollo Monitor Correction is considerably extra handy.

Nonetheless, a further buy is required. You should purchase SoundID Reference and add one other $79 to get the Apollo Monitor Correction license from Sonarworks. In the event you’re an current SoundID Reference proprietor, you solely have to spring for the license.

UAD Console exhibits the Assistive Auto Achieve window open.

GAINING THE SYSTEM

One other helpful new Gen 2 characteristic known as Assistive Auto Achieve. Managed by the Console app, it creates a customized enter achieve setting primarily based on the enter supply degree. To make use of it, press the Auto-Achieve button on the Console channel you’re recording into. The Auto-Achieve floating window opens. By default, it listens for 10 seconds earlier than creating its setting, however the period is adjustable.

Whenever you’re prepared, press the Begin button and start enjoying, singing or talking. Inside the specified time-frame, Console units the enter degree on the Apollo. I virtually at all times discovered these computerized settings usable, with loads of achieve and no clipping. Naturally, that assumes your instrument or vocal degree stays in the identical neighborhood as what you enter in the course of the degree test.

Sonible prime:vocal — A Combine Actual-World Evaluation

Once I first realized about this characteristic, I assumed, “I can set my very own ranges; why do I would like that?” Nonetheless, as soon as I attempted it out a number of occasions, I spotted that shortly nailing correct input-gain ranges sped up my workflow. I didn’t have to return and alter the enter practically as a lot as I’d have had I been setting ranges manually.

Assistive Auto-Achieve works with some, however not all, of the Unison plug-ins. Presently, it’s solely suitable with Neve, SSL and API plug-ins.

MANAGING DOWN, GRAVY ON TOP

One other new characteristic is Bass Administration, which is designed to make integrating a subwoofer into your stereo or multichannel monitoring system simpler. It may be managed by the Monitor Controller window in Console. It’s additionally backward-compatible with Gen 1 interfaces.

With Bass Administration enabled, you may choose considered one of three crossover frequencies: 80 Hz, 100 Hz or 120 Hz. The steepness of the crossover filter slope is adjustable between 12 and 24 dB/octave. Whether or not you add a subwoofer to a stereo monitor pair or to the LFE channel in a encompass setup, Console will ship the low-frequency sign to a delegated line output on the again of the Apollo.

Whenever you buy an Apollo Gen 2 interface, you get the UAD Necessities + Version bundle, which incorporates 32 plug-ins in varied classes.

Just like the Gen 1 Apollos, the brand new fashions supply tight integration with UAD’s free LUNA DAW. This contains assist for Unison preamps, computerized enter configuration, management of DAW parameters from Apollo {hardware} and extra.

Among the many many capabilities of the floating Monitor Controller window in UAD Console is the power to allow Apollo Monitor Correction.

THE EXPERIENCE

For the previous two months, I’ve used the Apollo x8 Gen 2 as my major interface. I’m fairly impressed with its design and workflow. Recording and mixing with this interface is like driving a luxurious automotive. The sound high quality is superb, and just about each characteristic you would possibly want for recording and mixing is offered and intelligently carried out.

That implementation contains the best way the {hardware} combines with the Console software. Monitoring by UAD plug-ins—each Unison and in any other case—within the Apollo setting is seamless. It doesn’t require that you just create aux tracks and buses in your DAW, as you have to do to trace by plug-ins on most interfaces. Utilizing Console’s insert slots, I might simply report electrical guitar and bass elements by UAD amp sims, which is a useful choice.

Apollo Monitor Correction is a handy option to combine Sonarworks SoundID Reference correction into your system. I’m comfortable that UA additionally made it suitable with Gen 1 interfaces. Not all producers would have completed that, and it exhibits that UA respects the numerous funding its Gen 1 prospects have already made.

The opposite new options, like Assistive Auto Achieve and Bass Administration, additional improve Apollo’s capabilities.

I extremely advocate the x8 or any of the Gen 2 items. They’re not cheap, however between the pristine audio high quality, complete characteristic set, and the entire UAD ecosystem, you may make certain that your cash will probably be effectively spent.

‘A Tabua de Esmeralda’: Jorge Ben’s Brazilian Basic

‘A Tabua de Esmeralda’: Jorge Ben’s Brazilian Basic


The album actually and figuratively noticed Jorge Ben mix his many pursuits into one in every of Brazilian music’s most beloved LPs.

Printed on





Cowl: Courtesy of Common Music

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Jorge Ben by no means fairly match any of the Brazilian music traits of the Sixties and Seventies. He was mates with seemingly everybody, although: Ben was a celebrated visitor on Caetano Veloso and Gilberto Gil’s avant-garde TV present Divino Maravilhoso. Across the similar time, he additionally appeared on O Fino da Bossa, introduced by Elis Regina and Jair Rodrigues, which catered to a extra MPB-oriented viewers.

With 1974’s A Tábua de Esmeralda, Ben actually and figuratively mixed all of his pursuits into one in every of Brazilian music’s most beloved albums. Closely influenced by the brand new wave of mysticism that was taking Brazilian music by storm (Raul Seixas’ Krig-Ha, Bandolo! and Tim Maia’s Racional Vols. 1 & 2 are different nice examples), A Tábua de Esmeralda drew inspiration from the world of hermeticism and alchemy, particularly the work of Nicolas Flamel: “I’ve a lot respect for the work of an alchemist,” Ben declared on the time of the album’s launch, “as a result of he dedicates his life to finding out and researching with unparalleled religion and perseverance.” Although Ben would later confess that his makes an attempt at deciphering historical texts might need resulted in lower than correct interpretations, his fascination with this universe might be noticed not solely within the album’s lyrics but in addition in its cowl, which was assembled from photos present in a ebook by Flamel.

Hearken to Jorge Ben’s A Tábua de Esmeralda now.

Jorge Ben’s flirting with the esoteric isn’t the album’s sole theme. His Afro-Brazilian id, which had already taken center-stage in lots of his earlier compositions (“Negro É Lindo,” “Cassius Marcello Clay,” “Crioula”), can be represented in A Tábua de Esmeralda, notably by means of the track “Zumbi.” A direct reference to settlement chief Zumbi dos Palmares, the track options quite a few allusions to colonialism and slavery, using sturdy visible motifs (“white cotton” picked by “black arms”) and geographical name-dropping (“Angola, Congo, Benguela”) to assemble a vivid image.

A Tábua de Esmeralda’s lyrical experimentation, allegorical references, and revolutionary method to samba-rock are all causes that the album stays one in every of Ben’s finest. The file additionally showcases a singular sensibility when it comes to id efficiency, prompting journalist Tiago Ferreira to call Jorge Ben “probably the most Brazilian of all musicians” whereas describing the album as “alchemist-samba.” Certainly, A Tábua de Esmeralda performed an vital ideological position in Black Rio, a motion usually considered the Brazilian response to Black Energy.

Rating sixth on Rolling Stone Brazil‘s listing of the Finest Brazilian Albums of All Time, A Tábua de Esmeralda‘s enduring legacy and pioneering contribution to Brazilian music are maybe finest summarized by Aramis Millarch’s 1974 assessment of the album: “Only a few artists managed to not observe any pop music development, letting music traits observe them as a substitute. [This record] demonstrates the extent and the integrity that Jorge Ben has managed to attain along with his work.” Or, as journalist Maris Clara Silva as soon as put it, this album is forty minutes of “peace, pleasure, and brotherhood.”

Hearken to Jorge Ben’s A Tábua de Esmeralda now.