Meltdowns & Emotional Ambushes: Podcast featuring The Shrinking Cast

Meltdowns & Emotional Ambushes: Podcast featuring The Shrinking Cast

Apple Podcasts, Spotify, Amazσn Podcasts, and other prσgrams are available to subscrįbe via.

As Seasσn 3 of Aρple TV’s Shrinking begins, the show is moɾe focusȩd on launching deep into iƫs tⱨoughts, arms wide, and witⱨout a helmet. Ƭhe cast and Kyle Meredith sat down to discuss how tⱨis tiɱe increases the personaI impact, deepens the laughs, and shaɾpens the discomƒort. A line that is no longer showing itself, but rather daring itself to go further is made again with Jessica Williams, Michael Urie, Ted McGinley, and Christa Miller. Listen in the audiobooks above or wherever you can find them.

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That trust is present in Williams ‘ portrayal of Gabby, even in situations where the sitcom completely fades. She claims that she requested that her heavier moments get filmed first thing in the morning so she wouldn’t have to focus on being physically “loaded” during the presentation because she doesn’t want to have to rev up after joking all the way home. However, Uria discusses how Brian’s episode keeps destroying thȩ sense of security hȩ once ⱨad regarding hiȿ persσnal life. According to Uɾie,” He believed that everything often woɾked ouƫ. ” And he’s revealing really publicly that that’s not how lifestyle works over the course of three months. The show’s crafty personal weight comes from that slow overcoming.

According ƫo McGinIey, whose Derek has secretly become one of the show’s personal cabIes, Season 3 suddenly lets tⱨe fiǥure ɾeveal wⱨat lurks beneath the character’s covert appearaȵce. He points oưt thαt Derek is “kind oƒ an iceberg. ” There is a full foundation under the surface, as the saying goes goes. And then there is Miller, who plays both Łiz αnd the musiç supervisor σf the show, whσ admits she’s larǥely alwayȿ outside the show’s territory. Sⱨe cIaims that she is in Liz while thȩ music is beiȵg worked on wⱨile the fįlming, aȵd that she iȿ still there after the incidents are finished. No, I definitely can’t put her away, then.

In the fresh season above, watch the video below, or watch the solid discuss Receding Season 3 and more. On Apple Teleⱱision, you çan watch every episode of Recedinǥ. Follow Kyle Meredith With… on your preferred audio system, and subsçribe to the Consequence Podçast Network ƫo listen to all ƫhe nȩwest episodes.

The DJM-V5 from AlphaTheta: 3 channels, 4-band EQ, V10 sound – no Beat FX or crossfader.

The DJM-V5 from AlphaTheta: 3 channels, 4-band EQ, V10 sound – no Beat FX or crossfader.


AlphaTheta has launched the DJM-V5, a compact 3-channel DJ mixer constructed on the sound structure of the DJM-V10, bringing flagship-style sound shaping right into a smaller format. Accessible late January 2026 with a MAP of $2,199 USD, the V5 consists of 4-band EQ and channel compression on each channel, per-channel Ship FX, multi-mode filters, 96 kHz / 64-bit DSP, and ESS 32-bit A/D and D/A converters on key sign paths. It additionally provides a brand new cross-pass filter for shaping mids and highs with out chopping low finish, plus built-in SonicLink wi-fi headphone monitoring.

Somewhat than focusing on giant membership installations, the DJM-V5 is geared toward DJs who prioritize tonal management, layered mixing, and hybrid workflows in smaller venues and residential studios. With PRO DJ LINK, USB-C help for rekordbox and Serato, USB ship/return for exterior results, and cell gadget integration, it’s designed as a compact hub for contemporary DJ and hybrid setups.


V10-Model Mixing in a Smaller Format

The DJM-V5 carries over a number of core components from the DJM-V10, together with:

  • 4-band EQ per channel
  • Channel compressor
  • Devoted filter per channel
  • Ship FX with per-channel ship knobs

All of that is housed in a chassis roughly 30% smaller than the V10, whereas retaining long-throw channel faders derived from the V10-LF.

A brand new Smooth Combine Curve mode subtly reduces high-frequency vitality throughout transitions to help smoother blends when layering a number of tracks. This structure favors managed, tonal mixing over quick cut-style efficiency strategies.

Audio Structure and Processing

The mixer makes use of 96 kHz / 64-bit inner DSP with 32-bit ESS A/D and D/A converters on channel inputs and the grasp output. AlphaTheta positions the V5 nearer to studio-grade mixing efficiency, with tuning centered on sustaining readability when stacking a number of audio sources.

This makes the DJM-V5 well-suited to DJs who depend on lengthy blends, harmonic layering, and dynamic EQ shaping.

Ship FX and Cross-Cross Filtering

The DJM-V5 consists of six Ship FX:
Brief Delay, Reverb, Shimmer, Tape Echo, Ping Pong, and Echo-Verb. Every channel has its personal ship management, and time parameters are stepped for tempo-based results and easy for ambient results.

Every channel additionally options three filter modes:
– Low-pass
– Excessive-pass
Cross-pass, which preserves low frequencies whereas shaping mids and highs

The cross-pass filter is designed for modifying melodic and vocal content material with out eradicating bass vitality, supporting extra delicate tonal transitions.

Wi-fi Monitoring and Connectivity

The DJM-V5 is the primary mixer with a built-in SonicLink wi-fi transmitter, enabling low-latency monitoring with suitable headphones such because the HDJ-F10. Pairing is dealt with instantly on the mixer, with future headphones supporting touch-to-pair.

Connectivity helps hybrid and recording workflows, together with:
PRO DJ LINK with CDJ-3000 / 3000X and rekordbox
Hyperlink Cue for monitor preview with out loading
– USB-C to PC/Mac for rekordbox or Serato DJ Professional (license required)
– Prime-panel USB-C for iOS units, RMX-IGNITE, and DJM-REC
– USB ship/return and insert routing for exterior results

This makes the V5 appropriate for compact hybrid setups and streaming-oriented rigs.


Tech Specs

  • Dimensions: 302 × 437.5 × 107.9 mm
  • Frequency response: 20 Hz – 40 kHz (LINE)
  • S/N ratio: as much as 110 dB (USB)
  • THD: 0.005% (LINE-MASTER)
  • Inputs: 3x LINE, 3x PHONO, MIC combo, RETURN
  • Outputs: XLR Grasp, TRS Sales space, Ship, Rec, twin headphone outs
  • Twin USB-C, LAN, SonicLink headphone output
  • Weight: 17 lbs / 8 kg

Fast Comparability: DJM-V10 vs DJM-V5 vs DJM-A9

DJM-V10 — Flagship efficiency mixer
Finest for: Massive cubicles, hybrid reside/DJ setups, multi-device rigs

  • 6 channels
  • 4-band EQ per channel
  • Channel compressors and filters
  • Intensive routing and ship/return choices
  • Designed for simultaneous decks, devices, and exterior FX
  • Massive footprint, premium value tier
  • Widespread in pageant levels and high-end membership installs

DJM-V5 — Compact sound-design mixer
Finest for: Layered mixing, hybrid-lite setups, smaller cubicles and studios

  • 3 channels
  • 4-band EQ per channel
  • Channel compressors and filters
  • Ship FX with per-channel management
  • Cross-pass filter for mid/excessive shaping whereas preserving bass
  • Constructed-in SonicLink wi-fi monitoring
  • Smaller footprint, lower cost than V10
  • Aimed toward DJs who prioritize tonal management over channel depend

DJM-A9 — Membership-standard efficiency mixer
Finest for: Conventional multi-deck DJ workflows in membership environments

  • 4 channels
  • 3-band EQ per channel
  • Beat FX and Shade FX efficiency structure
  • Optimized for CDJ-based setups and quick transitions
  • Acquainted structure for many membership DJs
  • Deal with efficiency results moderately than deep sound sculpting

Who’s it for – and is it price it?

The DJM-V5 makes probably the most sense for DJs who:
– Layer a number of tracks
– Use exterior results or devices
– Prioritize tonal steadiness and spatial management
– Carry out in smaller cubicles or studio environments

It’s much less fitted to:
– Scratch-focused efficiency kinds
– DJs who want 4 or extra channels
– Efficiency workflows centered on pads and speedy cue triggering

The DJM-V5 is just not positioned as a club-standard alternative. As a substitute, it adapts the DJM-V10’s sound-shaping strategy right into a extra accessible, space-efficient format. By lowering channel depend whereas preserving audio structure and mixing instruments, AlphaTheta is focusing on DJs who deal with the mixer as a part of the efficiency instrument, not only a routing gadget.

At $2,199, the DJM-V5 sits in a centered area of interest: compact mixers constructed for tonal management, layered mixing, and hybrid flexibility moderately than most channel capability. For DJs working in tighter areas who nonetheless need V10-style sound design, the V5 fills a selected and beforehand underserved slot within the lineup.

The DJM-V5 from AlphaTheta is out there in our store for $2,199 USD. You’ll additionally want the newest firmware replace from AlphaTheta with the intention to use it.

Neil Diamond: A 5-Decade Songwriting Celebration

Neil Diamond: A 5-Decade Songwriting Celebration


A have a look at some landmark songs throughout 5 a long time of very good songwriting.

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The March 2017 launch of Neil Diamond 50 — The 50th Anniversary Assortment not solely marked half a century of creativity by an American unique. It additionally supplied the prospect to single out some landmark songs from the compilation, throughout 5 a long time of very good songwriting and performing by this Grammy Award-winning member of the Rock and Roll Corridor of Fame, born on January 24, 1941.

Browse Neil Diamond’s music on restricted version vinyl and CDs right here.

1966-1976: No Solitary Man

The 50 retrospective noticed the 50th anniversary of 1966’s “Solitary Man,” the primary hit by Brooklyn-born Neil Leslie Diamond. He had paid loads of dues by then as a jobbing songwriter and formative recording artist. A few of these experiences have been certainly solitary of their lack of wider recognition, however they served him effectively as soon as he made the grade and have become prolifically profitable.

“Solitary Man” was prefaced by his first hit cowl, when Jay and the Individuals took Diamond’s “Sunday And Me” into the US High 20 in late 1965. When the Monkees grew to become worldwide TV and recording sensations, the New Yorker performed a key position, as they sang his “I’m A Believer,” “A Little Bit Me, A Little Bit You,” and others.

However Diamond was now conserving lots of his finest songs for himself, hitting the US High 10 with different such early gems as “Cherry, Cherry” and “Woman, You’ll Be A Lady Quickly.” By the late Nineteen Sixties, he was complementing his singles output with chart albums, tapping into the LP market with such discs as Touching You, Touching Me, the 1969 set whose title was impressed by “Candy Caroline.” That was one among many anthems in a decade that additionally included his two solo US No.1s, “Cracklin’ Rosie” and “Track Sung Blue.”

1977-1986: Hey Once more

After 1976’s Stunning Noise, produced by Robbie Robertson, Diamond segued effortlessly into his second decade of acclaim with such albums as I’m Glad You’re Right here With Me Tonight and You Don’t Carry Me Flowers. The title track of the latter LP gave him a 3rd US bestseller in an impressed pairing together with his old style buddy Barbra Streisand.

Diamond was already famous for his momentous dwell exhibits, which had produced 1972’s celebrated Sizzling August Nights album. That was adopted in 1977 by Love At The Greek, recorded like its predecessor on the Greek Theater in Los Angeles. Because the clock turned to the Nineteen Eighties, the hit songs continued to pour from him, together with three consecutive American High 10 singles in “Love On The Rocks,” “Hey Once more,” and “America.” All three got here from the soundtrack of the 1980 remake of The Jazz Singer, by which Diamond starred alongside Laurence Olivier. 

An unbroken run of gold and platinum-selling albums of the interval included September Morn and Heartlight, the title observe from which grew to become one other High 10 success, impressed because it was by the smash hit film E-T. This was additionally the last decade by which British reggae band UB40 took Diamond’s “Purple Purple Wine” to the highest of the UK charts in 1983, a feat it repeated in America in 1988.

1987-1996: Backwards & Forwards

All the time exploring new avenues as a author and performer, Diamond’s catalog from the later Nineteen Eighties to the mid-90s included a nod to his early days on Up On The Roof — Songs From The Brill Constructing, in 1993, and the country-themed Tennessee Moon album of 1996. The primary noticed him addressing the classic pop songs of others, from Leiber & Stoller to Bacharach & David, however the second had him duetting on his personal new materials, with such fellow nice voices as Waylon Jennings and Raul Malo.

His songs could not have been that includes on the Billboard Sizzling 100, however Diamond continued to be a fixture on the Grownup Up to date charts. Throughout the decade, he had High 10 AC singles with “This Time” and “The Finest Years Of Our Lives,” each from the 1988 album additionally titled The Finest Years Of Our Lives, which went gold as regular.

By now, Diamond was reaching one other new era of followers, with lots of his earlier hits enshrined as all-time American classics. He fortunately carried out them on his many excursions, and located nice success with two Christmas albums within the first half of the 90s, the primary of which bought 4 million copies within the US alone.

1997-2006: A 12-song Rebirth

Diamond was now equally comfy taking up whole discs of themed covers, reminiscent of 1998’s The Film Album: As Time Goes By, as he was collections of his personal continuingly productive songwriting. In 2001, he launched Three Chord Opera, whose 12 songs included the High 30 Grownup Up to date hit “You’re The Finest Half Of Me.”

In 2000, Diamond was paid an enormous creative praise when Johnny Money lined his “Solitary Man,” and made it successfully the title observe, on the third instalment of his American Recordings sequence, American III: Solitary Man. Herein was a hyperlink to a outstanding refuelling of Neil’s personal profession just a few years later. In 2005, the producer of these momentous Money albums, Rick Rubin, oversaw an identical retooling of Diamond’s sound and picture.

The album in query was 12 Songs, which stripped Neil’s songwriting again to its important incisiveness and was universally hailed as his finest work in a few years. Certainly, most of the musicians who performed on the Money albums have been current right here, together with Mike Campbell and Benmont Tench from Tom Petty’s Heartbreakers; 12 Songs (that includes “Hell Yeah”) additionally contained a visitor look by Brian Wilson on the particular version bonus observe “Delirious Love,” and the last-ever album contribution by Billy Preston, who died the next yr.

2007-2016: Diamond Is Eternally

2008 was one other banner yr for Diamond, as he made good on the momentum of 12 Songs with Dwelling Earlier than Darkish. Once more produced by Rubin and that includes “Fairly Wonderful Grace,” the album gave him a primary on the age of 67, because it went straight to the highest of each the US and UK charts. He celebrated the achievement by enjoying at that yr’s Glastonbury Pageant to a dwell viewers of 100,000 and hundreds of thousands extra on tv.

One other festive launch, A Cherry Cherry Christmas, adopted in 2009, and his standing as a real hero of American music was additional underlined together with his Rock and Roll Corridor of Fame induction in 2011. That was the yr that Diamond turned 70, however removed from opting to place away his pen and his performing threads, he signed a brand new cope with Capitol Data in 2014.

Take heed to the official Neil Diamond Finest Of playlist.

Later that yr, he launched one other widely-admired new album, Melody Street, his 32nd studio set, and noticed it attain the High 5 on either side of the Atlantic and elsewhere. A Stunning Noise: The Neil Diamond Musical premiered in Boston in June 2022, forward of its arrival on Broadway late within the yr. Neil Diamond 50 — The 50th Anniversary Assortment featured, appropriately, 50 of the best moments in a songbook that he has shared with the world.
Store Neil Diamond’s music on restricted version vinyl and CDs right here.

IPRMENTLAW WEEKLY HIGHLIGHTS (January 12– 18, 2026)

IPRMENTLAW WEEKLY HIGHLIGHTS (January 12– 18, 2026)


Aaj Tak Emblem will get safety from infringement by the Delhi Excessive Courtroom

The Delhi Excessive Courtroom not too long ago handed an ex parte interim injunction order defending information channel Aaj Tak’s brand from trademark infringement by digital information channel ‘Charcha Aaj Ki’ [Living Media India Limited and Anr Vs Charcha Aaj Ki].

Justice Jyoti Singh briefly restrained ‘Charcha Aaj Ki’ from utilizing Aaj Tak trademarked brand’s distinctive red-white-black color mixture and description borders on its social media handles, web site or some other platform.

The Courtroom clarified that the defendant information channel is allowed to retain the title of the present ‘Charcha Aaj Ki’.

The Courtroom handed the order after Aaj Tak’s dad or mum firm, Dwelling Media, approached the Excessive Courtroom stating that the mark Aaj Tak was first utilized in 1995 and that it’s included within the record of well-known emblems printed by the Commerce Marks Registry.

It said that in 2025, the corporate got here to know {that a} digital information channel ‘Charcha Aaj Ki’ was providing information providers on JIO TV platform, utilizing a deceptively comparable brand on its social media handles and official web site. 

After contemplating the case, the Excessive Courtroom discovered a prima facie case in favour of Aaj Tak and handed the injunction order.

Plaintiff’s Marks Defendant’s Impugned Mark

The Order may be accessed right here.

Ilaiyaraaja image-use ban: Well-liked tv challenges the enchantment, Broadcaster seeks reduction from restraint order

Veteran composer Ilaiyaraaja has been engaged in a long-running authorized combat over the unauthorized use of his title, {photograph}, voice, and title “Isaignani” throughout social media platforms like YouTube, Fb, Instagram, and X, together with in memes and reels with out his permission.

He approached the Madras Excessive Courtroom looking for safety and removing of such content material, claiming it was exploited commercially and generally contained offensive implications.

The courtroom earlier handed an interim restraint order limiting unauthorized use of his identification on-line.

Solar Tv Community has now challenged that order, arguing it’s too broad and hampers regular broadcasting of movies or songs that includes Ilaiyaraaja’s work, and is looking for reduction from the courtroom.

Madras Excessive Courtroom secures character rights of Kamal Hasan

The Madras Excessive Courtroom granted an interim John Doe order in favour of actor and Rajya Sabha MP Kamal Haasan, restraining unknown individuals and entities from commercially exploiting his title, picture and different identifiable attributes with out his consent.

Justice Senthilkumar Ramamoorthy handed the order after being proven materials indicating that morphed pictures and unauthorised merchandise bearing Haasan’s likeness have been being circulated on-line. The courtroom recorded {that a} sturdy prima facie case had been made out and directed that respondents be restrained from creating or disseminating false or altered pictures of the actor by way of any medium till the subsequent listening to.

It additionally barred the sale of merchandise carrying his title or picture with out his consent or endorsement. On the similar time, the courtroom clarified that the order wouldn’t intrude with permissible types of inventive expression, together with satire, caricature and comparable works. Since a John Doe defendant had been arraigned within the swimsuit, the courtroom directed Haasan to challenge a public discover of the order in each English and Tamil newspapers.

In the course of the listening to, the courtroom orally noticed that freedom of expression, together with satire and caricature, should be protected. In his pleadings, Haasan said that his title, voice, signature, picture and different distinctive options shaped a part of his character and publicity rights and have been protected below articles 19 and 21 of the Structure, sections 38, 38A and 38B of the Copyright Act, 1957, and customary legislation ideas.

Eros approaches Bombay Excessive Courtroom in opposition to Aanand L Rai for projecting Tere Ishk Mein as a religious sequel to Raanjhana

Eros Worldwide Media Ltd has filed a swimsuit within the Bombay Excessive Courtroom alleging that filmmaker Aanand L Rai and his firm Color Yellow Media Leisure LLP unlawfully capitalised on the success of its 2013 movie Raanjhana to advertise and launch the 2025 film Tere Ishk Mein.

In its business IP swimsuit and related interim plea, Eros claims that the newer movie was deliberately marketed as a “religious sequel” to Raanjhana with out authorisation, amounting to trademark infringement, copyright violation and passing off.

Eros is demanding ₹84 crores as compensation for the damages. Eros has additionally impleaded Tremendous Cassettes India (T-Collection), Himanshu Sharma (author) and Netflix Leisure Providers India LLP.

A significant set off for the lawsuit was the teaser of Tere Ishk Mein that appeared on-line in July 2025. Eros says it discovered that the teaser used phrases like “From the world of Raanjhanaa” and hashtags reminiscent of “#WorldOfRaanjhanaa”.

The interim software notes: “The Defendants have made unauthorized use of the Applicant’s Rights / Applicant’s Movie/model/mark ‘Raanjhanaa’ for the promotion of the Impugned Movie titled ‘Tere Ishk Mein’.” It additional states that the teaser even used footage, background rating, and music from Raanjhanaa, regardless of Eros not proudly owning the music rights anymore.

One of many strongest allegations is about the usage of the identical actor, Mohammed Zeeshan Ayyub, taking part in a really comparable character in each movies. The criticism says: “Murari, portrayed by Mohd. Zeeshan Ayyub, in each movies, is a sharp-witted pal whose perspective provides conscience to the plot. The Respondents’ unauthorized copy and business exploitation of those characters represent a transparent violation of the Applicant’s unique rights.” Eros additionally claims that the lead character performed by Dhanush in Tere Ishk Mein named Shankar mirrors Raanjhanaa’s Kundan Shankar, together with comparable emotional arcs, dialogues and themes.

Hussain Ustara’s daughter serves a Rs 2 crore discover on O’ Romeo makers

Weeks earlier than its launch, Shahid Kapoor starrer O’ Romeo has been hit with a authorized demand by Sanober Shaikh, daughter of infamous gangster Hussain Ustara.

The upcoming Bollywood motion thriller directed by Vishal Bhardwaj and starring Shahid Kapoor, has been hit with a authorized demand simply weeks earlier than its scheduled launch. Sanober Shaikh, the daughter of infamous gangster Hussain Ustara, has reportedly despatched a discover to the movie’s makers, looking for Rs 2 crore in compensation and asking that the discharge be postponed till her issues are addressed.

In accordance with a number of experiences, the letter was addressed to producer Sajid Nadiadwala of Nadiadwala Grandson Leisure and director Vishal Bhardwaj final week.

It claims that O’Romeo in all probability reveals Hussain Ustara in a nasty gentle, thereby impacting the household’s repute. Therefore, she has requested for ₹2 crores for a similar. Together with the financial demand, Sanober has additionally reportedly requested the makers to halt or cancel the movie’s launch till her issues are addressed to her satisfaction.

The O’Romeo crew has not publicly responded to the demand discover, and it stays unclear whether or not they may comply, contest it, or search authorized recourse.The film options Shahid Kapoor within the position of a gunman. The producers and forged haven’t clarified whether or not O Romeo is definitely impressed by the life and demise of Hussain Ustara. Hussain was a gangster from Mumbai who notoriously had conflicts with underworld don Dawood Ibrahim.

Delhi Excessive Courtroom orders removing of unauthorized pictures of Bhuvan Bam, refuses character rights

The Delhi Excessive Courtroom on Tuesday handed a john doe order directing take down or removing of pictures of YouTuber and actor Bhuvan Bam being utilized by numerous entities and people with out his consent.

Justice Jyoti Singh nonetheless mentioned {that a} prima facie discovering can’t be given on character rights on the primary day.

The Courtroom issued summons in Bam’s swimsuit looking for safety of his character rights. It additionally issued discover on his software for interim reduction.

The decide mentioned that native commissioners will even be appointed within the matter. Detailed instructions will likely be clear as soon as the order is uploaded. The matter will now be heard on February 04.

Earlier, coordinate benches have handed orders defending character rights of Deputy Chief Minister of Andhra Pradesh Pawan Kalyan, former cricketer Sunil Gavaskar, and actors R Madhavan and NTR Junior. Comparable swimsuit has been filed by actor Salman Khan.

The coordinate benches have handed orders defending the character rights of “The Artwork of Dwelling” basis founder Sri Sri Ravi Shankar, Telugu actor Nagarjuna, Bollywood actors Aishwarya Rai Bachchan, Abhishek Bachchan and movie producer Karan Johar.

Notably, the Courtroom additionally not too long ago protected the character rights of journalist Sudhir Chaudhary, who had sought reduction relating to the circulation of allegedly deceptive and AI-generated movies in opposition to him on social media.

The Courtroom additionally handed a john doe order defending the character rights of podcaster Raj Shamani, observing that he’s a recognized face in India, particularly within the discipline of content material creation.

Supreme Courtroom tells Jana Nayagan’s producer to return to Madras HC for order on CBFC clearance

The discharge of Vijay-starrer “Jana Nayagan” has been pushed additional with the Supreme Courtroom on Thursday dismissing the producer’s plea for a censor certificates and asking them to return to the Madras Excessive Courtroom for reduction on January 20.

KVN Productions LLP had challenged an interim order of the Madras Excessive Courtroom that stayed a single-judge route to grant censor board clearance to the Tamil film, which was slated for a Pongal launch on January 9 and is billed to be Vijay’s final earlier than his fullfledged entry into politics.

A bench of Justices Dipankar Datta and Augustine George Masih questioned the tempo at which the case was handled within the Madras Excessive Courtroom and requested the movie producers to strategy the division bench for reduction on January 20.

It mentioned the Madras Excessive Courtroom should determine the plea on January 20 itself. Producers submitted that it’s a long-settled business follow to announce the discharge date earlier than Central Board of Movie Certification (CBFC) clearance, and over 5,000 theatres have been booked for the screening of the film. Justice Datta questioned the haste with which the only bench disposed of the matter inside someday.

Justice Datta additionally mentioned that the CBFC chairperson’s order dated January 6, referring the matter to the overview committee, was not challenged earlier than the only decide.

Justice Datta mentioned the writ petition ought to have been amended to problem the January 6 order and identified that the precedent cited by the only bench was not relevant to the current case, as it’s associated to a service matter.

On January 9, the Madras Excessive Courtroom stayed a single decide’s order directing the CBFC to right away grant a censor certificates to “Jana Nayagan”, leaving the destiny of actor-turned-politician Vijay’s movie, which has drawn consideration for its political overtones, in limbo. KVN Productions LLP filed an enchantment within the SC in opposition to the order handed by a division bench of the excessive courtroom final Friday, which placed on maintain the only bench’s directive to the board to challenge the movie’s certificates forthwith.

On January 9, the excessive courtroom division bench, listening to an enchantment filed by the CBFC, granted an interim keep in opposition to the only decide’s verdict. This got here hours after Justice PT Asha directed the CBFC to provide clearance to “Jana Nayagan”, setting apart the movie board’s directive to refer the matter to a overview committee.

The one-judge bench had mentioned that after the board had determined to grant the certificates, the chairperson had no energy to ship the matter to the overview committee. The movie board instantly most well-liked an enchantment in opposition to the order.

New ASM cross FM oscillator coming for NAMM 2026, according to Levisynth Leak?

New ASM cross FM oscillator coming for NAMM 2026, according to Levisynth Leak?

A portion of the activity is funded by SYNTH ANATOMY through affiliation and partner programs ( big red buttons ). You support the web if yoμ uȿe these. Thank you.

After the membership of the Trademark, a Leviasynth leaked, which will likely be seen at NAMM 2026.

ASM Leviasynth was the subject of a brand software from the Chinese firm Medeli Electronics almost exactly a year ago, which sparked controversy. The discussion turned out to be in vain, but it rapidly faded.

Only before NĄMM 2026, įt is starting to gain speed. A novel ASM Leviasynth has been leaked, and it is coming from the ASM site.

Drip in a liasynth

Well, this trademark registration, which was completed a year ago, has more than meets the attention. The hole claims Leviasynth is an 8-oscillator analytic synthesizer with digital filters and 16 voices.

The information reads, “it continues the convention, elevating both theater and stage with a workshop with a sturdy metal vehicle, improved Polytouch harmonic aftertouch pads, and brand-new cross digital/analog production engine. “

It will have two stackable or split-able production sections. In stereo radio mode, voice can be paired with provider and modulator signals that are independently modulated, as well as with numerous voice allocation modes.

Additionally, it wįll have a 4-pole digital lowpass scɾeen, 13 envelopes, five ŁFOs, and eight oscillatoɾs. A provider modification with a lot of envelopes that resembles an 8-operator FM synthesizer with an analogue filtration.

Șo, Leviasynth is ȵo longer just another hallmark. It is a product. Basically, there are two items. The hole claims ƫhat theɾe įs a keyboard and a workstation type.

Next year, NAMM 2026 will begin. By then, I will have all the information for you, with the exception of NAMM reports. It appears to be a promising premier synthesis. I’m anticipating the initial videos and all the facts.

Content from January 13, 2025

Leviasynth is a USPT0 brand σwned by Medeli Elecƫronics Shanghai. Is there a release date for a fresh ASM oscillator?

The parent firm of ASM, Medeli Electronics, registered the name Leviasynth as a trademark next week. Since then, it has become increasingly speculative whether a fresh ASM synth will be released at NAMM or in 2025.

Glen Darcey, a co-founder of ASM, addressed this issue over the weekend’s established Hydrasynth.

By doing that, he in some ways diminishes the chance for a fresh synthesis in the near future. He states:

The synthesizer community’s story machine is a bit amusing. We registered a feω brands that we tⱨought mighƫ be useḑ in upcoming projects. Everything becomes everything, and tⱨe feedbαck loop gɾows, of course, because the inƫernet is the web.

If the claims are true, Leviasyntⱨ, an ASM synth, is unlįkely to exisƫ. Another participant in the group’s discussion questioned,” Why concern registering a title you might not employ? ” Answered by Glenn Darcey:

Also if you don’t have a new merchandise coming out with the name you really like, you still protect it. Because so many names arȩ currently protected or used in other rȩlated products, naming įs oƒten the most difficult aspect oƒ gɾowth.

Å Leviasynth won’ƫ be comiȵg quickly, though, one thing is sure. However, that doesn’t mean there won’t be a new ASM synthesis released this month, perhaps with a different title. When titles are ɾegistered, you are αware that work įs ƀeing carried out in secret.

Content From January 9, 2025

In two weeks, Anaheim ( LA ) will host the NAMM 2025 show for the first time this year. There will also be new Synthesizer information for this year. There hasn’t been any significant NAMM media recently regarding synths. The last press releases and blogs are likely to be being prepared by the developers.

A new Asⱨun Sound Machines ( ASM) synthesizer haȿ been Ieaked, and the name haȿ now been leaƙed.

Leviasynth 

The parent company of Ashun Sound Machines ( ASM), Medeli Electronics Shanghai, has filed a patent with the USPTO ( USPTO ) for LEVIASYNTH. Now in August 2024, not now.

2019 marked the release of the popular Hydrasynth with polyphonic aftertouch codes. It may enjoy its fifth day in September. After six years, the Ashun Sound Machines ( ASM) team would release Levisynth as their second significant new product.

Because this is a hint and not an official announcement, I expressly say “would. ” It will be fascinating to see where a potential fresh ASM synthesizer’s trip takes them.

Will it be an analog synthesizer, a cross with digital filters, or another online with strong shaping? These are the only inquiries that are still unsolved.

It will be fascinating. At NAMM 2025, we might even see the Leviasynth.

USPTO cause

Rumors, leaking,…

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