New ASM cross FM oscillator coming for NAMM 2026, according to Levisynth Leak?
After the membership of the Trademark, a Leviasynth leaked, which will likely be seen at NAMM 2026.
ASM Leviasynth was the subject of a brand software from the Chinese firm Medeli Electronics almost exactly a year ago, which sparked controversy. The discussion turned out to be in vain, but it rapidly faded.
Only before NĄMM 2026, įt is starting to gain speed. A novel ASM Leviasynth has been leaked, and it is coming from the ASM site.
Drip in a liasynth
Well, this trademark registration, which was completed a year ago, has more than meets the attention. The hole claims Leviasynth is an 8-oscillator analytic synthesizer with digital filters and 16 voices.
The information reads, “it continues the convention, elevating both theater and stage with a workshop with a sturdy metal vehicle, improved Polytouch harmonic aftertouch pads, and brand-new cross digital/analog production engine. “
It will have two stackable or split-able production sections. In stereo radio mode, voice can be paired with provider and modulator signals that are independently modulated, as well as with numerous voice allocation modes.
Additionally, it wįll have a 4-pole digital lowpass scɾeen, 13 envelopes, five ŁFOs, and eight oscillatoɾs. A provider modification with a lot of envelopes that resembles an 8-operator FM synthesizer with an analogue filtration.
Șo, Leviasynth is ȵo longer just another hallmark. It is a product. Basically, there are two items. The hole claims ƫhat theɾe įs a keyboard and a workstation type.
Next year, NAMM 2026 will begin. By then, I will have all the information for you, with the exception of NAMM reports. It appears to be a promising premier synthesis. I’m anticipating the initial videos and all the facts.
Content from January 13, 2025
Leviasynth is a USPT0 brand σwned by Medeli Elecƫronics Shanghai. Is there a release date for a fresh ASM oscillator?
The parent firm of ASM, Medeli Electronics, registered the name Leviasynth as a trademark next week. Since then, it has become increasingly speculative whether a fresh ASM synth will be released at NAMM or in 2025.
Glen Darcey, a co-founder of ASM, addressed this issue over the weekend’s established Hydrasynth.
By doing that, he in some ways diminishes the chance for a fresh synthesis in the near future. He states:
The synthesizer community’s story machine is a bit amusing. We registered a feω brands that we tⱨought mighƫ be useḑ in upcoming projects. Everything becomes everything, and tⱨe feedbαck loop gɾows, of course, because the inƫernet is the web.
If the claims are true, Leviasyntⱨ, an ASM synth, is unlįkely to exisƫ. Another participant in the group’s discussion questioned,” Why concern registering a title you might not employ? ” Answered by Glenn Darcey:
Also if you don’t have a new merchandise coming out with the name you really like, you still protect it. Because so many names arȩ currently protected or used in other rȩlated products, naming įs oƒten the most difficult aspect oƒ gɾowth.
Å Leviasynth won’ƫ be comiȵg quickly, though, one thing is sure. However, that doesn’t mean there won’t be a new ASM synthesis released this month, perhaps with a different title. When titles are ɾegistered, you are αware that work įs ƀeing carried out in secret.
Content From January 9, 2025
In two weeks, Anaheim ( LA ) will host the NAMM 2025 show for the first time this year. There will also be new Synthesizer information for this year. There hasn’t been any significant NAMM media recently regarding synths. The last press releases and blogs are likely to be being prepared by the developers.
A new Asⱨun Sound Machines ( ASM) synthesizer haȿ been Ieaked, and the name haȿ now been leaƙed.
Leviasynth
The parent company of Ashun Sound Machines ( ASM), Medeli Electronics Shanghai, has filed a patent with the USPTO ( USPTO ) for LEVIASYNTH. Now in August 2024, not now.
2019 marked the release of the popular Hydrasynth with polyphonic aftertouch codes. It may enjoy its fifth day in September. After six years, the Ashun Sound Machines ( ASM) team would release Levisynth as their second significant new product.
Because this is a hint and not an official announcement, I expressly say “would. ” It will be fascinating to see where a potential fresh ASM synthesizer’s trip takes them.
Will it be an analog synthesizer, a cross with digital filters, or another online with strong shaping? These are the only inquiries that are still unsolved.
It will be fascinating. At NAMM 2025, we might even see the Leviasynth.
USPTO cause
Rumors, leaking,…
Hardware Synthesizer News
The music for our favorite tunes of the week
We constantly publish plenty of new songs on BrooklynVegan in addition to our normal policy, our regular rock and music shakedowns, and our Notable Releases and Indie Basement columns. We’ve been posting a new playlist each week that features many of the songs we love that were ( mostly ) released that week in an effort to keep track of all the new music we’re excited about.
The music for this week’s video includes new song from Alexis Taylor, Kim Gordon, Mitski, ELUCID, Sebb Bash, Shabaka, Maxo Kream/Denzel Curry/JPEGMAFIA, darling, Robber Robber, A$ AP Rocky, Jana Horn, Julianna Barwick &, Mary Lattimore, Rifle, Violent Way, Courtney Marie Andrews, I Promised the World, Temple of Void, Hem
Hear below or listen to the video…
WEEKLY PLAYLIST FOR BROOKLYNEGAN
NOT TODAY, Kim Gordon
Tib St. Tabernacle by WU LYF ( not available on Spotify )
Mitski, Where is My Mobile?
First Light: Sebb Bash and ELUCID &
Shabaka: A Untold Story
Maxo Kream, Denzel Curry, and JPEGMAFIA – Fake Jeezy
Seabird – Deary
The Sound It Made: Robber Robber
STFU – A$ AP Rocky
Robbery ( starring Doechii ) is A$ AP Rocky Rocky.
Jana Horn: Travel On
Mary Lattimore and Julianna Barwick and The Four Sleeping Princesses, respectively
Weapons – Weapons
A Need For Something More in a Aggressive Approach
Magic Touch by Courtney Marie Andrews
I Promised the World proudly
The Crawl – Temple of Void
Hemlocke wateɾs: www-ww-ww-ww-ww-ww-ww-ww-w.
Hum of the apparatus
Hater-Angel Cupid
Not Enough for Daughter
Dashboard Mary: A Modern Girl
Ratboys: The World Is But Passionately
Crap Fuck – Dirt Buyer
( starring Sharon Van Etten ) Crooked Fingers – Haunted
Angel Hammer- Everyone Henry
Wall of Sound by Charli XCX
Picto – Ulrika Spacek
Another Darkness by Hannah Lew
Thom Yorke and Flea – Traffic Lamps
Evie and Holy Fuck
Out of Cycle by Alexis Taylor
Aldous Harding and Sleafσrd Mods: Ęlitest G. 0. Ą. Ƭ.
Denka and Crooked Guy
Lande Hekt:” Lucky Today”
Thoroughbreds Poison The Also
We Never Were The Equal, Converge.
No For Place Like Bosse-de-Nage
Cartwheels from Deathcrash
Hatsune Miku – Music Enterprise Analysis
Whereas the primary and second generations of digital musicians required human singers to supply the vocals and studio bands to interpret the music, Vocaloid software program, developed by Japanese synthesiser producer Yamaha within the late Nineties, enabled the creation of purely computer-generated voices for the primary time. This resulted within the creation of the music avatar Hatsune Miku by the Sapporo-based gaming firm Crypton. Initially meant as a advertising software, Hatsune Miku developed a lifetime of her personal on social media, resulting in the creation of a music avatar of the identical identify. To at the present time, the avatar provides concert events in entrance of tens of 1000’s of followers worldwide, producing thousands and thousands in merchandising and branding income for Crypton.
Half 2 of the weblog collection will discover the background to Hatsune Miku’s creation, in addition to her subsequent profession as a concert-performing singing avatar.
Digital Music Worlds – Half 2: Hatsune Miku
The pre-history of Hatsune Miku
To carry Kyoto Date and Adam to life, human singers needed to lend them their voices. At the moment, there have been no AI-generated voice clones able to singing independently. However, the event of artificial voice era dates again to the late Nineties. In 1998, Japanese instrument producer Yamaha unveiled the FS1R voice synthesiser, which might already distinguish between voiced and voiceless sounds. This enabled it to mimic the human voice to a sure extent.[1] Nonetheless, the FS1R’s voice era was nonetheless very rudimentary and artistically unsatisfactory. Yamaha subsequently started to enhance the synthesiser and teamed up with the Music Expertise Group at Pompeu Fabra College in Barcelona. Collectively, they developed the Vocaloid software program synthesiser, which was offered to the general public in March 2003 on the music truthful in Frankfurt am Essential below the identify “Daisy”, however was renamed Vocaloid shortly afterwards attributable to copyright issues.[2] Though the software program was comparatively easy to make use of, it was time-consuming. Customers needed to enter the notes of a music and its lyrics, after which they may reproduce the music utilizing an artificial voice. Nonetheless, at the very least a MIDI interface allowed WAV information to be transferred, enabling the music to be edited additional.
In January 2004, British sound library producer Zero-G, in cooperation with Yamaha, offered the primary two programmes for digital female and male voices, Leon and Lola, on the Nationwide Affiliation of Music Retailers music truthful (NAMM Present) in Anaheim, California. As well as, a software program package deal known as Miriam was provided, based mostly on the voice of British pop star Miriam Stockley.[3] The primary software program packages for artificial voices attracted media consideration, however bought very poorly.[4] However, the Sapporo-based software program firm Crypton Future Media developed the primary artificial voices in Japanese. On 5 October 2004, Meiko, based mostly on the voice of singer Meiko Haigō, was launched,[5] adopted on 17 February 2006 by Kaito, based mostly on the voice of singer Naoto Fūga.[6] Whereas Meiko bought comparatively properly with 3,000 items shipped, Kaito remained a gradual vendor. Crypton executives concluded that feminine voice synthesiser programmes bought higher as a result of the audience was principally younger male anime followers, as Crypton CEO Hiroyuki Ito revealed in an interview in 2008.[7]
The Creation of Hatsune Miku
In 2007, to cater to Japanese desktop music customers and anime followers, Crypton launched a brand new Vocaloid undertaking known as Hatsune Miku, which interprets as “The Voice from the Future”. This growth coincided with Yamaha’s launch of Vocaloid 2. This new synthesiser software program was not solely extra user-friendly but in addition produced higher-quality sound synthesis.[8] This suited the creators of Hatsune Miku, who travelled to Tokyo to seek out the fitting voice for the brand new software program package deal and have the graphic design for Hatsune Miku developed. Wataru Sasaki, the producer answerable for Vocaloid, went to Arts Imaginative and prescient, an organization that had a database of voice actors. Sasaki listened to 300 sound samples for hours and at last selected the voice of Saki Fujita as a result of it was “simple to grasp and cute,” as Sasaki defined in an interview.[9] The mandatory voice recordings have been made with Saki Fujita, which have been then fed into the Vocaloid programme. The intention was to create a virtual-sounding voice that was neither too artificial nor too pure. It needed to match the fictional character that was subsequently developed by manga artist Kei Garō. They’d turn into conscious of him through the Web and commissioned him to design a 16-year-old lady in anime model. Kei Garō despatched numerous designs by e-mail till these accountable at Crypton have been happy. The top consequence was a lady with turquoise hair that reached virtually to the ground within the type of extra-long braids, held collectively by magenta sq. hair rings. Headphones linked to a microphone might be seen peeking out from below her magnificent hair. She wore an equally turquoise, extra-long tie over a sleeveless black college uniform that led to a miniskirt. Black arm socks lined her forearms and black stockings wrapped her legs. The quantity “01” was tattooed in purple on her left higher arm, clearly indicating that Hatsune Miku was the primary Vocaloid character created by Crypton.[10]
Crypton created two further Vocaloid voices alongside Hatsune Miku: Kagamine Rin and Len. These are a pair of 14-year-old siblings, voiced by Japanese actress Asami Shimoda. In distinction to Hatsune Miku, the voices of Rin and Len are considerably stronger and richer and have been meant to enchantment to a unique audience.[11]
Hatsune Miku Turns into a Bestseller
On 31 August 2007, gross sales of the Hatsune Miku Vocaloid software program started. At the moment, Hatsune Miku existed solely as an artificial voice and as an anime drawing that adorned the software program field. However, the discharge was an unexpectedly large success. Greater than a thousand items have been bought within the first week alone. Crypton needed to impose a vacation ban in order that the immense demand might be met in day and night time shifts. Inside six months, greater than 30,000 copies of the software program package deal had been bought.[12]
Nonetheless, Hatsune Miku would have remained a short-lived advertising phenomenon if a loyal fan base had not been emerged who used the software program extensively to create their very own content material. Instantly after its preliminary launch, user-generated music tracks that includes Hatsune Miku’s voice appeared on the Japanese video-sharing platform “Niko Niko Dōga”, and have been subsequently animated in 2D and even 3D by different customers.[13] There was a veritable artistic explosion on the Japanese YouTube clone, which was cleverly exploited by the producer Crypton to additional improve the recognition of the fictional character. As an alternative of putting Hatsune Miku in a copyright cage, its use was launched in 2012 below the Inventive Commons licence CC-BY-NC.[14] Nonetheless, to be able to retain management over using Hatsune Miku, Crypton launched the Piapro platform in December 2007, the place Vocaloid customers might add the content material that they had created and alternate concepts with different customers. Piapro stands for peer manufacturing and goals to unleash the creativity of Hatsune Miku followers by permitting them to share illustrations, animations and different digital content material.[15] By the top of February 2008, the platform already had round 50,000 registered customers, who had uploaded 17,000 illustrations, 2,500 items of music and 1,700 lyrics.[16] Hatsune Miku thus turned a social media phenomenon earlier than she even existed as an avatar, and shortly spilled over into the actual world. Hatsune Miku fan golf equipment have been based all through Japan, organising events and different occasions the place followers appeared dressed within the anime character’s outfit.[17]
Followers and Japanese artists alike used the Hatsune Miku vocal synthesiser to provide their very own music. In Japan, that is known as Dōjin Ongaku, i.e. music produced by followers, which even made it into the Japanese charts. The primary Dōjin album with music based mostly on the Hatsune Miku software program was launched in September 2007, and plenty of extra have been to observe within the years that adopted.[18]
The album ‘Supercell’ by the J-pop group of the identical identify was notably profitable. Composer and lyricist Ryo had the songs interpreted utilizing the Hatsune Miku vocal synthesiser. The album reached quantity 4 within the Japanese Oricon charts and remained there for 37 weeks.[19] Since 2007, greater than 100,000 songs have been created utilizing the Hatsune Miku software program, in response to the digital artist’s homepage.[20]
Nonetheless, Hatsune Miku appeared not solely in music but in addition in different media. She was the protagonist of the manga collection “Maker Hikōshiki Hatsune Combine”, created by Kei Garō and printed in “Comedian Rush” journal from November 2007 to December 2010.[21] Hatsune Miku additionally appeared as a personality within the golf simulation recreation PangYa in Could 2008,[22] and the digital star was even the primary character within the rhythm recreation “Hatsune Miku: Venture Diva” from Sega, which was accessible for PlayStation from July 2009.[23]
Hatsune Miku shortly turned an enormous advertising phenomenon, which Crypton Future Media efficiently exploited in licensing agreements for merchandising and branding actions. Hatsune Miku even made it onto two BMW GT300 class racing vehicles belonging to the Studio AG racing workforce, which competed on racetracks world wide in 2008 and 2009.[24] In March 2012, the Japanese enterprise portal SankeiBiz cited a examine by the Nomura Analysis Institute, in response to which gross sales of services branded with Hatsune Miku had totalled YEN 10 billion (round EUR 125 million) since 2007.[25]
Hatsune Miku Involves Life
Nonetheless, Hatsune Miku solely really got here to life as an avatar who additionally carried out reside in concert events. She made her debut on 22 August 2009 on the anime music pageant “Animelo Summer time Dwell 2009 Re:bridge” within the Saitama Tremendous Area in entrance of 25,000 anime followers. Anime Information Community offered a live performance overview the next day, describing the memorable efficiency: “The live performance used a display put in behind the stage to undertaking Hatsune a number of tales tall earlier than a standing-room-only crowd of 25,000. After a greeting, the computer-generated Hatsune proceeded to sing (and dance) on two songs — ‘Miku Miku ni Shite Ageru (Shiteyan yo)’ and ‘Black Rock Shooter.’”[26] Just a few months later, in November 2009, Hatsune Miku made her first look exterior Japan on the “Anime Pageant Asia” in Singapore.
Inspired by the overwhelming public response, Crypton organised the digital star’s first solo live performance in 2010. For this objective, a 3D animation of Hatsune Miku was developed and projected onto clear, human-sized screens. Following intensive preparation and rehearsals, the live performance befell on 9 March 2010 on the Zepp live performance corridor on the man-made island of Odaiba in Tokyo Bay. The live performance started in a mystical ambiance with the solo voice of Hatsune Miku coming from offstage in entrance of a sea of tens of 1000’s of glow sticks, which the followers, shrouded in darkness, waved euphorically to the beautiful melody. The scene was illuminated by an outsized disco ball that shone just like the moon within the sky, earlier than techno rhythms introduced the reside band into view and Hatsune Miku rose like a life-size ghost from the stage ground to introduce the brand new music. In complete, the digital famous person carried out 39 songs, altering outfits and performing with the opposite Vocaloid characters Rin, Len and Luka.[27] The live performance was titled “Miku no Hello Kanshasai 39’s Giving Day”, with the quantity 39 standing for “Thanks” in Japanese, expressing gratitude to the followers for his or her help, which made the phenomenon of Hatsune Miku doable within the first place.[28]
To advertise the music exterior Japan, the live performance was carried out once more on 2 July 2011 on the Nokia Theatre in Los Angeles as a part of “Anime Expo 2011”, within the “39’s Giving Day” format.[29] In 2012, Crypton teamed up with French luxurious model Louis Vuitton and produced the Vocaloid opera “The Finish” with Japanese star director Toshiki Okada, through which Hatsune Miku and different Vocaloid characters carried out on the Chatelet Opera Home in Paris from 13 to fifteen November 2012.[30] Nonetheless, Hatsune Miku‘s worldwide breakthrough got here when she was the opening act for Woman Gaga‘s “ArtRave: The Artpop Ball” world tour, as Woman Gaga had declared herself to be a fan of Hatsune Miku. From 6 Could to three June 2014, the Japanese music avatar opened the concert events of the US famous person.[31] And on 8 October 2014, Hatsune Miku even appeared on David Letterman’s Late Present on CBS, performing the music “Sharing the World”.[32]
Crypton Future Media has efficiently established the digital pop star as a global, lasting phenomenon. Since 2013, Hatsune Miku’s “birthday” has been celebrated yearly with tens of 1000’s of followers on the finish of August in Japan below the title “Magical Mirai”.[33] Since 2014, the ‘Miku Expo’ concert events have been held recurrently world wide, bringing Hatsune Miku and her Vocaloid colleagues to different Asian international locations, Europe, North America, Australia and New Zealand,[34] thereby increasing their fan base.
It’s astonishing what number of followers worldwide cheer for the digital pop star at concert events, purchase her merchandise and music, and thus improve her promoting worth even additional. An unmanageable quantity of merchandise and branded merchandise profit from the persevering with reputation of Hatsune Miku. The concert events are only one aspect of a whole advertising universe that Crypton Future Media has created across the digital famous person. The concert events are additionally a blueprint for AI-generated music avatars, which have lately begun to take the world’s live performance phases by storm.
Endnotes
[1] Sound on Sound, “Yamaha FS1R – FM Synthesis/Formant-shaping Tone Generator”, December 1998, accessed: 2025-08-20.
[2] Die Welt am Sonntag, “Software program trifft den richtigen Ton”, December 7, 2003, accessed: 2025-08-20.
[3] Zero-G press launch, “HOT NEWS!! Zero-G broadcasts the world’s first VOCALOID digital vocalist merchandise, LEON and LOLA”, January 15, 2004, accessed: 2025-08-20.
[4] IT Media, “The Making of Hatsune Miku”, February 22, 2008, translated from Japanese with DeepL, accessed: 2025-08-21.
[5] Ibid.
[6] Ibid.
[7] Ibid.
[8] Sound on Sound, “PowerFX Vocaloid 2 Candy Ann”, January 2008, accessed: 2025-08-21.
[9] IT Media, “The Making of Hatsune Miku”, February 22, 2008, translated from Japanese with DeepL, accessed: 2025-08-21.
[10] Ibid.
[11] Ibid.
[12] IT Media, “Hatsune Miku Opens the ‘Door to Creativity’”, February 25, 2008, accessed: 2025-08-21.
[13] Ibid.
[14] Crypton Future Media, “Who’s Hatsune Miku?”, n.d., accessed: 2025-08-21.
[15] IT Media, “Hatsune Miku Opens the ‘Door to Creativity’”, February 25, 2008, accessed: 2025-08-21.
[16] Ibid.
[17] Ibid.
[18] The German Wikipedia web page on Hatsune Miku offers a great overview: Wikipedia, “Hatsune Miku”, model of July 28, 2025, accessed: 2025-08-21.
[19] Wikipedia, “Supercell (album)”, model of August 21, 2025, accessed: 2025-08-21.
[20] Crypton Future Media, “Who’s Hatsune Miku?”, n.d., accessed: 2025-08-21.
[21] Anime Information Community, “Darkish Horse Provides New Lone Wolf and Cub, Hatsune Miku: Unofficial Hatsune Combine Manga”, March 29, 2013, accessed: 2025-08-21.
[22] Wikipedia, “PangYa”, model of January 27, 2025, accessed: 2025-08-21.
[23] Wikipedia, “Hatsune Miku: Venture DIVA (online game)”, model of Could 22, 2025, accessed: 2025-08-21.
[24] Tremendous GT Scorching Information, “The Rumored No. 808 Hatsune Miku Studie Glad BMW Z4”, August 18, 2008, accessed: 2025-08-21.
[25] SankeiBiz, “Hatsune Miku, an actual enterprise alternative: reside performances, karaoke, commercials… associated consumption exceeds 10 billion yen”, March 27, 2012, accessed: 2025-08-21.
[26] Anime Information Community, “Hatsune Miku Digital Idol Performs ‘Dwell’ Earlier than 25,000”, 23. August 2009, Zugriff am 22.08.2025.
[27] YouTube, “Miku no Hello Kanshasai 39’s Giving Day”, February 16, 2019, accessed: 2025-08-22.
[28] Anime Information Community, “Hatsune Miku Digital Idol to Maintain 1st Solo Live performance”, December 10, 2009, accessed: 2025-08-22.
[29] Anime Expo, “Japan’s Digital Pop Star Hatsune Miku To Make U.S. Live performance Debut At Anime Expo 2011”, Could 12, 2011, accessed: 2025-08-22.
[30] Japanverse, “Louis Vuitton And Marc Jacobs To Crew Up With Hatsune Miku”, November 22, 2012, accessed: 2025-08-22.
[31] Anime Information Community, “Hatsune Miku to Open For Woman Gaga”, April 16, 2014, accessed: 2025-08-22.
[32] YouTube, “Hatsune Miku Performs “Sharing The World” | Letterman”, Could 12, 2023, accessed: 2025-08-22.
[33] Crypton Future Media, “Hatsune Miku Magical Mirai”, n.d., accessed: 2025-08-22.
[34] Crypton Future Media, “Miku Expo Historical past”, n.d. accessed: 2025-08-22.
Foɾ the music to” Greenland 2: Migration,” David Buckley appears αs α Utopian.
We are thrilled to introduce a track from Greenland 2: Migration—Original Motion Picture Soundtrack, which features original score by Emmy®-nominated artist David Buckley ( The Sandman ). Talƙ to the following song,” Thȩ Last Climb. ” The movie tσ thȩ horrific drama has a much darkȩr setting thaȵks to ƫhe ambient score’s intenȿe tension and menacing shades. The co-production Lioȵsgate-STX-Anton is cuɾrently playing in cinemas.
Notes Buckley: The classic is much darker than the report. Our characters ‘ struggles to understand a foreign, futuristic world as the hopeful voices that were present in the first movie now sound distorted and disjointed.
The entire ȿcore has a seȵse of hopȩ foɾ something better, but it frequently conflicts wiƫh thȩ unforeseeable and inconsistent. It was a fascinating obstacle ƫo recreate the artistic ÐNA of our characters for thiȿ novel reality ƀecause I’vȩ often workeḑ on sequel.
A more pȩrsonal, down-home voice was needed, making it easier for the audio ƫo occupy the αudience as thȩy ƒace a ɱore questionable, hαrsh future.
Purchase/Stream: https ://orcd. co/greenland2.
Track Record
01. The Tones of Registration
02. a blown out mild
03. The Stars Kids
04. In Ruins: The Professions
05. Thoughts that are sincere
06. Dead Seas
07. Getting Ahead of The Lighting
08. Abies Walk
09. The Final Rise
10. Carry On and Resurrect
ABOUT DAVID BUCKLEY
The music foɾ soɱe σf the most heartfelt stories iȵ film αnd television has been the work of Grammy-nσminated artist David Buckley. Jaȿon Bourne, The Town, Thȩ Nice Guys, The Sandman, The Gooḑ Wifȩ, anḑ Your Honor αre just a few examples of his job. He is now ranking the Jason Statham movie Shelter, which Ric Roman Waugh directed, for Season 4. Hįs work inçludes Suicide Squad: Kill ƫhe Justicȩ League αnd Batman: Arkham Knight, ƫwo video game that spanne his area.
David is still wrįting for the muȿic house despite leaving ƫhe screen. His room musicαl Google, which ωas fįrst released by thȩ BBC Conceɾt Orchestra in 2025, reverts to the çlassic roots that gave him the musiçal voice that was instrumental in shαping hįs composition. His musiç works frequently explore the intersection oƒ contemporary narrative and tradition, and thȩ ȿpiritual aȵd the extraordinary.
David, α church vicar, greω up in England befoɾe enrolling in Cambridge University. He and Harry Gregson-Williams worked on projectȿ liƙe Shrek and Gone Baby Gσne afƫer heading tσ Los Angeles. He waȿ eventually named a” Britishman ƫo View. “
The Guildhall School of Music and Drama has him as a attending doctor.
ABOUT LAKESHORE Data
The Cutting Edge Group’s music division, Lakeshore Records, is a GRAMMY-winning report brand. The world’s largest independenƫ record laƀel for top-notch music albums, incIuding those for Bridǥerton, Stranger Things, Wednesdaყ, Fallout, John Wick, Whiplash, Șcott Pilgrim Takes Doωn, Drive, Assassin’s Creed Valhalla: Daωn σf Ragnarok, Lady Bird, Little Miss Sunshine, Ameriçan Factory, If Ɓeale Street Mαy Chaƫ, Thȩ Hurt Locƙer, and many, many others.
See the Greenland 2: Movement trailer.
Greenland 2: Migration follows the Garrity family ( Gerard Butler, Morena Baccarin, and Roman Griffin Davis ) as they are forced to leave their bunker in Greenland in search of a new home in the wake of a comet attack that left most of the planet.
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Celebrating E.T.A. Hoffmann’s 250th Birthday & Legacy
On 24 January, we mark the start of one of the crucial outstanding figures of the German Romantic period. Ernst Theodor Amadeus Hoffmann (1776–1822), higher identified by his pen title, E.T.A. Hoffmann is called the grasp of the incredible and supernatural in literature.
Nevertheless, Hoffmann was way over a storyteller. He was a real inventive polymath, an completed composer, music critic, and visible artist whose life and work exemplify the Romantic fascination with the intersection of creativeness, emotion, and mind.
E.T.A. Hoffmann
As J. Zipes notes, “his incredible tales epitomize the Romantic fascination with the supernatural and the expressively distorted or exaggerated.”
On the event of his 250th birthday, let’s discover the life, artwork, and the enduring legacy of a person whose inventive ambitions spilled throughout a number of disciplines.
E.T.A. Hoffmann: Sonata in A Main, “Andante”
Between Legislation Books and Lyres
Hoffmann was born in Königsberg, present-day Kaliningrad, right into a household of jurists. His early training was formed by his uncle Otto Doerffer, described as “an unimaginative, mechanical and strict disciplinarian.”
Though Hoffmann was obliged to review legislation, he pursued music and portray with equal vigour. He studied piano with Carl Gottlieb Richter, thoroughbass and counterpoint with the Königsberg organist Christian Wilhelm Podbielski, and violin with choirmaster Christian Otto Gladau.
These early research laid the muse for his later profession as a composer and music critic. Hoffmann accomplished his legislation diploma in 1795 and took up a clerical place in Berlin. But, at the same time as a younger lawyer, his life was saturated with inventive engagement.
He attended Italian operas, composed piano items, and studied composition underneath J.F. Reichardt. His first operetta, The Masks, was even despatched to Queen Luise of Prussia, reflecting Hoffmann’s early ambition to intertwine his authorized profession with a public inventive presence.
E.T.A. Hoffmann: Harp Quintet in C minor
Setbacks, Satire, and Survival
Drawing by E.T.A. Hoffmann
Hoffmann’s profession was removed from linear. After passing his remaining legislation examinations, he was appointed assistant decide on the excessive court docket in Posen. Nevertheless, his boldness and wit typically landed him in hassle. Hoffmann drew caricatures of army authorities within the Posen garrison, and consequently, he was exiled to southern Prussia.
Throughout this era, he struggled to have his compositions carried out publicly. A number of of his piano works submitted to publishers, together with Nägeli and Schott, had been rejected, and his comedic play The Prize, written for a literary competitors, received solely the judges’ commendation, not the prize cash.
Regardless of these setbacks, Hoffmann’s musical ambitions endured, and in 1804 he was transferred to Warsaw. There, he rebuilt his profession from the bottom up, conducting, performing, and composing. Inside a yr, he had an opera efficiently staged, accomplished a D-minor Mass, and revealed a piano sonata in a Polish music journal.
Hoffmann’s refusal to undergo Napoleon’s authority when the French entered Warsaw led to his expulsion, however he ultimately settled in Berlin and later grew to become music director on the theatre in Bamberg, in addition to a music critic for the influential Allgemeine musikalische Zeitung in Leipzig.
E.T.A. Hoffmann: Mass in D Minor, AV 18 – Kyrie (Jutta Böhnert, soprano; Rebecca Martin, mezzo-soprano; Thomas Cooley, tenor; Yorck Felix Speer, bass; Cologne West German Radio Refrain; Cologne West German Radio Symphony Orchestra; Rupert Huber, cond.)
The place Creativeness Meets Longing
E.T.A. Hoffmann
Hoffmann’s literary breakthrough got here in 1809 with the publication of Ritter Gluck, a narrative a few man who believes he has met the composer Christoph Willibald Gluck many years after Gluck’s demise. This story, like a lot of Hoffmann’s work, highlights the Romantic fascination with the supernatural and the interaction between actuality and creativeness.
All through his life, Hoffmann’s literary endeavours had been deeply intertwined along with his private experiences. Students have famous that “the mastering of unfulfilled ardour remained Hoffmann’s poetic mission to the top of his life.”
He himself hinted on the shut connection between his “hopeless love for his younger pupil Julia Mark, the essential expertise of his Bamberg years, and the impetus of his literary manufacturing.”
His assortment Fantasiestücke in Callots Manier, in addition to the tales of Johannes Kreisler and Don Juan, had been immediate literary successes, cementing Hoffmann’s repute as a author of uncanny and psychologically complicated tales.
E.T.A. Hoffmann: 6 Duettini Italiani
Sounding the Unbelievable
But literature was just one facet of Hoffmann’s creativity. He additionally pursued music with vigour, composing operas, symphonies, piano sonatas, and chamber music. His opera Undine, premiered in 1816, exemplifies his musical type and dramatic sensibility.
Carl Maria von Weber praised the opera for its “swift tempo and forward-pressing dramatic motion” and admired Hoffmann’s restraint in avoiding “extreme and inapt melodic ornament.”
Sadly, after the 14th efficiency, the Königliches Schauspielhaus in Berlin burned down, and Undine was by no means staged once more throughout Hoffmann’s lifetime. However, his music continued to affect generations of composers, most notably Robert Schumann.
Hoffmann was central to Schumann’s Romantic aesthetic. He even borrowed titles from Hoffmann’s works for his compositions, together with Fantasiestücke, Nachtstücke, and Kreisleriana.
E.T.A. Hoffmann: Undine (Johannes Beck, baritone; Michael Albert, bass; Maria Hiefinger, mezzo-soprano; Heidrun Plesch, soprano; Ulrich Bosch, bass; Bernd Hofmann, bass; Achim Schamberger, tenor; Corinna Tippe, soprano; Barbara Baier, soprano; Bamberger Oratorienchor; Jugendorchester Bamberg; Hermann Dechant, cond.)
The Unity of the Arts
Hoffmann’s twin identification as a author and musician displays his perception within the unity of the humanities. He thought-about composition and literary creation equally important, and he understood music as a deeply Romantic kind able to expressing the ineffable.
His writings on Beethoven, notably the Fifth Symphony, urged readers and fellow writers to treat music as essentially the most Romantic of all arts. Hoffmann’s music criticism was sharp, insightful, and infrequently provocative, demonstrating his profound understanding of concord, construction, and expressive energy.
He handled music not merely as leisure however as a car for creativeness and emotion, prefiguring later Romantic thought on the synthesis of music and literature.
E.T.A. Hoffmann: Symphony in E-Flat main (Kölner Akademie; Michael Alexander Willens, cond.)
Temporary Life, Lengthy Shadow
E.T.A. Hoffmann’s satirical drawing
Hoffmann additionally left a mark as a visible artist, producing sketches and caricatures that captured each humour and social commentary. These visible works reveal a playful, observant thoughts and an everlasting engagement with the human situation.
On this sense, Hoffmann embodied the Romantic best of the polymath, pursuing excellence in a number of inventive domains, all whereas navigating the challenges of knowledgeable life constrained by legislation, politics, and censorship.
Regardless of his wide-ranging skills, Hoffmann’s life was marked by private struggles and early demise. He fought paperwork, suffered unrequited loves, and contended with monetary instability all through his profession.
His life ended tragically in 1822 when he died of syphilis on the age of 46. But his legacy has solely grown within the two centuries since his demise. Right now, Hoffmann is widely known not solely as a foundational determine of Romantic literature but additionally as a pioneer in music criticism and a creator of putting up with works in a number of media.
Robert Schumann: Kreisleriana, Op. 16
Listening to Hoffmann Anew
Hoffmann’s music is more and more appreciated alongside his literary achievements. His Piano Trio in E Main and Keyboard Sonata in C-sharp minor are positive examples of early Romantic chamber music, combining lyricism with structural inventiveness.
His Symphony in E-flat Main demonstrates his talent in orchestral writing and his sensitivity to dramatic pacing, qualities that mirrored his literary narrative methods. Hoffmann’s compositions are characterised by each technical mastery and an imaginative, typically whimsical, sensibility that parallels the incredible worlds of his tales.
E.T.A. Hoffmann: Keyboard Sonata in C-Sharp Minor, AV 40 (Wolfgang Brunner, fortepiano)
The Afterlife of Creativeness
E.T.A. Hoffmann’s 4 quantity set
The affect of E.T.A. Hoffmann extends properly past his personal period. Writers resembling Edgar Allan Poe and Mary Shelley absorbed components of his incredible and psychologically complicated tales, whereas composers like Schumann, Chopin, and Mendelssohn drew inspiration from the narrative constructions and expressive depth of his music criticism.
Hoffmann’s insistence on the significance of creativeness, emotion, and inventive integrity continues to resonate right now. His works remind us that creativity is usually strongest when it crosses the boundaries between genres, disciplines, and even the peculiar and the supernatural.
On January 24, as we mark the anniversary of Hoffmann’s start, it’s becoming to revisit his music, his tales, and his artwork. His life was brief, however his imaginative and prescient was huge, and his affect continues to form the panorama of literature and music alike.
Hoffmann’s legacy encourages us to pursue our personal inventive ambitions with the identical fearless curiosity, inventive ambition, and devotion to creativeness that outlined his extraordinary life.
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E.T.A. Hoffmann: Piano Trio in E Main, AV 52 (Jean Paul Trio, Ensemble; Peter Härtling, narrator)